網路時代的音樂民族誌——以三個古典音樂部落格為例

Abstract

音樂學領域關注的對象從焦點人物、經典作品（Canons）擴大到日常生活（Everyday Life）的場景（Shelemay 2006; DeNora 2000），而網路是現下生活脈絡的一大特色，進入部落格時代後，音樂性肌理如何融於日常實踐？許多領域已開始著眼於此網路環境，然音樂學目前尚未有特別明顯的關注，這份研究主要聚焦於三個古典音樂部落格，藉以初探音樂部落格的脈絡，並觀照其如何溝通線上與離線（online/offline）的音樂實踐。 文中試圖跨越「線上/離線」的「虛擬/現實」二分思維，正如網路介面/聆聽空間並不對立，音樂再現由聲響質地構出氛圍亦由聆賞行為勾勒生活樣貌；又，討論社群不僅為線上群集，其串聯音樂產品的年代記憶成為當今版本比較的核心之一；另，音樂譬喻的書寫與過往平面媒體有貫通處，可為東西文化交會例證。 音樂場景登入部落格時代後，網路行為亦成了種參與音樂活動的方式，這份論文試著詮釋之，留下一份當代紀錄；而此初探於結語處留下開放式尾聲，期冀本研究告一段落處亦能供後來論者憑作後續討論的起點。

The focus in musicological studies has been modified, not merely figures or canons, but also everyday life is presently one of the sonic scenes to be estimated. As the internet signifies modern lives, how the notion of musicking has been applied when it comes to the age of blogging? Certain fields have touched upon this blogosphere while musicology has not shown its urgent concern to this topic so far. This paper mainly focuses on three blogs devoted to classical music. With this research, I try to understand musical blogs’ context and to examine how theses blogs connects online and offline music behaviours. Here I would offer no simple dichotomy such as online/offline or the virtual versus the real. Internet interface is not on the other side of a real listening space, and discussion within a cyber community could reveal how its participants value their collections. Besides, to write about music on blogs is discursive; according to audio materials, the encounter between Chineseness and Western classical music would be musically considered as well. In the age of the internet, pretty potentially, people participate in music events through blogging. My thesis is one interpretation of this phenomenon, and a sort of contemporary record. As a beginning, this paper shall hardly be self-contained, and I hope this open-ended paper would one day make a starting point.