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完整後設資料紀錄
DC 欄位 | 值 | 語言 |
---|---|---|
dc.contributor.advisor | 楊植勝 | |
dc.contributor.author | Yu-An Chien | en |
dc.contributor.author | 簡妤安 | zh_TW |
dc.date.accessioned | 2021-06-17T02:50:10Z | - |
dc.date.available | 2020-08-24 | |
dc.date.copyright | 2017-08-24 | |
dc.date.issued | 2017 | |
dc.date.submitted | 2017-08-15 | |
dc.identifier.citation | 一、高達美專著
Gadamer, Hans Georg. The Beginning of Knowledge. (Trans.) Rod Coltman. New York: Continuum. 2001. --- Dialogue and Dialectic. (Ed.) P. Christopher Smith. New Haven and London: Yale University Press. 1980. --- Wahrheit und Methode: Grundzüge einer Philosophischen Hemeneutik. in Gesammelte Werke Band 1: Hermeneutik 1. Tübingen: Mohr Siebeck. 1990. --- Wahrheit und Methode: Ergänzungen Register. in Gesammelte Werke Band 2: Hermeneutik 2. Tübingen: Mohr Siebeck. 1993. --- “Kunst und Nachahmung”. in Gesammelte Werke Band 8: Ästhetik und Poetik 1. Tübingen: Mohr Siebeck. 1999. --- (Trans.) Walker, Nicholas. “Art and Imitation”. in The Relevance of the Beautiful and Other Essays. (Ed.) Robert Bernasconi. Cambridge: Cambridge University Press, 1987. --- (Trans.) Weinsheimer, J. and Marshall, D. G. Truth and Method. New York and London: Continuum, 2004. --- 洪漢鼎譯,《真理與方法──哲學詮釋學的基本特徵》,台北:時報,1993。 --- 黃應全譯,〈藝術與模仿〉,《伽達默爾集》,嚴平編,上海:遠東出版社,1997。頁484-494。 二、其他著作 (一)西文 Adamson, Peter. Classical Philosophy. Vol 1. Oxford: Oxford University Press. 2014. Aristotle. Metaphysics. Aristotle in 23 Volumes, Vols.17, 18, (Trans.) Hugh Tredennick. Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1933, 1989. --- Nichomachean Ethics. Aristotle in 23 Volumes, Vol. 19, (Trans.) H. Rackham. Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1934. --- Physica. in the Basic Works of Aristotle, (Ed.) Richard McKeon, New York: Random House. 1941. --- Poetics. Aristotle. Aristotle in 23 Volumes, Vol. 23, (Trans.) W.H. Fyfe. Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1932. --- Politics. Aristotle in 23 Volumes, Vol. 21, (Trans.) H. Rackham. Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1944. --- Rhetoric. Aristotle in 23 Volumes, Vol. 22, (Trans.) J. H. Freese. Aristotle. Cambridge and London. Harvard University Press; William Heinemann Ltd. 1926. Cesare, Donatella Di. Gadamer: A Philosophical Portrait. Bloomington: Indiana University Press, 2013. Dickie, George. Introduction to Aesthetics: An Analytic Approach. New York: Oxford University Press. 1997. Duncan, Carol. Civilizing Rituals: Inside Public Art Museums. London: Routledge. 1995. Gjesdal, Kristin. “Reading Kant Hermeneutically: Gadamer and the Critique of Judgment.” in Kant-Studien, 98 (3). 2007. Pp 351-371. Grondin, Jean. Introduction to Philosophical Hermeneutics. New Haven: Yale University Press. 1994. --- “Gadamer’s Basic Understanding of Understanding”, in The Cambridge Companion to Gadamer. (ed.) Robert J. Dostsal. Cambridge: Cambridge University Press. 2002. --- The Philosophy of Gadamer. (Trans.) Kathryn Plant. Montreal: McGill-Queen’s University Press. 2003. Hegel, Georg Wilhelm Friedrich. Philosophy of right. (Trans.) S. W. Dyde. New York: Dover Publicatoins. 2005. Herwitz, Daniel. Aesthetics: Key Concepts in Philosophy. London: Continuum. 2008. Kant, Immanuel. Critique of Judgment. (trans.) Werner S. Pluhar. Indianapolis and Cambridge: Hackett. 1987. Plato, Apology. Plato in Twelve Volumes, Vol. 1 translated by Harold North Fowler; Introduction by W.R.M. Lamb. Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1966. --- Ion. Plato in Twelve Volumes, Vol. 9 translated by W.R.M. Lamb. Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1925. --- Phaedrus. Plato in Twelve Volumes, Vol. 9 translated by Harold N. Fowler. Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1925 --- Republic. Plato in Twelve Volumes, Vols. 5 & 6 translated by Paul Shorey. Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1969. --- Statesman. Plato in Twelve Volumes, Vol. 12 translated by Harold N. Fowler. Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1921. --- Timaeus. Plato. Plato in Twelve Volumes, Vol. 9 translated by W.R.M. Lamb. Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1925. Riedweg, Christoph. Pythagoras: His Life, Teaching, and Influence. (Trans.) Steven Rendall. Ithaca: Cornell University Press. 2008. Schiller, Friedrich von. On the Aesthetic Education of Man: In a Series of Letters. (Trans.) Wilkinson, Elizabeth M. and Willoughby, L. A. Oxford : Clarendon. 1985. Whitehead, A. N. Process and Reality: An Essay in Cosmology. New York: Free Press. 1979. Wertz, William F. Jr. “A Reader’s Guide To Schiller’s Letters on the Aesthetical Education of Man”, in Fidelio Volume 14, Number 1-2, Spring-Summer 2005. Pp 80-104. (二)中文 Jones, Stephen.《劍橋藝術史:十八世紀》,錢乘旦(譯),台北:桂冠,2000。 Reynolds, Donail Martin. 《劍橋藝術史:十九世紀》,錢乘旦(譯),台北:桂冠,2000。 Woodfort, Susan. 《劍橋藝術史:希臘與羅馬》,羅秀通(譯),台北:桂冠,2000。 張鼎國,〈文本與詮釋:論高達美如何理解康德《判斷力批判》〉,《中央大學人文學報》:34期 (2008.4),頁63-95。 張鼎國,〈海德格、高達美,與希臘人〉,《詮釋與實踐》,汪文聖編,台北:政大,2011,頁331-351。 | |
dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/69068 | - |
dc.description.abstract | 這篇論文跟隨高達美1967年〈藝術與模仿〉的思路,回顧古典美學史的發展,討論當代藝術不可理解的問題,並藉以釐清藝術與真理的關係。高達美以模仿論作為解釋藝術的恰當模型,為梳理模仿的概念,他提出三個哲學家:康德、亞里斯多德、畢達哥拉斯,以對藝術經驗提供更強的解釋力,並擴及人類存有與理解活動的真相。 | zh_TW |
dc.description.abstract | Following Gadamer’s “Art and in Imitation” in 1967, this thesis looks through the historical development of classical aesthetics, to see why art works nowadays are mostly not to be understood, as well as to clarify how art and truth are bound.
Gadamer takes the theory of imitation as a proper model to describe art. To explain the concept of imitation, he mentions Kant, Aristotle, and Pythagoras. His approach not only demonstrates art experience more broadly, but also touches the ultimate inquiry of human existence and understanding. | en |
dc.description.provenance | Made available in DSpace on 2021-06-17T02:50:10Z (GMT). No. of bitstreams: 1 ntu-106-R03124011-1.pdf: 1721702 bytes, checksum: 759478acadbaca29868f57c0597eb16b (MD5) Previous issue date: 2017 | en |
dc.description.tableofcontents | 中文摘要 ii
英文摘要 iii 目錄 iv 緒論 1 第一節 問題緣起 1 第二節 高達美的藝術哲學與希臘哲學 2 第三節 〈藝術與模仿〉概述 6 第四節 本文架構說明 9 第一章 高達美對近代美學的批判 13 第一節 三個流行學說 13 第二節 天才與模仿 17 第三節 美學主體化與審美區分 24 第四節 小結 31 第二章 模仿論的再提出 34 第一節 柏拉圖的藝術批評與模仿論 35 第二節 對柏拉圖的一般批評 41 第三節 亞里斯多徳的模仿論 42 第四節 高達美的詮釋與修正 47 第五節 小結 50 第三章 模仿的兩個面向 53 第一節 模仿作為理解活動 53 第二節 模仿作為存有結構 62 第三節 小結 68 結論:藝術與真理 72 參考資料 76 | |
dc.language.iso | zh-TW | |
dc.title | 高達美論藝術與模仿 | zh_TW |
dc.title | Gadamer on Art and Imitation | en |
dc.type | Thesis | |
dc.date.schoolyear | 105-2 | |
dc.description.degree | 碩士 | |
dc.contributor.oralexamcommittee | 林維杰,蔡偉鼎 | |
dc.subject.keyword | 高達美,藝術,模仿,理解,真理, | zh_TW |
dc.subject.keyword | Gadamer,Art, Imitation,Understanding,Truth, | en |
dc.relation.page | 81 | |
dc.identifier.doi | 10.6342/NTU201703368 | |
dc.rights.note | 有償授權 | |
dc.date.accepted | 2017-08-15 | |
dc.contributor.author-college | 文學院 | zh_TW |
dc.contributor.author-dept | 哲學研究所 | zh_TW |
顯示於系所單位: | 哲學系 |
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