河川浮覆地景的田園生活

Abstract

現今都市化與現代化的基礎設施建設過程，農耕活動逐漸地被驅離或擠壓，而人們也在追求資本社會的進程中異化，身體逐漸失去性。Viljon (2005)基於都市農業振興經濟、形塑可持續的都市發展經驗，提出「可持續生產性都市地景」之概念，主張將綠色生產納入都市設計與規劃之中，融合三生一體的發展概念，創造一個逐漸朝向自給自足的都市綠色網絡。如何在朝向可持續生產性都市地景的未來城市趨勢下，回復人們身體的完整性，勢必是需要思量的問題。 座落在中興橋下方，淡水河下游與新店溪交叉河道中的自然沙洲浮覆地上，出現一個特殊且已歷時半世紀之久的非正式地景，原本存在卻逐漸因都市計畫的實施，而變成為非經計劃許可的耕作行為，甚至被稱為非法占用公地從事綠色生產的活動。此塊浮覆地過去曾是國民維生的農耕場域，逐漸轉變成現今市民追尋自然田園純樸生活、逃離水泥叢林與異化社會的桃花源地。本研究旨在於解讀台北中興橋下的浮覆地景，採取歷時分析方法，剖析其在都市化與社會發展下的空間生產過程。同時，也結合田野農友訪談與參與式觀察，紀錄分析台北中興橋下浮覆地景的生產綠地和活動，如何表徵市民對田園綠意的渴望與其寄寓的鄉野情懷，提供可持續生產性地景之都市綠色網絡建構參考。

Today the process of urbanization and modernization of infrastructure construction, the agricultural activities gradually are expelled or extruded, and people seek the Capitalist society, their body gradually lose its integrity. Viljon(2005) based on the urban agriculture which could stimulates economy, consists of experiences of urban developing, he argues the concept of Continuous productive urban landscape space(CPULs). It advocated putting the production of green into urban design and planning, combining the production, life, and ecology together, to create a gradually toward self-sufficient urban green network. How to reply to the physical integrity of people in the city of the future trend towards sustainable and productive urban landscape? It is bound to need to figure out the problem. Looking around the land border in Taipei City, for example: located in Chung-Hsing bridge side, cross the Tamsui river downstream and Xindian natural sandbar in the floating cover on the ground. It is a special informal landscape on the city marginal land and even after half a century. These original existent land had gradually became illegal and non-permissive farming behavior with the practices of the urban planning, and even called the illegal occupation of public land in green production activities. This floating land was used to be productive farming fields for making money in the past, then gradually transformed into the garden, to today’s public pursuit of natural pastoral simplicity of life and escape the concrete jungle and the alienation of society. The purpose of the study is to read the floating landscape under Chung-Hsing Bridge in Taipei city. I used diachronic analysis the production process of this space. Also, combining the interview with farmers and field participant observation, to analyse the productive green space and activities on the floating sandbar landscape under Chung-Hsing Bridge, Taipei. Furthermore, how these phenomenon symbolize the desire of green farm and farmer’s nostalgia of citizen. Finally, through the floating landscape change and the cultural representation to represent urban garden and farmer’s nostalgia, which provide the reference of establishing urban green network for CPULs.