請用此 Handle URI 來引用此文件:
http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/57103完整後設資料紀錄
| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.advisor | 葉素玲(Su-Ling Yeh) | |
| dc.contributor.author | Jye-Sheng Tan | en |
| dc.contributor.author | 陳傑勝 | zh_TW |
| dc.date.accessioned | 2021-06-16T06:35:01Z | - |
| dc.date.available | 2014-08-11 | |
| dc.date.copyright | 2014-08-11 | |
| dc.date.issued | 2014 | |
| dc.date.submitted | 2014-08-02 | |
| dc.identifier.citation | 1.Alsius, A., & Munhall, K. G. (2013). Detection of audiovisual speech correspondences without visual awareness. Psychological Science, 24(4), 423-431. doi: 10.1177/0956797612457378
2.Biederman, I. (1972). Perceiving real-world scenes. Science, 177(4043), 77-80. doi: 10.1126/science.177.4043.77 3.Biederman, I., Mezzanotte, R. J., & Rabinowitz, J. C. (1982). Scene perception: detecting and judging objects undergoing relational violations. Cognitive Psychology, 14(2), 143-177. doi: 10.1016/0010-0285(82)90007-X 4.Bolognini, N., Frassinetti, F., Serino, A., & Ladavas, E. (2005). 'Acoustical vision' of below threshold stimuli: interaction among spatially converging audiovisual inputs. Experimental Brain Research, 160(3), 273-282. doi: 10.1007/s00221-004-2005-z 5.Boyce, S. J., & Pollatsek, A. (1992). Identification of objects in scenes: the role of scene background in object naming. Journal of Experimental Psychology: Learning, Memory, and Cognition, 18(3), 531-543. doi: 10.1037/0278-7393.18.3.531 6.Boyce, S. J., Pollatsek, A., & Rayner, K. (1989). Effect of background information on object identification. Journal of Experimental Psychology: Human Perception and Performance, 15(3), 556-566. doi: 10.1037/0096-1523.15.3.556 7.Chen, Y. C., Huang, P. C., Yeh, S. L., & Spence, C. (2011). Synchronous sounds enhance visual sensitivity without reducing target uncertainty. Seeing Perceiving, 24(6), 623-638. doi: 10.1163/187847611X603765 8.Chen, Y. C., & Yeh, S. L. (2012). Look into my eyes and I will see you: unconscious processing of human gaze. Consciousness and Cognition, 21(4), 1703-1710. doi: 10.1016/j.concog.2012.10.001 9.Chen, Y. C., Yeh, S. L., & Spence, C. (2011). Crossmodal constraints on human perceptual awareness: auditory semantic modulation of binocular rivalry. Frontiers in Psychology, 2, 212. doi: 10.3389/fpsyg.2011.00212 10.Collignon, O., Girard, S., Gosselin, F., Roy, S., Saint-Amour, D., Lassonde, M., & Lepore, F. (2008). Audio-visual integration of emotion expression. Brain Research, 1242, 126-135. doi: 10.1016/j.brainres.2008.04.023 11.Davenport, J. L., & Potter, M. C. (2004). Scene consistency in object and background perception. Psychological Science, 15(8), 559-564. doi: 10.1111/j.0956-7976.2004.00719.x 12.Di Lollo, V., Enns, J. T., & Rensink, R. A. (2000). Competition for consciousness among visual events: The psychophysics of reentrant visual processes. Journal of Experimental Psychology: General, 129(4), 481-507. doi: 10.1037/0096-3445.129.4.481 13.Epstein, R. A. (2005). The cortical basis of visual scene processing. Visual Cognition, 12(6), 954-978. doi: Doi 10.1080/13506280444000607 14.Evans, K. K., Horowitz, T. S., & Wolfe, J. M. (2011). When Categories Collide: Accumulation of Information About Multiple Categories in Rapid Scene Perception. Psychological Science, 22(6), 739-746. doi: Doi 10.1177/0956797611407930 15.Faivre, N., Berthet, V., & Kouider, S. (2014). Sustained invisibility through crowding and continuous flash suppression: a comparative review. Frontiers in Psychology, 5. doi: 10.3389/fpsyg.2014.00475 16.Fang, F., & He, S. (2005). Cortical responses to invisible objects in the human dorsal and ventral pathways. Nature Neuroscience, 8(10), 1380-1385. doi: 10.1038/nn1537 17.Fei-Fei, L., Iyer, A., Koch, C., & Perona, P. (2007). What do we perceive in a glance of a real-world scene? Journal of Vision, 7(1), 10. doi: 10.1167/7.1.10 18.Frassinetti, F., Bolognini, N., & Ladavas, E. (2002). Enhancement of visual perception by crossmodal visuo-auditory interaction. Experimental Brain Research, 147(3), 332-343. doi: 10.1007/s00221-002-1262-y 19.Hadjikhani, N., Kveraga, K., Naik, P., & Ahlfors, S. P. (2009). Early (N170) activation of face-specific cortex by face-like objects. Neuroreport, 20(4), 403. doi: 10.1097/WNR.0b013e328325a8e1 20.Henderson, J. M., Weeks, P. A., & Hollingworth, A. (1999). The effects of semantic consistency on eye movements during complex scene viewing. Journal of Experimental Psychology: Human Perception and Performance, 25(1), 210-228. doi: Doi 10.1037//0096-1523.25.1.210 21.Hochstein, S., & Ahissar, M. (2002). View from the top: hierarchies and reverse hierarchies in the visual system. Neuron, 36(5), 791-804. doi: 10.1016/S0896-6273(02)01091-7 22.Hsiao, J. Y., Chen, Y. C., Spence, C., & Yeh, S. L. (2012). Assessing the effects of audiovisual semantic congruency on the perception of a bistable figure. Consciousness and Cognition, 21(2), 775-787. doi: 10.1016/j.concog.2012.02.001 23.Iordanescu, L., Guzman-Martinez, E., Grabowecky, M., & Suzuki, S. (2008). Characteristic sounds facilitate visual search. Psychonomic Bulletin & Review, 15(3), 548-554. doi: 10.3758/PBR.15.3.548 24.Jiang, Y., Costello, P., & He, S. (2007). Processing of invisible stimuli: advantage of upright faces and recognizable words in overcoming interocular suppression. Psychological Science, 18(4), 349-355. doi: 10.1111/j.1467-9280.2007.01902.x 25.Kovacs, G., Vogels, R., & Orban, G. A. (1995). Cortical correlate of pattern backward masking. Proceedings of the National Academy of Sciences, 92(12), 5587-5591. doi: 10.1073/pnas.92.12.5587 26.Lamme, V. A. (2006). Towards a true neural stance on consciousness. Trends in Cognitive Sciences, 10(11), 494-501. doi: 10.1016/j.tics.2006.09.001 27.Lamme, V. A., & Roelfsema, P. R. (2000). The distinct modes of vision offered by feedforward and recurrent processing. Trends in Neurosciences, 23(11), 571-579. doi: 10.1016/S0166-2236(00)01657-X 28.Macknik, S. L., & Martinez-Conde, S. (2007). The role of feedback in visual masking and visual processing. Advances in Cognitive Psychology, 3(1-2), 125-152. doi: 10.2478/v10053-008-0020-5 29.Marcel, A. J. (1983). Conscious and unconscious perception: An approach to the relations between phenomenal experience and perceptual processes. Cognitive Psychology, 15(2), 238-300. doi: 10.1016/0010-0285(83)90010-5 30.Mudrik, L., Breska, A., Lamy, D., & Deouell, L. Y. (2011). Integration without awareness: expanding the limits of unconscious processing. Psychological Science, 22(6), 764-770. doi: 10.1177/0956797611408736 31.Olivers, C. N., & Van der Burg, E. (2008). Bleeping you out of the blink: sound saves vision from oblivion. Brain Research, 1242, 191-199. doi: 10.1016/j.brainres.2008.01.070 32.Palmer, T. E. (1975). The effects of contextual scenes on the identification of objects. Memory & Cognition, 3(5), 519-526. doi: 10.3758/BF03197524 33.Paras, C. L., & Webster, M. A. (2013). Stimulus requirements for face perception: an analysis based on 'totem poles'. Frontiers in Psychology, 4, 18. doi: 10.3389/fpsyg.2013.00018 34.Potter, M. C. (1976). Short-term conceptual memory for pictures. Journal of Experimental Psychology: Human Learning and Memory, 2(5), 509-522. doi: 10.1037/0278-7393.2.5.509 35.Potter, M. C., Wyble, B., Hagmann, C. E., & McCourt, E. S. (2014). Detecting meaning in RSVP at 13 ms per picture. Attention, Perception, & Psychophysics, 76(2), 270-279. doi: 10.3758/s13414-013-0605-z 36.Sampanes, A. C., Tseng, P., & Bridgeman, B. (2008). The role of gist in scene recognition. Vision Research, 48(21), 2275-2283. doi: 10.1016/j.visres.2008.07.011 37.Serre, T., Kreiman, G., Kouh, M., Cadieu, C., Knoblich, U., & Poggio, T. (2007). A quantitative theory of immediate visual recognition. Progress in Brain Research, 165, 33-56. doi: 10.1016/S0079-6123(06)65004-8 38.Serre, T., Oliva, A., & Poggio, T. (2007). A feedforward architecture accounts for rapid categorization. Proceedings of the National Academy of Sciences, 104(15), 6424-6429. doi: 10.1073/pnas.0700622104 39.Stein, B. E., London, N., Wilkinson, L. K., & Price, D. D. (1996). Enhancement of perceived visual intensity by auditory stimuli: a psychophysical analysis. Cognitive Neuroscience, 8(6), 497-506. doi: 10.1162/jocn.1996.8.6.497 40.Stein, T., Senju, A., Peelen, M. V., & Sterzer, P. (2011). Eye contact facilitates awareness of faces during interocular suppression. Cognition, 119(2), 307-311. doi: 10.1016/j.cognition.2011.01.008 41.Tononi, G., & Edelman, G. M. (1998). Consciousness and complexity. Science, 282(5395), 1846-1851. doi: 10.1126/science.282.5395.1846 42.Tsuchiya, N., & Koch, C. (2005). Continuous flash suppression reduces negative afterimages. Nature Neuroscience, 8(8), 1096-1101. doi: 10.1038/nn1500 43.Vanrullen, R. (2007). The power of the feed-forward sweep. Advances in Cognitive Psychology, 3(1-2), 167-176. doi: 10.2478/v10053-008-0022-3 44.VanRullen, R., & Koch, C. (2003). Visual selective behavior can be triggered by a feed-forward process. Journal of Cognitive Neuroscience, 15(2), 209-217. doi: 10.1162/089892903321208141 45.Yang, E., Zald, D. H., & Blake, R. (2007). Fearful expressions gain preferential access to awareness during continuous flash suppression. Emotion, 7(4), 882-886. doi: 10.1037/1528-3542.7.4.882 | |
| dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/57103 | - |
| dc.description.abstract | 先前研究指出複雜場景圖片的語義能夠在視覺處理早期就被提取 (Potter, Wyble, Hagmann, & McCourt, 2014)。而無意識場景圖片是否能夠與聲音刺激做跨感官視聽整合至今仍是個謎。在本研究中,我們將探討場景聲音刺激是否能夠加速無意識場景圖片的視覺處理歷程。我們使用連續閃爍抑制(Continuous Flash Suppression)派典,在此派典中場景圖片(餐廳或街道)被呈現在某一眼,不斷閃爍的高對比蒙德里安彩色圖片(Mondrain)於另一眼呈現。場景圖片一開始會被蒙德里安圖片壓抑在無意識階段,並且同時搭配一個語義相符或者不符的場景聲音刺激。實驗參與者被要求一旦偵測場景的任何一部分即按鍵停止,我們則採用場景圖片從雙眼競爭中釋放的時間作為隱式處理的指標。結果發現在視聽語義相符的情況下場景圖片能較快從壓抑中釋放,而此類的無意識視聽整合效果只發生於完整場景圖片中(實驗一)。實驗二及實驗三的結果顯示,當只有物件或者只有背景的場景圖片時,此類無意識視聽整合效果就消失了。在實驗四中,我們排除了可能是預期效果造成的結果。這是第一筆實證研究顯示場景圖片能夠與聲音刺激做無意識視聽整合。此研究發現支持了複雜場景的語義訊息能夠在早期階段就被提取的假設,並且重新檢視了場景知覺理論,提出證據顯示複雜場景的視聽整合不需要意識介入就能夠完成。 | zh_TW |
| dc.description.abstract | It has been suggested that the meaning of a masked complex scene can be extracted in a single feedforward sweep. However, it remains unknown whether audiovisual integration occurs with an invisible complex visual scene. Here we examine whether a scenery soundtrack can facilitate unconscious processing of a subliminal visual scene. The continuous flash suppression paradigm was used to render a complex scene picture invisible, and the picture was paired with a semantically congruent or incongruent scenery soundtrack. Participants were asked to respond as fast as possible if they detected any part of the scene. Release-from-suppression time was used as an index of unconscious processing of the complex scene, which was found to be shorter in the audiovisual congruent condition than in the incongruent condition. This unconscious audiovisual integration occurred with full-scene pictures (Experiment 1), but not with objects-only (Experiment 2) or background-only (Experiment 3) pictures. The possibility of expectation feedback was excluded (Experiment 4). This is the first study demonstrating unconscious audiovisual integration with subliminal scene pictures. This finding not only supports the hypothesis that scenery semantic processing can be extracted in a feedforward pass, but also suggests that scene perception theories should be expanded to include unconscious audiovisual integration. | en |
| dc.description.provenance | Made available in DSpace on 2021-06-16T06:35:01Z (GMT). No. of bitstreams: 1 ntu-103-R01227106-1.pdf: 584544 bytes, checksum: ddaabd1111473dec40ed6947a846dfbd (MD5) Previous issue date: 2014 | en |
| dc.description.tableofcontents | Introduction p1
Experiment 1 p5 Method p5 Results and Discussion p9 Experiment 2 p10 Method p11 Results p11 Discussion p12 Experiment 3 p13 Method p14 Results p14 Discussion p15 Experiment 4 p16 Method p17 Results p18 Discussion p19 General Discussion p20 Acknowledgments p24 References p25 Figures p33 Figure 1 p33 Figure 2 p34 Figure 3 p35 | |
| dc.language.iso | en | |
| dc.subject | 場景知覺 | zh_TW |
| dc.subject | 無意識處理 | zh_TW |
| dc.subject | 視聽整合 | zh_TW |
| dc.subject | 雙眼競爭 | zh_TW |
| dc.subject | 連續閃爍抑制派典 | zh_TW |
| dc.subject | scene perception | en |
| dc.subject | continuous flash suppression | en |
| dc.subject | unconscious processing | en |
| dc.subject | audiovisual integration | en |
| dc.subject | interocular suppression | en |
| dc.title | 視聽整合對無意識場景圖片處理的促進效果 | zh_TW |
| dc.title | Audiovisual Integration Facilitates Unconscious Visual Scene Processing | en |
| dc.type | Thesis | |
| dc.date.schoolyear | 102-2 | |
| dc.description.degree | 碩士 | |
| dc.contributor.oralexamcommittee | 顏乃欣(Nai-Shing Yen),裴育晟(Yu-Cheng Pei) | |
| dc.subject.keyword | 場景知覺,無意識處理,視聽整合,雙眼競爭,連續閃爍抑制派典, | zh_TW |
| dc.subject.keyword | scene perception,unconscious processing,audiovisual integration,interocular suppression,continuous flash suppression, | en |
| dc.relation.page | 35 | |
| dc.rights.note | 有償授權 | |
| dc.date.accepted | 2014-08-04 | |
| dc.contributor.author-college | 理學院 | zh_TW |
| dc.contributor.author-dept | 心理學研究所 | zh_TW |
| 顯示於系所單位: | 心理學系 | |
文件中的檔案:
| 檔案 | 大小 | 格式 | |
|---|---|---|---|
| ntu-103-1.pdf 未授權公開取用 | 570.84 kB | Adobe PDF |
系統中的文件,除了特別指名其著作權條款之外,均受到著作權保護,並且保留所有的權利。
