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完整後設資料紀錄
DC 欄位 | 值 | 語言 |
---|---|---|
dc.contributor.advisor | 秦曼儀 | |
dc.contributor.author | Jo-Yao Huang | en |
dc.contributor.author | 黃若瑤 | zh_TW |
dc.date.accessioned | 2021-06-15T13:24:10Z | - |
dc.date.available | 2017-07-25 | |
dc.date.copyright | 2016-07-25 | |
dc.date.issued | 2015 | |
dc.date.submitted | 2016-06-20 | |
dc.identifier.citation | 一、史料文獻
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Translated by Christopher Kelly. Hanover and London: Published by University Press of New England [for] Dartmouth College, 1995. Rousseau, Jean-Jacques, and John T. Scott. Essay on the Origin of Languages and Writings Related to Music. Translated by John T. Scott. Hanover [N.H.]: University Press of New England, 1998. Villars, Franz de. La Serva Padrona: Son Apparition à Paris en 1752, Son Influence, Son Analyse; Querelle des Bouffons. Paris: Castel, 1863. 二、辭典、工具書 Brossard, Sebastien. Dictionnaire de Musique. Paris: Chez Christophe Ballard, 1703. Delon, Michel. Dictionnaire Européen des Lumières. Paris: Presses Universitaires de France, 2007. 三、近人研究 1. 期刊文獻 邱德亮,〈古典時期(1650-1800)品味的問題意識史〉,《文化研究》(Router: A Journal of Cultural Studies),2005年9月,創刊號,頁47-72。 秦曼儀,〈絕對王權下貴族的書寫與出版──拉侯什傅科公爵的《道德箴言錄》與巴黎菁英讀者〉,《臺大歷史學報》,2015年6月,第55期,頁1-65。 Darnton, Robert, “Policing Writers in Paris Circa 1750”, Representations, 5: 1-31, 1984 Isherwood, Robert M. “The Centralization of Music in the Reign of Louis XIV”. French Historical Studies 6 (2). [Duke University Press, Society for French Historical Studies]: 156–71, 1969 Johnson, James “The Encyclopedists and the Querelle des Bouffons: Reason and the Enlightenment of Sentiment”, Eighteenth Century Life, 10(2):12-27. Kotnik, Vlado. “The Adaptability of Opera: When Different Social Agents Come to Common Ground”. International Review of the Aesthetics and Sociology of Music 44 (2). Croatian Musicological Society: 303–42, 2013. Masson, Paul-Marie. “La Lettre sur Omphale (1752)”. Abbeville: Impr. F. Paillart.: 1-19, 1945. Paul, Charles B. “Music and Ideology: Rameau, Rousseau, and 1789”. Journal of the History of Ideas. 32 (3): 395-410, 1971. Rosow, Lois. “From Destouches to Berton: Editorial Responsibility at the Paris Opéra”. Journal of the American Musicological Society. 40 (2): 285-309, 1987. Serre, Solveig. “L’art Sous La Contrainte? La Programmation Du Répertoire De L'académie Royale De Musique Au Siècle Des Lumières”. Revue De Musicologie 94 (1). Société Française de Musicologie: 45–57, 2008. Weber, William. “Learned and General Musical Taste in Eighteenth-century France”. Past & Present, no. 89 [Oxford University Press, Past and Present Society]: 58–85, 1980. Weber, William, “The Contemporaneity of Eighteenth-Century Musical Taste”. Musical Quarterly, 70: 175-194, 1984. Weber, William. “La Musique Ancient in the Wanning of the Ancien Régime”. The Journal of Modern History, 56 (1): 58-88, 1984. Weber, William. “The Eighteenth-Century Origins of the Musical Canon”. 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Blanning, T. C. W. The Culture of Power and the Power of Culture: Old Regime Europe, 1660-1789. Oxford, UK: Oxford University Press, 2002. Blacking, John. How Musical is Man? Seattle: University of Washington Press, 1973. Charlton, David. Opera in the Age of Rousseau: Music, Confrontation, Realism. New York: Cambridge University Press, 2012. Chartier, Roger. Forms and Meanings: Texts, Performances, and Audiences from Codex to Computer. Philadelphia: University of Pennsylvania Press, 1995. Christensen, Thomas Street. Rameau and Musical Thought in the Enlightenment. Cambridge [England]: Cambridge University Press, 1993. Cowart, Georgia. The Origins of Modern Musical Criticism: French and Italian Music, 1600-1750. Ann Arbor, Mich: UMI Research Press, 1981. Cowart, Georgia. The Triumph of Pleasure: Louis XIV & the Politics of Spectacle. Chicago: University of Chicago Press, 2008. Crow, Thomas. Painters and Public Life in Eighteenth-Century Paris. New Haven: Yale University Press, 1985. Darlow, Mark. Dissonance in the Republic of Letters: the Querelle des Gluckistes et des Piccinnistes. London: Modern Humanities Research Association and Maney Pub., 2013. Darnton, Robert and Roche, Daniel, Revolution in Print: The Press in France, 1775-1800. Berkeley: University of California Press, 1989. Darnton, Robert, The Forbidden Best-Sellers of Pre-Revolutionary France. New York: W. W. Norton & Company, 1996. DeNora, Tia. 2000. Music in Everyday Life. Cambridge: Cambridge University Press. Fulcher, Jane F. The Nation’s Image: French Grand Opera as Politics and Politicized Art. Cambridge [Cambridgeshire]: Cambridge University Press, 1987. Glixon, Beth Lise, and Jonathan Emmanuel Glixon. Inventing the Business of Opera: the Impresario and His World in Seventeenth-Century Venice. Oxford: Oxford University Press, 2006. Heartz, Daniel and John A. Rice. From Garrick to Gluck: Essays on Opera in the Age of Enlightenment. New York: Pendragon Press, 2004. Isherwood, Robert M. Music in the Service of the King: France in the Seventeenth Century. Ithaca, [N.Y.]: Cornell University Press, 1973. Isherwood, Robert. Farce and Fantasy: Popular Entertainment in Eighteenth-century Paris. New York: Oxford University Press, 1986. Johnson, James H. Listening in Paris a cultural history. Berkeley, Calif: University of California Press, 1996. Lilti, Antoine. Le Monde des Salons: Sociabilité et Mondanité à Paris au XVIIIe Siècle. [Paris]: Fayard, 2005. Mittman, Barbara G., Spectator on the Paris Stage in the Seventeenth and Eighteenth Centuries. Michigan: UMI Press, 1984. Oliver, A. Richard. The Encyclopedists as Critics of Music. New York: Columbia University Press, 1947. Ravel, Jeffrey S. The Contested Parterre: Public Theater and French Political Culture, 1680-1791. Ithaca: Cornell University Press, 1999. Rogister, John. Louis XV and the Parlement of Paris, 1737-1755. Cambridge: Cambridge University Press, 1995. Verba, Cynthia. Music and the French Enlightenment: reconstruction of a dialogue, 1750-1764. Oxford: Clarendon Press, 1993. Wikander, Matthew H. Princes to Act: Royal Audience and Royal Performance, 1578-1792. Baltimore: Johns Hopkins University Press, 1993. Willis, Paul E. Profane Culture. London: Routledge & K. Paul, 1978. 3. 論文集 Anthony, James R., and John Hajdu Heyer. Jean-Baptiste Lully and the music of the French Baroque: Essays in Honor of James R. Anthony. Cambridge [England]: Cambridge University Press, 1989. Cook, Nicholas, and Mark Everist. Rethinking Music. Oxford: Oxford University Press, 1999. Fabiano, Andrea. La «Querelle des Bouffons» dans la Vie Culturelle Française du XVIIIe Siècle. Paris: CNRS Éditions, 2005. Johnson, Victoria, Jane F. Fulcher, and Thomas Ertman. Opera and Society in Italy and France from Monteverdi to Bourdieu. Cambridge: Cambridge University Press, 2007. Van Orden, Kate. Music and the Cultures of Print. New York: Garland Pub., 2000. Samson, Jim. The Cambridge History of Nineteenth-century Music. Cambridge: Cambridge University Press, 2002. | |
dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/51035 | - |
dc.description.abstract | 發生於1752年至1754年的「丑角劇之爭」(Querelle des Bouffons)是法國音樂史上的重要論戰,參與者試圖比較法國與義大利歌劇的優劣並分裂成支持以上兩國音樂的陣營。在論戰中,百科全書派文人(encyclopedist)藉由印刷小冊子提倡哲士作為音樂評論人的角色,並教導公眾何謂好的音樂品味。此外,音樂評論(musical criticism)也在此爭論期間成為需要具備專業智識的寫作,並吸引來自各種社會階層的作者形成不同以往的讀者社群。
本論文以「丑角劇之爭」前期(1752年1月1753年11月)出版的小冊子為主要材料,探討爭論文本中書寫策略的運用,指出此爭論期間產生的部分文本改變了音樂生產在舊制度法國所代表的國家威權展演,以及上流社會掌握品味霸權的地位。同時,筆者也藉由梳理小冊子文本之外的資訊分析爭論參與者的身份組成,以及這些資訊所透露的知識生產與流通環境。透過以上分析,本論文企圖勾勒並補充既有研究未及處理的「丑角劇之爭」在公共領域中可能的傳播情況,以及重新檢視此爭論在舊制度社會下的意涵。 | zh_TW |
dc.description.abstract | Between 1752 and 1754, a fierce debate on French music history called Querelle des Bouffons was going on, where participants tried to compare the relative merits of French opera and Italian opera and finally split up into two groups. During the debate, the encyclopedists promoted philosophes to the role of musical critics through pamphlets, and intended to instruct the taste of music to the public. Eventually, musical criticism became a genre with professional skill and attracted authors from various social classes, forming a musical readership which was different from the past.
This thesis will analyze the writing tactics of the pamphlets during the first phase of Querelle des Bouffons (January, 1752 – October, 1753), and show some of these texts changed the discourse of taste and the power relationship of musical production in Ancien Régime. Also, the paratext of these pamphlets and the social class of the authors will help us to clarify the circulation of printing works in the age of Enlightenment (in this case, critical and satirical pamphlets). Eventually, this thesis attempts to outline and supplement the existing research, which neglects the possible spread of Querelle des Bouffons in the public sphere, as well as re-examine the meaning of this debate under the Ancien Régime society. | en |
dc.description.provenance | Made available in DSpace on 2021-06-15T13:24:10Z (GMT). No. of bitstreams: 1 ntu-104-R01123006-1.pdf: 2888272 bytes, checksum: 55a1b6ad68b3ce84ff9a0d555d2ae47c (MD5) Previous issue date: 2015 | en |
dc.description.tableofcontents | 謝辭-i
中文摘要-ii 英文摘要-iii 目錄-iv 圖目錄-v 表目錄-vi 緒論-1 第一章 「丑角劇之爭」發生前的音樂討論 1.1 王家音樂學會與抒情悲劇傳統的建立-13 1.2 音樂品味與觀眾經驗-18 1.3 法國18世紀初的音樂討論-23 第二章 「丑角劇之爭」前期爭論小冊子的梳理 2.1 國王派與王后派-29 2.2 挑戰舊制度?─18世紀法國的出版管制與妥協-34 2.3 作者的身分考察-38 第三章 「丑角劇之爭」前期爭論參與者的書寫策略 3.1 戲謔、反諷與音樂評論者─王后派的論述建構-41 3.2 作為論述模式的《來自波希米亞的小先知》-47 3.3 王后派小冊子的接收與國王派對其書寫策略的挪用-51 結論-55 參考資料-59 | |
dc.language.iso | zh-TW | |
dc.title | 「丑角劇之爭」─18世紀中葉法國音樂生活與音樂評論的形成 | zh_TW |
dc.title | La Querelle des Bouffons: Musical Life and the Formation of Music Criticism in Mid-Eighteenth-Century France | en |
dc.type | Thesis | |
dc.date.schoolyear | 104-2 | |
dc.description.degree | 碩士 | |
dc.contributor.oralexamcommittee | 楊建章,陳人彥,陳慧宏 | |
dc.subject.keyword | 法國音樂史,十八世紀法國,丑角劇之爭,啟蒙運動,啟蒙哲士,百科全書派,音樂評論,書籍史,印刷文化,書寫策略,讀者社群, | zh_TW |
dc.subject.keyword | French musical history,eighteenth-century France,Querelle des Bouffons,Enlightenment,philosophe,encyclopedist,musical criticism,history of books,printing culture,writing tactics,readership, | en |
dc.relation.page | 64 | |
dc.identifier.doi | 10.6342/NTU201600403 | |
dc.rights.note | 有償授權 | |
dc.date.accepted | 2016-06-21 | |
dc.contributor.author-college | 文學院 | zh_TW |
dc.contributor.author-dept | 歷史學研究所 | zh_TW |
顯示於系所單位: | 歷史學系 |
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