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| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.advisor | 江文瑜 | |
| dc.contributor.author | Ya-Ling Liu | en |
| dc.contributor.author | 劉雅玲 | zh_TW |
| dc.date.accessioned | 2021-06-15T05:26:58Z | - |
| dc.date.available | 2010-07-22 | |
| dc.date.copyright | 2010-07-22 | |
| dc.date.issued | 2010 | |
| dc.date.submitted | 2010-07-15 | |
| dc.identifier.citation | Akindes, F. Y. (2001). Sudden Rush: Na Mele Paleoleo (Hawaiian rap) as liberatory discourse. Discourse, 23.1, 82-98.
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| dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/46744 | - |
| dc.description.abstract | 本論文旨在探討旅程隱喻於台灣原住民歌手所演唱之中文歌曲當中的呈現，並從認知與文化角度切入，試圖闡述並解釋社會文化與認知機制之互動關係，進而彰顯其背後所隱含之社會文化意涵。
概念隱喻已被視為人類思考及認知的重要機制，而文化對於概念隱喻使用之影響也引起廣泛討論。然而，隨著近來人們對原住民社會議題的日益關注，以及原住民歌手在流行音樂市場的卓越表現，卻鮮少有研究者著墨於概念隱喻在流行文化與原住民社會議題互動之下所呈現出的文化差異。有鑑於此，本篇論文將以台灣原住民所演唱之中文流行歌曲為分析基礎，探討原住民與漢人作詞人所創作之歌詞當中之旅程隱喻異同點，並將其隱喻之呈現與社會文化背景作連結。 研究結果發現，在隱喻之使用上，原民創作與漢人創作之中文流行歌詞，在類層級隱喻之呈現較為一致，皆呈現「事件結構隱喻」及「具目的性之活動是旅程」等隱喻。然而，在明確層隱喻之呈現上，則因個人經驗、社會背景、及文化沿革之影響，而有明顯差異；原民創作歌詞著重於「實現夢想、建構認同、文化重建是旅程」之隱喻使用，而漢人創作歌詞當中則以「愛情是旅程」最為普遍。另外，當鎖定在相同的目標域──「追逐夢想」時，「旅程」此來源域所含括之基礎概念在兩個不同族群創作之歌詞中呈現出對比的特色差異，例如原住民創作者傾向於將追逐夢想的旅程呈現為方向模糊、距離遙遠、行動緩滯，相較於漢人創作歌手所描述之方向明確、距離短、動作迅速，輔以其他基本概念之呈現，皆反映出社會文化因素對概念隱喻使用之影響， 本研究指出，藉由歌詞，身為少數及相較弱勢之原住民族群將其對社會現狀的抗訴與反思傳達予強勢群體，並從中建構自我與族群認同，進而在族群文化互動之中找出定位點。另外，本研究也主張，將族群關係與社會現況納入概念隱喻探討，並拓展語料至歌詞文本，有助於釐清隱喻使用與文化影響力之關係。 | zh_TW |
| dc.description.abstract | The universality of conceptual metaphor has been recognized in cognitive linguistics. However, though the importance of metaphor variation among different cultures has also been pointed out (Kövecses 2005), little research focuses on the cultural and social influences that create variations in metaphors between different social groups when using the same language. In order to bridge the gap between linguistic studies and indigenous social realities, this study examines the characteristics of JOURNEY metaphor in the lyrics written by Taiwan indigenous and Han lyricists as well as their relationship to their respective cultural and historical backgrounds. The lyrics corpus consists of 154 songs originally written by indigenous singers, and 188 by Han lyricists.
The results show that despite the universality of Event Structure Metaphor at the generic level, the specific-level metaphorical representations of “PURPOSEFUL ACTIVITIES ARE JOURNEYS” in the two groups exhibit differences as a result of differential cultural and social experiences. More specifically, the dominant target domains conceptualized by JOURNEY in the lyrics written by indigenous lyricists are “DREAM PURSUIT, IDENTITY CONSTRUCTION, and CULTURE PRESERVATION,” whereas in the lyrics written by Han lyricists the source domain of JOURNEY is prevalently utilized to conceptualize LOVE. Furthermore, with regard to the same target domain “DREAM PURSUIT,” it is found that the characteristics of the basic aspects under the source domain of JOURNEY utilized by lyricists of different ethnicities exhibit a contrastive distinction which highlights the current social situation of the indigenous people in Taiwan. Furthermore, basic aspects including SCENERY and LUGGAGE are suggested to be potential additional elements under the source domain of JOURNEY. All in all, this study analyzes the social significance of lyrics for marginalized groups, demonstrates the relationship between culture and the use of conceptual metaphors, contributes to the discussion of Conceptual Metaphor Theory, and also calls attention to the issues of identity construction and social inequality faced by indigenous people in Taiwan. | en |
| dc.description.provenance | Made available in DSpace on 2021-06-15T05:26:58Z (GMT). No. of bitstreams: 1 ntu-99-R96142010-1.pdf: 1637541 bytes, checksum: efc7da40023226c4117891b68552f49d (MD5) Previous issue date: 2010 | en |
| dc.description.tableofcontents | ABSTRACT IV
TABLE OF CONTENTS V FIGURES VIII TABLES IX Chapter 1 Introduction 1 1.0 Overview 1 1.1 Why metaphor in indigene-sung lyrics 3 1.2 Background information - why indigenous vs. Han 6 1.2.1 A brief introduction of Taiwan indigenous people 6 1.2.2 The factors for the cityward migration and lower social status 8 1.2.3 The origin of “urban indigenous peoples” and rectification 10 1.2.4 Indigenous singers in Taiwan 11 1.3 Theoretical framework - why JOURNEY metaphor 13 1.4 Research questions and hypothesis 22 1.5 Significance 22 1.6 A synopsis of the thesis 23 Chapter 2 Literature review and methods 25 2.1 Studies of lyrics 25 2.2 Previous studies of journey metaphor 29 2.3 Early research on Event Structure Metaphor and the Correspondence between English and Mandarin 32 2.4 Data and methods 35 2.4.1 Data collection 36 2.4.2 Distribution of song themes 37 2.4.3 Methods 48 2.5 Summary 53 Chapter 3 LIFE IS JOURNEY toward DREAM REALIZATION, IDENTITY CONSTRUCTION, and CULTURE PRESERVATION in the indigenous group 54 3.1 LIFE IS JOURNEY TOWARD DREAM REALIZATION, IDENTITY CONSTRUCTION, and CULTURE PRESERVATION in the indigenous group 55 3.1.1 PURPOSES ARE DESTINATIONS 56 3.1.2 LEAVING HOMELAND IS STARTING POINT 67 3.1.3 THE PERSON IS THE TRAVELER 75 3.1.4 PROGRESS IS DISTANCE ALREADY TRAVELLED 76 3.1.5 SELF-PROPELLED ACTION IS MOVEMENT 77 3.1.6 MEANS IS PATH 83 3.1.7 DIFFICULTY IS IMPEDIMENT 88 3.1.8 TRAVELER’S EXPERIENCES AND FEELINGS ARE SCENERY 100 3.1.9 RESPONSIBILITY IS LUGGAGE 102 3.2 LIFE IS JOURNEY TOWARD DREAM REALIZATION in the Han group as a comparison 103 3.2.1 ACTION IS MOVEMENT 104 3.2.2 VICTORY IS DESTINATION 106 3.2.3 PROGRESS IS DISTANCE TRAVELLED 107 3.2.4 WHAT THE TRAVELER EXPEREINCES IS SCENERY/PHYSICAL ENVIRONMENT ALONG THE JOURNEY 108 3.3 A comparison of “PURPOSEFUL LIFE IS JOURNEY” in the two groups 110 Chapter 4 LOVE IS JOURNEY in the Han group 114 4.1 LOVE IS JOURNEY in the Han group 114 4.1.1 LIFE GOALS ARE DESTINATIONS 117 4.1.2 LOVERS ARE TRAVELERS 122 4.1.3 THE LOVE RELATIONSHIP IS VEHICLE 123 4.1.4 PROGRESS IS DISTANCE TRAVELLED 125 4.1.5 MEANS IS ROUTE/PATH TO DESTINATION 127 4.1.6 SELF-PROPELLED ACTION IS MOVEMENT 130 4.1.7 DIFFICULTIES ARE IMPEDIMENTS TO TRAVEL 131 4.1.8 LOVERS’ EXPERIENCES AND FEELINGS ARE SCENERY ALONG THE JOURNEY 131 4.1.9 CHOICES ARE CROSSROADS 134 4.1.10 RESPONSIBILITY IS LUGGAGE 135 4.2 LOVE IS NATURAL ENTITY in the indigenous group as a comparison 137 4.3 Summary 143 Chapter 5 Discussion 144 5.1 Differences of the target domains conceptualized by the same source domain “JOURNEY” in the indigenous and Han groups 144 5.2 Differences of the characteristics of “DREAM PURSUIT IS JOURNEY” between the indigenous and Han groups 148 5.3 Elements under the source domain of JOURNEY 150 5.4 Motivating factors for the distinctive characteristics 151 5.5 Cultural variation in the use of metaphors 156 5.6 Summary 157 Chapter 6 Conclusion 158 6.1 Summary of major findings 158 6.2 Implications and significance 160 6.3 Limitations and suggestions for future study 162 References 164 Appendix 171 I. Details of the selected songs written by indigenous lyricists 171 II. Details of the selected songs written by Han lyricists 177 III The distribution of the indigenous lyricists in our corpus of lyrics 184 IV The distribution of the Han lyricists in our corpus of lyrics 186 | |
| dc.language.iso | en | |
| dc.subject | 事件結構隱喻 | zh_TW |
| dc.subject | 旅程隱喻 | zh_TW |
| dc.subject | 原住民流行音樂 | zh_TW |
| dc.subject | 流行歌詞 | zh_TW |
| dc.subject | 概念隱喻 | zh_TW |
| dc.subject | Event Structure Metaphor | en |
| dc.subject | JOURNEY metaphor | en |
| dc.subject | indigenous pop lyrics | en |
| dc.subject | Conceptual Metaphor | en |
| dc.title | 台灣原住民國語流行歌詞之旅程隱喻研究 | zh_TW |
| dc.title | Journey Metaphor in Taiwan Mandarin Pop Songs by Indigenous Singers | en |
| dc.type | Thesis | |
| dc.date.schoolyear | 98-2 | |
| dc.description.degree | 碩士 | |
| dc.contributor.oralexamcommittee | 龔書萍,蘇以文 | |
| dc.subject.keyword | 旅程隱喻,原住民流行音樂,流行歌詞,概念隱喻,事件結構隱喻, | zh_TW |
| dc.subject.keyword | JOURNEY metaphor,indigenous pop lyrics,Conceptual Metaphor,Event Structure Metaphor, | en |
| dc.relation.page | 188 | |
| dc.rights.note | 有償授權 | |
| dc.date.accepted | 2010-07-15 | |
| dc.contributor.author-college | 文學院 | zh_TW |
| dc.contributor.author-dept | 語言學研究所 | zh_TW |
| 顯示於系所單位： | 語言學研究所 | |
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