請用此 Handle URI 來引用此文件：
http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/43489完整後設資料紀錄
| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.advisor | 陳人彥(Jen-Yen Chen) | |
| dc.contributor.author | Yi-ru Wang | en |
| dc.contributor.author | 王意如 | zh_TW |
| dc.date.accessioned | 2021-06-15T02:22:20Z | - |
| dc.date.available | 2009-08-21 | |
| dc.date.copyright | 2009-08-21 | |
| dc.date.issued | 2009 | |
| dc.date.submitted | 2009-08-19 | |
| dc.identifier.citation | References
Bauer, William. “Louis Armstrong’s ‘Skid Dat De Dat’: Timbral Organization in an Early Scat Solo.” Jazz Perspective 1, No.2, November 2007: 133-165. Berliner, Paul. Thinking In Jazz: The Infinite Art of Improvisation. Chicago and London: The University of Chicago Press, 1994. Boulton, Marjorie. The Anatomy of the Novel. Boston, Mass: Routledge & Kegan Paul Ltd, 1982. Cartwright, Katharine. “Quotation and Reference In Jazz Performance: Ella Fitzgerald’s St. Louis Blues, 1957-1979.” Ph.D. diss., City University of New York, 1998. Cook, Richard. Jazz Encyclopedia. New York: Penguin, 2005. Deffaa, Chip. “Ella Fitzgerald.” The Ella Fitzgerald Companion: Seven Decades of Commentary. Ed. Leslie Gourse. New York: Schirmer Books, 1998: 162-169. Erlewine, Michael. All Music Guide To Jazz. San Francisco: Hal Leonard, 1996. Friedwald, Will. Jazz Singing: America's Great Voices from Bessie Smith to Bebop and Beyond. New York: Da Capo Press, 1996. Forster, Edward Morgan. Aspects of the Novel. London: Penguin Books, 1979. Gourse, Leslie. The Ella Fitzgerald Companion: Seven Decades of Commentary. New York: Schirmer Books, 1998. Harker, Brian. “‘Telling a Story’: Louis Armstrong and Coherence in Early Jazz.” Current Musicology 63 (1999): 46-83. Kramer, Lawrence. “Musical Narratology: A Theoretical Outline.” Indiana Theory Review 12 (1991). McClary, Susan. Feminine Endings. Minneapolis: University of Minnesota Press, 1991. Maus, Fred Everett. “Music as Narrative.” Indiana Theory Review 12 (1991): 1-34. ———. “Music as Drama.” Music Theory Spectrum, 10 (1988): 56-73. Merriam, Alan P. and Raymond W. Mack. “The Jazz Community.” Social Forces 38:3 (1960): 211-222. Monson, Ingrid. Saying Something: Jazz Improvisation and Interaction. Chicago: University of Chicago Press, 1996. Motteler, Renee M. “An Analysis of Vocal and Instrumental Approaches to Jazz Improvisation.” D.M.A., California State University, Long Beach, 2006. Nattiez, Jean-Jacques. Music and Discourse: Toward a Semiology of Music. Trans. Carolyn Abbate. New York: Princeton University Press, 1990. ———. “Can One Speak of Narrativity in Music?” Trans. Katharine Ellis. Journal of the Royal Musical Association 115:2 (1990): 240-257. Newcomb, Anthony. “Once More ‘Between Absolute and Program Music’: Schumann’s Second Symphony.” 19th-Century Music, Vol. 7, No. 3 (1984): 233-350. Nicholson, Stuart. Ella Fitzgerald: A Biography of the First Lady of Jazz. New York: Da Capo Press, 1993. Pleasants, Henry. “Ella Fitzgerald.” Reading Jazz: A Gathering of Autobiography, Reportage, and Criticism from 1919 to Now. Ed. Robert Gottlieb. New York: Vintage Books, 1999: 977-985. Reid, Kathryn Irene. “An Exploration of the Lineage of Jazz Vocal Improvisation Through the Analysis of Representative Solos by Louis Armstrong, Ella Fitzgerald, Jon Hendricks, Mark Murphy, Kevin Mahogany, and Kurt Elling.” Doctoral essay, University of Miami, 2002. Schuller, Gunther. Early Jazz: It’s Roots and Musical Development. New York: Oxford University Press, 1968. Stewart, Milton Lee. “Stylistic Environment and the Scat Singing Styles of Ella Fitzgerald and Sarah Vaughan.” Jazzforschung/ Jazz Research 14 (1987): 61-76. Weir, Michele. Vocal Improvisation. Germany: Advance Music, 2001 | |
| dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/43489 | - |
| dc.description.abstract | 本論文的研究目的在於探討艾拉•費茲潔拉(Ella Fitzgerald, 1917-1996)的三首聲樂即興代表作品“Flying Home” (October 4, 1945) 、 “Oh! Lady, be Good!” (March 19, 1947) 與“How High the Moon” (December 20, 1947)中所使用的即興策略。由於「說故事」的比喻常被爵士樂手們用來形容其即興過程或判斷即興作品好壞的標準，因此本研究將借用文學領域中的「劇情」(plot)與「角色」(characters)等語彙，以了解費茲潔拉如何藉由「角色」與「劇情」的創造與發展，說出具連續性而獨立的「故事」。 | zh_TW |
| dc.description.abstract | The goal of this research is to explore the scat singing strategies employed by Ella Fitzgerald on “Flying Home” (October 4, 1945), “Oh! Lady, be Good!” (March 19, 1947), and “How High the Moon” (December 20, 1947). Since the metaphor of “telling a story” has often been used by many jazz soloists either for describing their own improvisational process or to judge a solo to be good or bad, thus in this thesis, ideas borrowed from the field of literature in terms of “plot” and “characters” will be utilized when examining these three representative solos of Fitzgerald’s, in order to uncover how Fitzgerald “tells” coherent and individual “stories” by creating and developing her “characters” and “plots.” | en |
| dc.description.provenance | Made available in DSpace on 2021-06-15T02:22:20Z (GMT). No. of bitstreams: 1 ntu-98-R93144004-1.pdf: 1556660 bytes, checksum: 734a17dd0a0e9e821682d467ce6c74f7 (MD5) Previous issue date: 2009 | en |
| dc.description.tableofcontents | Chapter 1 Introduction……………………………………………….………….. ...1
Hypotheses……………………………………………………………….2 Methodology………….………………………………………………….7 Review of Related Literatures…………….…………………………….12 Chapter 2 “Flying Home” (October 4, 1945)……………………………………... 17 Chapter 3 “Oh! Lady, be Good!” (March 19,1947)……………..…..…………......46 Chapter 4 “How High the Moon” (December 20, 1947)………………...………...84 Chapter 5 Conclusion………………..……………………………………………116 REFERENCES ………………………………………………………………….….119 | |
| dc.language.iso | en | |
| dc.subject | 劇情 | zh_TW |
| dc.subject | 比喻 | zh_TW |
| dc.subject | 角色 | zh_TW |
| dc.subject | 說故事 | zh_TW |
| dc.subject | 聲樂即興 | zh_TW |
| dc.subject | 爵士歌唱 | zh_TW |
| dc.subject | 艾拉‧費茲潔拉 | zh_TW |
| dc.subject | jazz signing | en |
| dc.subject | metaphor. | en |
| dc.subject | characters | en |
| dc.subject | plot | en |
| dc.subject | telling a story | en |
| dc.subject | scat singing | en |
| dc.subject | vocal improvisation | en |
| dc.subject | Ella Fitzgerald | en |
| dc.title | 從「說故事」角度分析
艾拉．費茲潔拉的三首聲樂即興作品 | zh_TW |
| dc.title | “Telling a Story”: Three Scat Solos by Ella Fitzgerald | en |
| dc.type | Thesis | |
| dc.date.schoolyear | 97-2 | |
| dc.description.degree | 碩士 | |
| dc.contributor.oralexamcommittee | 王育雯(Yu-Wen Wang),楊建章(Chien-Chang Yang) | |
| dc.subject.keyword | 艾拉‧費茲潔拉,爵士歌唱,聲樂即興,說故事,比喻,劇情,角色, | zh_TW |
| dc.subject.keyword | Ella Fitzgerald,jazz signing,vocal improvisation,scat singing,telling a story,plot,characters,metaphor., | en |
| dc.relation.page | 121 | |
| dc.rights.note | 有償授權 | |
| dc.date.accepted | 2009-08-19 | |
| dc.contributor.author-college | 文學院 | zh_TW |
| dc.contributor.author-dept | 音樂學研究所 | zh_TW |
| 顯示於系所單位： | 音樂學研究所 | |
文件中的檔案：
| 檔案 | 大小 | 格式 | |
|---|---|---|---|
| ntu-98-1.pdf 未授權公開取用 | 1.52 MB | Adobe PDF |
系統中的文件，除了特別指名其著作權條款之外，均受到著作權保護，並且保留所有的權利。