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  1. NTU Theses and Dissertations Repository
  2. 電機資訊學院
  3. 電信工程學研究所
請用此 Handle URI 來引用此文件: http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/43249
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dc.contributor.advisor鄭士康
dc.contributor.authorChung-Li Luen
dc.contributor.author呂仲理zh_TW
dc.date.accessioned2021-06-15T01:45:03Z-
dc.date.available2010-05-09
dc.date.copyright2009-07-16
dc.date.issued2009
dc.date.submitted2009-07-09
dc.identifier.citation[1] R. B. Dannenberg, 'An On-Line Algorithm for Real-Time Accompaniment,' Proceedings of the 1984 International Computer Music Conference, Computer Music Association, San Francisco, pp. 193-8, 1984.
[2] H. S. Márcio Dahia, Ernesto Trajano, Carlos Sandroni, Geber Ramalho, 'Generating Rhythmic Accompaniment for Guitar: The Cyber-João Case Study,' Brazilian Symposium on Computer Music, Campinas-SP, 2003.
[3] M. G. Isao Hidaka, Yoichi Muraoka, 'An Automatic Jazz Accompaniment System Reacting to Solo,' International Computer Music Conference, Banff: International Computer Music Association, pp. 167-70, 1995.
[4] Y.-T. Chen, 'iComper: An Interactive Drummer using HMM-based Musical Sign Detector,' in Graduate Institute of Networking and Multimedia College of Electrical Engineering and Computer Science. vol. Master Taiwan: National Taiwan University, 2009.
[5] P. Music, 'Band-in-a-box,' 2006.
[6] S. S. Haykin, Adaptive filter theory. Upper Saddle River, N.J. :: Prentice Hall, 2002.
[7] D. E. Jean-Francois Paiement, Samy Bengio, 'Chord Representations for Probabilistic Models,' 2005.
[8] H. J. Välimäki Vesa, Karjalainen Matti, Jánosy Zoltán, 'Physical Modeling of Plucked String Instruments with Application to Real-Time Sound Synthesis,' JAES, vol. 44, pp. 331-353, 1996.
[9] R. O. Duda, Pattern classification. New York :: Wiley, 2001.
dc.identifier.urihttp://tdr.lib.ntu.edu.tw/jspui/handle/123456789/43249-
dc.description.abstract本篇論文目標為實作一個互動式的爵士鋼琴伴奏系統ICYS,採用樣本學習來建立模型。第一步先將整個問題一分為二,節奏還有旋律和聲。為了後續處理的方便,找出可以定性定量描述的節奏與旋律和聲的方法就變成本篇論文的第一步,在此定義了節奏向量代表節奏的特徵,以及使用和弦向量來訓練和弦和聲模型。為了讓未來有實作成即時伴奏的可能性,在這兩個子問題中都使用同樣的策略,先行預測再對預測的結果做伴奏。在預測的步驟中,節奏與旋律和聲的資料型態不一樣,所以因地制宜採用類神經網路或可適性線性預測等等的方法,依使用者的習慣逐漸學習;對於預測結果的伴奏,則是使用資料庫比對出最適合的節奏,利用和弦模型調整和聲,並且整合這兩邊的參數成為最後的伴奏。zh_TW
dc.description.abstractIn this thesis, a system ICYS (Interactively Comp Your Solo) that can accompany a jazz soloist as a jazz pianist is proposed. The learning scheme of the system is sample based. Under the concept of “divide and conquer”, the accompaniment procedure is divided into two independent paths, rhythmic and melody-harmonic accompanying. To accomplish real-time accompanying of the coming solo sequences, each of the two paths begins with analysis and prediction. Considering the different features of the data, several methods, like neural network and edit distance, are applied in predicting. After the prediction process, the next issue is to rhythmically and harmonically accompany according to the prediction results. At the end of this thesis, the audience feedback and evaluation of experts will be shown and discussed.en
dc.description.provenanceMade available in DSpace on 2021-06-15T01:45:03Z (GMT). No. of bitstreams: 1
ntu-98-R96942032-1.pdf: 859875 bytes, checksum: 7bc54cf66b123b032bc685faccfa99ad (MD5)
Previous issue date: 2009
en
dc.description.tableofcontentsContents
口試委員會審定書 i
誌謝 iii
Abstract v
摘要 vii
Contents ix
List of Figures xi
List of Tables xiii
Chapter 1 Introduction 1
1.1 Motivation 1
1.2 Key Contributions 2
1.2.1 Automatic Accompaniment 2
1.2.2 Interaction 3
1.3 Rule-based and Sample-based Learning 3
1.4 Literature Survey and Related Works 4
1.5 Chapter Outline 6
Chapter 2 A Brief Introduction of Jazz Music 7
2.1 History of Jazz Music 7
2.2 Improvisation 8
2.3 Common Formulation of a Jazz Band 9
2.4 The Form of Standard Jazz Music 10
2.5 The Accompaniment and Voicing of Jazz Piano 12
Chapter 3 System Architecture 15
3.1 System Overview 15
3.2 Rhythmic Prediction 18
3.3 Melodic Prediction and Harmonic Analysis 18
3.4 Rhythmic Comping 19
3.5 Voicing Generator and Voice Leading Selector 20
3.6 Training Corpus 21
Chapter 4 Rhythmic Prediction and Accompaniment 23
4.1 The Rhythm Vector 23
4.2 The Walsh Transform Matrix 25
4.3 Walsh Transform of Rhythm Vectors 26
4.4 Prediction and Accompaniment of Rhythm 29
4.4.1 Horizontal Prediction and Vertical Accompaniment 29
4.4.2 Corpus Based Prediction and Accompaniment 30
Chapter 5 Solo Prediction and Harmonic Analysis 33
5.1 Prediction of Solo Sequence 33
5.1.1 Solo Sequence Prediction with ALF 34
5.1.2 Edit-Distance Based Prediction 40
5.2 The Chord Vector and The Chord Model 41
5.2.1 The Chord Vector 42
5.2.2 The Chord Model 44
5.2.3 Modeling a chord with chord vectors 46
5.3 Relation Between Solo and Voicing 47
5.3.1 The neural network for deciding the mean of voicing 49
5.3.2 The neural network for deciding the variance of voicing 52
5.4 Generating the Voicing 55
5.4.1 Genetic Algorithm Based Voicing Generator 55
5.4.2 Voice Leading Selection 56
Chapter 6 Results and Discussions 59
6.1 Numerical Results 59
6.2 Audience Feedback 63
6.3 Expert Evaluation 67
6.4 Discussions 69
Chapter 7 Conclusions 71
References 72
dc.language.isoen
dc.subject節奏分析zh_TW
dc.subject預測zh_TW
dc.subject互動zh_TW
dc.subject爵士鋼琴zh_TW
dc.subject自動伴奏zh_TW
dc.subjectvoicingen
dc.subjectauto accompanimenten
dc.subjectjazzen
dc.subject pianoen
dc.subjectinteractiveen
dc.subjectsoloen
dc.subjectrhythmen
dc.title互動式爵士鋼琴自動伴奏系統zh_TW
dc.titleICYS: An Interactive Jazz Piano Accompaniment Systemen
dc.typeThesis
dc.date.schoolyear97-2
dc.description.degree碩士
dc.contributor.oralexamcommittee蘇文鈺,黃志方,張智星
dc.subject.keyword自動伴奏,預測,爵士鋼琴,互動,節奏分析,zh_TW
dc.subject.keywordauto accompaniment,jazz, piano,interactive,solo,rhythm,voicing,en
dc.relation.page72
dc.rights.note有償授權
dc.date.accepted2009-07-09
dc.contributor.author-college電機資訊學院zh_TW
dc.contributor.author-dept電信工程學研究所zh_TW
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