請用此 Handle URI 來引用此文件:
http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/4039
完整後設資料紀錄
DC 欄位 | 值 | 語言 |
---|---|---|
dc.contributor.advisor | 李鴻瓊(Hung-chiung Li) | |
dc.contributor.author | Shan-ni Tsai | en |
dc.contributor.author | 蔡善妮 | zh_TW |
dc.date.accessioned | 2021-05-13T08:40:59Z | - |
dc.date.available | 2016-02-15 | |
dc.date.available | 2021-05-13T08:40:59Z | - |
dc.date.copyright | 2016-02-15 | |
dc.date.issued | 2016 | |
dc.date.submitted | 2016-01-19 | |
dc.identifier.citation | Works Cited
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Chiesa, Laura. “Italo Calvino and Georges Perec: The Multiple and Contrasting Emotions of Cities and Puzzles.” The Romanic Review 97.3-4 (2006): 401. Print. Colman, Felicity. Deleuze and Cinema: The Film Concepts. Oxford: Berg, 2011. Print De Lauretis, Teresa. “Semiotic Models, Invisible Cities.” Yale Italian Studies 2 (1978): 13-37. Print. DeLanda, Manuel. Intensive Science and Virtual Philosophy. London: Continuum, 2002. Print. Deleuze, Giles. Bergsonism. Trans. Hugh Tomlinson and Barbara Habberjam. New York: Zone Books, 1988. Print. ---. Cinema 1: The Movement-Image. Trans. Hugh Tomlinson and Barbara Habberjam. Minneapolis: U of Minnesota P, 1986. Print. ---. Cinema 2: The Time-Image. Trans. Hugh Tomlinson and Robert Galeta. London: Athlone, 1989. Print. ---. Difference and Repetition. Trans. Paul Patton. London: Continuum, 1994. Print. ---. Essays Critical and Clinical. Trans. Daniel W. Smith and Michael A. Greco. Minneapolis: U of Minnesota P, 1997. Print. ---. The Logic of Sense. Trans. Mark Lester. New York: Columbia UP, 1990. Print. Deleuze, Gilles, and Félix Guattari. A Thousand Plateaus: Capitalism and Schizophrenia. Trans. Brian Massumi. Minneapolis: U of Minnesota P, 1987. Print. ---. What Is Philosophy? Trans. Hugh Tomlinson and Graham Burchill. New York: Columbia UP, 1994. Print. DeLio, Thomas. “Circumscribing the Open Universe.” Perspectives of New Music 20.1/2 (1981): 357-62. Print. Hallward, Peter. Out of This World: Deleuze and the Philosophy of Creation. London: Verso, 2006. Print. Hume, Kathryn. Calvino’s Fictions: Cogito and Cosmos. Oxford: Clarendon, 1992. Print. James, Carol P. “Seriality and Narrativity in Calvino's Le città invisibili.” Modern Language Notes. 97.1 (1982): 144-61. Print. Jeannet, Angela M. Under the Radiant Sun and the Crescent Moon: Italo Calvino’s Storytelling. Toronto: U of Toronto P, 2000. Print. Lambert, Gregg. In Search of a New Image of Thought: Gilles Deleuze and Philosophical Expressionism. Minneapolis: U of Minnesota P, 2012. Print. Marello, Laura. “Form and Formula in Calvino’s Invisible Cities.” The Review of Contemporary Fiction 6.2 (1986): 95. Print. Martin, Jean-Clet. Variations: The Philosophy of Gilles Deleuze. Trans. Constantin V. Boundas and Susan Dyrkton. Edinburgh: Edinburgh UP, 2010. Print. Modena, Letizia. Italo Calvino’s Architecture of Lightness: The Utopian Imagination in an Age of Urban Crisis. New York: Routledge, 2011. Print. Pilz, Kerstin. “Reconceptualising Thought and Space: Labyrinths in Italo Calvino’s Fictions.” Italica 80.2 (2003): 229-42. Print. Powell, Anna. Deleuze, Altered States and Film. Edinburgh: Edinburgh UP, 2007. Print. Ricci, Franco. Painting with Words, Writing with Pictures: Word and Image in the Work of Italo Calvino. Toronto: U of Toronto P, 2001. Print. Ricciardi, Alessia. “Lightness and Gravity: Calvino, Pynchon, and Postmodernity.” Modern Language Notes 114.5 (1999): 1062-77. Print. Ropars-Wullileumier, Marie-Claire. “Image or Time? The Thought of the Outside in The Time-Image (Deleuze and Blanchot)” Afterimages of Gilles Deleuze’s Film Philosophy. Ed. David Norman Rodowick. Minneapolis: U of Minnesota P, 2010. 15-30. Print. Sauvagnargues, Anne. Deleuze and Art. Trans. Samantha Bankston. London: Bloomsbury, 2013. Print. Shaw, Spencer. Film Consciousness: From Phenomenology to Deleuze. Jefferson, NC: McFarland, 2008. Print. Springer, Carolyn. “Textual Geography: The Role of the Reader in Invisible Cities.” Modern Language Studies 15.4 (1985): 289-99. Print. Vanhanen, Janne. Encounter with the Virtual: The Experience of Art in Gilles Deleuze’s Philosophy. Helsinki: Helsinki UP, 2010. Print. Voss, Daniela. Conditions of Thought: Deleuze and Transcendental Ideas. Edinburgh: Edinburgh UP, 2013. Print. Weiss, Beno. Understanding Italo Calvino. Columbia, SC: U of South Carolina P, 1993. Print. Wood, Michael. “Hidden in the Distance: Reading Calvino Reading.” Kenyon Review 20.2 (1998): 155-70. Print. Zourabichvili, François. Deleuze: A Philosophy of the Event. Trans. Gregg Lambert and Daniel W. Smith. Edinburgh: Edinburgh UP, 2012. Print. | |
dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/4039 | - |
dc.description.abstract | 伊塔羅•卡爾維諾的《看不見的城市》雙重建構於兩個觀點相對的角色,小說的雙層結構呼應這兩個不同的觀點。小說的框架敘述忽必烈可汗為了追求帝國的普遍原則而開始的對話,小說的內容則是馬可波羅對忽必烈問題的回覆:對於單一原則的追求,他應之以無可歸類的諸多故事。在這兩個迥異的觀點之間,《看不見的城市》的風景浮現。這個風景產生於這兩方共同參與的對話中,因此必然是既一元又多元的。本論文從時間性來探討這種風景如何讓一元與多元互相關連而彼此創造。透過將小說與吉爾•德勒茲的時間哲學對話,本文指出這本小說聚焦於大寫故事的時間,並在時間呈現自身各面向的過程中,展開了多層次的風景。小說行進於這個風景的逐步顯現:忽必烈統攝性的一元觀點被他與馬可波羅的對話消解了,而馬可波羅口中時間各異的種種城市形成了一種時間整體的風景。這個整體被複數決定,因此一元多元不分。如此的風景接著雙重反映於忽必烈容納差異的地圖集,以及馬可波羅從分散的故事細節中看見的連續性故事。在這兩者中,一元與多元摺入彼此,變成多元一元與一元多元。二者是故事創造的兩個面向,使一元論與多元論只是彼此的面向而非對立。本文從這些層面檢視大寫故事的時間如何創造出無根基風景,以討論小說中多元與一元的問題。 | zh_TW |
dc.description.abstract | The structure of Italo Calvino’s Invisible Cities corresponds to the two main characters’ views which are reflected by the two parts of the novel’s design. While Kublai Khan initiates the dialogue depicted in the frame to look for a general pattern for his empire, Marco Polo responds with many disparate stories. Between the two, a landscape of Invisible Cities emerges. In accordance with the unfolding of the stories created by the two opposed characters, the landscape is both monist and pluralist. This thesis explores how the landscape links up and recreates monism and pluralism by examining the time of Story in the novel. In the light of Gilles Deleuze’s philosophy of time, the novel is read to foreground a time of Story that constantly unveils aspects of itself and unfolds into a multi-layered landscape. The landscape is revealed in several stages in the novel: when Kublai’s totalizing monism is undermined in the dialogue with Polo, the stories of the cities with disparate durations told by the foreign traveler form a landscape of time as a whole. Being the most plural, the whole makes monism and pluralism indistinguishable. Such a landscape is later doubly reflected by Kublai’s atlas containing pure differences and Polo’s stories achieving local consistencies between disparate details; monism and pluralism thus fold each other and become a pluralist monism and a monist pluralism. These two modes reveal two distinct aspects of the time of the self-becoming of stories, making monism and pluralism aspects of each other instead of contraries. This thesis examines these aspects of the groundless landscape of time unfolded by the stories to discuss the problem of monism and pluralism in the novel. | en |
dc.description.provenance | Made available in DSpace on 2021-05-13T08:40:59Z (GMT). No. of bitstreams: 1 ntu-105-R01122003-1.pdf: 773440 bytes, checksum: 699c01b2b8838ccb0a4cf1473d2db096 (MD5) Previous issue date: 2016 | en |
dc.description.tableofcontents | Table of Contents
English Abstract i Chinese Abstract ii Dedication iii Acknowledgement iv Table of Contents List of Abbreviations Introduction 1 Chapter 1 Dialoguing in a Crumbling Empire: Communication and the Time of Story beyond Monism 11 Impossible Communication and Disparate Objects 12 Silent Language and Virtual Communication 19 Abstractness and Materiality 23 Story and the Empty Form of Time 28 Chapter 2 The Landscape among the Cities: The Virtual Whole of Pluralism 41 Coexistence and Plural Wholes 43 Repetitions and Differences in the Whole 54 Rotation and Movement 60 Chapter 3 A Landscape Unfolding into Two: Pluralist Monism and Monist Pluralism 69 Pluralist Monism and Monist Pluralism 69 The Doubled Lines of Happiness 77 Freedom between Plural Realities 93 Conclusion 98 Works Cited 104 | |
dc.language.iso | en | |
dc.title | 時間無底的風景:從德勒茲的角度閱讀卡爾維諾《看不見的城市》 | zh_TW |
dc.title | The Groundless Landscape of Time: A Deleuzian Reading of Calvino's Invisible Cities | en |
dc.type | Thesis | |
dc.date.schoolyear | 104-1 | |
dc.description.degree | 碩士 | |
dc.contributor.oralexamcommittee | 廖朝陽(Chao-yang Liao),楊凱麟(Kai-lin Yang) | |
dc.subject.keyword | 伊塔羅‧卡爾維諾,《看不見的城市》,吉爾‧德勒茲,一元論,多元論,時間,故事, | zh_TW |
dc.subject.keyword | Italo Calvino,Invisible Cities,Gilles Deleuze,monism,pluralism,time,Story, | en |
dc.relation.page | 107 | |
dc.rights.note | 同意授權(全球公開) | |
dc.date.accepted | 2016-01-20 | |
dc.contributor.author-college | 文學院 | zh_TW |
dc.contributor.author-dept | 外國語文學研究所 | zh_TW |
顯示於系所單位: | 外國語文學系 |
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