請用此 Handle URI 來引用此文件：
http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/39441完整後設資料紀錄
| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.advisor | 紀蔚然 | |
| dc.contributor.author | Yi-lin Liu | en |
| dc.contributor.author | 劉怡麟 | zh_TW |
| dc.date.accessioned | 2021-06-13T17:28:36Z | - |
| dc.date.available | 2004-11-23 | |
| dc.date.copyright | 2004-11-23 | |
| dc.date.issued | 2004 | |
| dc.date.submitted | 2004-10-12 | |
| dc.identifier.citation | 一、英文書目
Almansi, Guido. “Harold Pinter’s Idiom of Lies.” in Modern Critical Views: Harold Pinter. Ed. Harold Bloom. New York: Chelsea House, 1987. 89-103. Aristotle. Poetics. Trans. Kenneth McLeish. New York: Theatre Communications Group, 1999. Austin, J.L. How to Do Things with Words. Ed. J. O. Urmson. New York: Oxford UP, 1965. Bakhtin, Mikhail Mikhailovich. Problems of Dostoevsky's Poetics. Minneapolis: U of Minnesota P, 1984. Barthes, Roland. “The Death of the Author.” in Image-Music-Text. Ed. and trans. Stephen Heath. New York: Noonday P, 1988. 142-48. ---. “From Work to Text.” in Image-Music-Text. Ed. and trans. Stephen Heath. New York: Noonday P, 1988. 155-64. Billington, Michael. The Life and Works of Harold Pinter. London: faber and faber, 1996. Brustein, Robert. The Theatre of Revolt. London: Methuen, 1965. Cahn, Victor L. Gender and Power in the Plays of Harold Pinter. New York: St. Martin's P, 1993. Cave, Richard Allen. “Body Language in Pinter’s Plays.” in The Cambridge companion to Harold Pinter. Ed. Peter Raby. Cambridge: Cambridge UP, 2001. 107-29. Cohn, Ruby. “The World of Harold Pinter.” in Harold Pinter: The Birthday Party, The Caretaker & The Homecoming. Ed. Michael Scott. London: Macmillan, 1986. 25-29. Elam, Keir. The Semiotics of Theatre and Drama. 1980. London: Routledge, 1988. Esslin, Martin. The Theatre of the Absurd. New York: Penguin, 1991. ---. Pinter the Playwright. 4th ed. London: Methuen, 1984. Fairclough, Norman. Language and Power. London: Longman, 1989. Gale, Steven H. Butter’s Going up: A Critical Analysis of Harold Pinter’s Work. Durham, N.C.: Duke UP, 1977. ---, ed. Critical Essays on Harold Pinter. Boston: G. K. Hall, 1990. Gordon, Lois, ed. Pinter at 70: A Casebook. New York: Routledge, 2001. Gross, Miriam. “Pinter on Pinter.” in Critical Essays on Harold Pinter. Ed. Steven H. Gale. Boston: G. K. Hall, 1990. 37-44. Gussow, Mel. “Conversations [Pause] with Pinter.” in Critical Essays on Harold Pinter. Ed. Steven H. Gale. Boston: G. K. Hall, 1990. 15-34. Hall, Peter. “Directing Pinter.” in Harold Pinter: The Birthday Party, The Caretaker & The Homecoming. Ed. Michael Scott. London: Macmillan, 1986. 44-61. Heuvel, Michael Vanden. “Performing Gender(s).” in Contemporary Literature 35.4 (2001): 804-13. Hinchliffe, Arnold P. Harold Pinter. New York: Twayne Publishers, 1967. Ionesco, Eugène. The Bald Soprano. in Four Plays. Trans. Donald M. Allen. New York: Grove P, 1982. 7-42. Knowles, Ronald. “Pinter and Twentieth-century Drama.” in The Cambridge companion to Harold Pinter. Ed. Peter Raby. Cambridge: Cambridge UP, 2001. 73-86. Merritt, Susan Hollis. Pinter in Play: Critical Strategies and the Plays of Harold Pinter. Durham: Duke UP, 1990. Morris, Desmond. “Territorial Behavior.” in The Norton Reader: An Anthology of Expository Prose. Ed. Arthur M. Eastman. London: W. W. Norton, 1965. 94-102. Nightingale, Benedict. “Harold Pinter/Politics.” in Around the Absurd: Essays on Modern and Postmodern Drama. Ed. Enoch Brater and Ruby Cohn. Ann Arbor: U of Michigan P, 1900. 129-54. Packard, William. “An Interview with Harold Pinter.” in First Stage 6 (1967): 18. Pinter, Harold. A Night Out in Harold Pinter: Plays One. London: faber and faber, 1991. 329-75. ---. Old Times in Complete Works: Four. New York: Grove Weidenfeld, 1981. 1-71. ---. “On Being Awarded the German Shakespeare Prize in Hamburg.” in Various Voices: Prose, Poetry, Politics. New York: Grove P, 1998. 38-42. ---. “On The Birthday Party I.” in Various Voices: Prose, Poetry, Politics. New York: Grove P, 1998. 8-14. ---. “On The Birthday Party II.” in Various Voices: Prose, Poetry, Politics. New York: Grove P, 1998. 15-18. ---. The Birthday Party in Harold Pinter: Plays One. London: faber and faber, 1991. 1-81. ---. The Caretaker. London: Methuen, 1985. ---. The Dumb Waiter in Harold Pinter: Plays One. London: faber and faber, 1991. 111-49. ---. The Homecoming. London: Methuen, 1965. ---. The Room in Harold Pinter: Plays One. London: faber and faber, 1991. 85-110. ---. “Writing for the Theatre.” in Various Voices: Prose, Poetry, Politics. New York: Grove P, 1998. 19-25. ---. “Writing, Politics and Ashes to Ashes.” in Various Voices: Prose, Poetry, Politics. New York: Grove P, 1998. 72-88. Pirandello, Luigi. Six Characters in Search of an Author. in Three Plays: The Rules of the Game, Six Characters in Search of an Author, Henry IV. Trans. John Linstrum. 1985. London: Methuen Drama, 1988. 65-134. Plimpton, George, ed. “Harold Pinter.” in Writers at Work: The Paris Review Interviews 3rd Ser. New York: Penguin, 1977. 349-68. Quigley, Austin E. The Pinter Problem. Princeton: Princeton UP, 1975. Raby, Peter. “Introduction.” in The Cambridge companion to Harold Pinter. Ed. Peter Raby. Cambridge: Cambridge UP, 2001. 1-3. Regal, Martin S. “Recreating the Past in the Present.” in Harold Pinter: A Question of Timing. New York: St. Martin’s P, 1995. 61-86. Scott, Michael. “Introduction.” in Harold Pinter: The Birthday Party, The Caretaker & The Homecoming. Ed. Michael Scott. London: Macmillan, 1986. 9-22. Simard, Rodney. Postmodern Drama: Contemporary Playwrights in America and Britain. Lanham: UP of America, 1984. Sontag, Susan. Against Interpretation, and Other Essays. New York: Anchor Books, 1990. Steel, Miranda, ed. 'Caretaker.' Oxford Wordpower Dictionary. London: Oxford UP, 2000. Sykes, Alrene. “The Caretaker and ‘Failure of Communication’.” in Critical Essays on Harold Pinter. Ed. Steven H. Gale. Boston: G. K. Hall, 1990. 65-89. Taylor, John Russell. “A Room and Some Views [The Technique of Casting Doubt].” in Critical Essays on Harold Pinter. Ed. Steven H. Gale. Boston: G. K. Hall, 1990. 269-70. Taylor, John Russell. “A Room and Some Views: Harold Pinter.” in Pinter: A Collection of Critical Essays. Ed. Arthur Ganz. Englewood Cliffs: Prentice, 1972. 105. Turner, W. Victor. “Liminality and Communitas: Forms and Attributes of Ritual Passage.” in The Ritual Process: Structure and Anti-Structure. Chicago: Aldine, 1969. 94-130. Wardle, Irving. “The Territorial Struggle.” in Harold Pinter: The Birthday Party, The Caretaker & The Homecoming. Ed. Michael Scott. London: Macmillan, 1986. 169-71. Williams, Tennessee. A Streetcar Named Desire. Oxford: Heinemann, 1995. 二、中文書目 王坤（譯）。《符號學與戲劇理論》。基爾•伊拉姆原著。板橋市：駱駝，1998。 吳潛誠（編）。〈過渡儀式與社群〉。《文化與社會：當代論辯》。維多．特納原著。台北：立緒，1997。176-185。 紀蔚然。〈敘述的轉向──從《回家》閱讀品特的語言〉。《小說與戲劇》14，臺南：成功大學外文系，2002。3-18。 盛曉明。《話語規則與知識基礎》。上海市：學林，2000。 郭尚興。〈郭尚興導演品特The Collection〉。碩士論文。國立台灣大學戲劇研究所，2003。 彭鏡禧（譯注）。《哈姆雷》。莎士比亞原著。台北：聯經，2001。 廖本瑞。《哈洛•品特戲劇研究》。台北：書林，1999。 劉紀慧。《孤兒．女神．負面書寫：文化符號的徵狀式閱讀》。台北：立緒，2000。 劉康。《對話的喧聲：巴赫汀文化理論述評》。台北：麥田，1995。 鍾明德。〈關於《分成六部的十八個發生》〉。《從寫實主義到後現代主義》。台北：書林，1995。202-3。 兪建章、葉舒憲。《符號：語言與藝術》。台北：久大文化，1990。 三、網路資料 “HaroldPinter.org.” Internet. Available http://www.haroldpinter.org/home/index.shtml. | |
| dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/39441 | - |
| dc.description.abstract | 品特的作品由於語言風格特殊，向來給人「晦澀難明」、「模糊不清」和「不確定」等印象。Martin Esslin在《荒謬劇場》一書裡將品特歸類為荒謬劇作家，導致後來的學者討論品特總跳脫不出「荒謬」之範疇。然而，縱觀Esslin對荒謬二字的解讀，品特的作品卻不盡符合荒謬的條件。相較於荒謬劇作家對存在虛無的關心，品特將焦點放在人類當下的處境。「日常生活的瑣碎」是他最愛的題材，筆下人物所使用的語言，亦是十分寫真：荒謬劇中常見的溝通困境，事實上並不存在於品特劇裡。然而，由於品特的對白經常以一種「濃縮的換置」方式呈現，是以用「找尋次文本」的方式解讀無異緣木求魚。品特的世界在文明的表象之下蘊蓄著一股史前的、非理性的能量，這股能量的釋放正是透過語言。於此，我們可以在人物話語的交鋒之中察覺權力和欲望的鬥爭。這是基於存在的不安全感，既是無可奈何的選擇，亦為與生俱來的動物本能。
本篇論文將首先針對Esslin評論品特的幾點謬誤提出修正，並援引Turner的中界（liminal）概念來釐清品特撲朔迷離的特殊風格。以此奠基，本篇論文將繼續從劇場符號學和社會語言學的角度涉入，以品特早期幾個具代表性的七部作品為例，深入分析品特語言背後的操作性因素，並檢視語言背後的權力遊戲。 | zh_TW |
| dc.description.provenance | Made available in DSpace on 2021-06-13T17:28:36Z (GMT). No. of bitstreams: 1 ntu-93-R90129001-1.pdf: 990664 bytes, checksum: b87a9c13d774a4563f39e9e5b814d906 (MD5) Previous issue date: 2004 | en |
| dc.description.tableofcontents | 《非常品特──從語言探討品特世界的權力遊戲》目錄
第一章 緒論---------------------------------------------------------------------------------------------1 第一節 研究動機---------------------------------------------------------------------------------1 第二節 文獻回顧---------------------------------------------------------------------------------5 第三節 研究範圍與研究方法------------------------------------------------------------------7 第二章 非常品特-------------------------------------------------------------------------------------10 第一節 曖昧不明的品特劇-------------------------------------------------------------------10 一、 品特劇說什麼？ 二、 品特的「傳統」「後現代」劇場 三、 在寫實與非寫實之間──撲朔迷離的真相 第二節 非關荒謬-------------------------------------------------------------------------------23 第三節 中界式的儀式劇場-------------------------------------------------------------------28 第四節 品特劇中的「房間」意象----------------------------------------------------------31 小結-------------------------------------------------------------------------------------------------34 第三章 品特的語言策略──打一場語言的戰爭----------------------------------------------36 第一節 從Keir Elam的「劇場話語」看品特劇的語言功能--------------------------36 一、 語言建構的劇場世界：品特的「回憶劇」 二、 劇場裡的「語用行動」與品特劇裡的「語用行動」 三、 劇場裡的對話規則與「言外之意」 vs. 品特劇裡的「言外之意」 第二節 「溝通困境」與「品特問題」：「文字之間」與「文字背後」-------------50 第三節 以語言打一場生存戰爭──品特的語言策略----------------------------------54 一、 無關發言 二、 重複 三、 專業術語 四、 停頓和沈默 五、 陳腔濫調 六、 獨白 小結------------------------------------------------------------------------------------------------63 第四章 品特劇中的權力關係----------------------------------------------------------------------65 第一節 語言與人際關係：從「人際間的」到「關係間的」-------------------------66 第二節 品特劇中的語言與權力-------------------------------------------------------------69 一、 話語與權力 二、 品特的權力劇《看護者》──誰是贏家？ 第三節 其它影響權力分配的變數----------------------------------------------------------83 小結-------------------------------------------------------------------------------------------------86 第五章 結論-------------------------------------------------------------------------------------------88 第一節 品特研究的新出路：中界式的儀式劇場----------------------------------------88 第二節 品特劇的主題與其轉向-------------------------------------------------------------91 | |
| dc.language.iso | zh-TW | |
| dc.subject | 權力 | zh_TW |
| dc.subject | 品特 | zh_TW |
| dc.subject | 中界 | zh_TW |
| dc.subject | 語言 | zh_TW |
| dc.subject | 荒謬 | zh_TW |
| dc.subject | power | en |
| dc.subject | language | en |
| dc.subject | absurd | en |
| dc.subject | liminal | en |
| dc.subject | Pinter | en |
| dc.title | 非常品特──從語言探討品特世界的權力遊戲 | zh_TW |
| dc.title | Extremely Pinter: A Study of Language Power Play in Pinter's Work | en |
| dc.type | Thesis | |
| dc.date.schoolyear | 93-1 | |
| dc.description.degree | 碩士 | |
| dc.contributor.oralexamcommittee | 王友輝,邱錦榮 | |
| dc.subject.keyword | 品特,中界,語言,荒謬,權力, | zh_TW |
| dc.subject.keyword | absurd,liminal,Pinter,power,language, | en |
| dc.relation.page | 100 | |
| dc.rights.note | 有償授權 | |
| dc.date.accepted | 2004-10-13 | |
| dc.contributor.author-college | 文學院 | zh_TW |
| dc.contributor.author-dept | 戲劇學研究所 | zh_TW |
| 顯示於系所單位： | 戲劇學系 | |
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|---|---|---|---|
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