請用此 Handle URI 來引用此文件：
http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/39244完整後設資料紀錄
| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.advisor | 李賢輝(Hsien-Hui Lee) | |
| dc.contributor.author | Po-Hung Shen | en |
| dc.contributor.author | 沈柏宏 | zh_TW |
| dc.date.accessioned | 2021-06-13T17:24:46Z | - |
| dc.date.available | 2005-02-02 | |
| dc.date.copyright | 2005-02-02 | |
| dc.date.issued | 2005 | |
| dc.date.submitted | 2005-01-26 | |
| dc.identifier.citation | Appia, Adolphe. The Work of Living Art: A Theory of the Theatre. Translated by H. D. Albright. Coral Gables, Florida: University of Miami Press, 1962.
——. Music and the Art of the Theatre. Translated by Robert W. Corrigan and Mary Douglas Dirks. Coral Gables, Florida: University of Miami Press, 1962. Beacham Richard C. Adophe Appia: Texts on Theatre. London: Routledge, 1993. ——. Adophe Appia: Artist and Visionary of the Modern Theatre. Harwood Academic Publishers GmbH., 1994. Belasco, David. The Theatre through Its Stage Door. New York: Harper & Brothers Publishers, 1919. Bellman, Willard F. Lighting the Stage: Art and Practice. San Francisco: Chandler Publishing Co., 1967. Bentham, Frederick. Stage Lighting. London: Sir Isaac Pitman & Sons, Ltd., 1950. ——. The Art of Stage Lighting. London: Sir Isaac Pitman & Sons, Ltd., 1968. Bergman, G?sta M. Lighting in the theatre. Stockholm, Sweden: Almqvist & Wiksell International, 1977. Bluhm, Andreas, and Louise Lippincott. Light: The Industrial Age 1750-1900, Arts & Science, Technology & Society. London: Thames & Hudson, 2000. Brockett, Oscar G. History of the Theatre. 7th ed. Boston: Allyn & Bacon, 1995. Compulite-Danor. “Stage Lighting Museum.” 2002. http://www.stage-lighting-museum.com. Deschodt, Anna-Marie, and Doretta Davanzo Poli. Fortuny. New York: Harry N. Abrams, Inc., 2001. Edwards, Lee Maccormick. Herkomer: A Victorian Artist. Vermont: Ashgate Publishing Company, 1999. Fort, Timothy Ward. “Incandescence and the Birth of Morden Lighting Design.” Ph. D. diss., University of Toronto, 1988. Fortuny Factory: Venice, Italy. “Mariano Fortuny.” http://www.fortuny.com. Fraser, Neil. Stage Lighting Explained. Marlborough: Crowood Press, 2002. Fuchs, Theodore. Stage Lighting. Boston: Little, Brown, and Co., 1929. Gillette, J. Michael. Designing With Light: An Introduction to Stage Lighting. California: Mayfield Publishing Company, 1978. Graves, R. B. Lighting the Shakespearean Stage, 1567-1642. Carbondale: Southern Illinois University Press, 1999. Hartmann, Louis. Theatre Lighting. New York: D. Appleton and Company, 1901. Hartnoll, Phyllis. The Theatre: A Concise History. 3rd ed. London: Thames & Hudson, 1998. ——. The Oxford Companion to the Theatre. London: Oxford University Press, 1951. Hewitt, Barnard., ed. The Renaissance Stage. Coral Gables, Florida: University of Miami Press, 1958. Izenour, George C. Theatre Technology. 2nd ed. New Haven: Yale University Press, 1996. Keller, Max. Light Fantastic: The Art and Design of Stage Lighting. Munich: Prestel, 1999. MacGowan, Kenneth, and Robert Edmond Jones. Continental Stagecraft. New York: Harcourt, Brace and Company, 1922. Marker, Lise-Lone. David Belasco: Naturalism in the American Theatre. Princeton: Princeton University Press, 1975. McCandless, Stanley R. A Method of Lighting the Stage. 4th ed. New York: Theatre Arts Books, 1984. ——. A Syllabus of Stage Lighting. 8th ed. New Haven, Conn., 1953. Nagler, A. M. A Source Book in Theatrical History. New York: Dover Publications, Inc., 1952. National Museum of American History. “Lighting A Revolution.” 2003. http://www.americanhistory.si.edu/lighting. Penzel, Frederick. Theatre Lighting Before Electricity. Middletown, Connecticut: Wesleyan University Press, 1978. Pilbrow, Richard. Stage Lighting Design: The Art, The Craft, The Life. New York, Hollywood: By Design Press, 1997. Pro Helvetia-Arts Council of Switzerland. Adolphe Appia: 1862-1928 actor-space-light. London: John Calder (Publishers) Ltd., 1982. Redler, Dan. Stage Lighting CD ROM. Israel: Danor Theatre & Studio Systems, 1996. Rees, Terence. Theatre Lighting in the Age of Gas. London: The Society for Theatre Research, 1978. Sandstr?m, Ulf. Stage Lighting Controls. Oxford: Focal Press, 1997. Schivelbusch, Wolfgang. Disenchanted Night: The Industrialization of Light in the Nineteenth Century. Translated by Angela Davies. Berkeley: The University of California Press, 1988. Sellman, Hunton D. Essentials in Stage Lighting. Englewood Cliffs, New Jersey: Prentice-Hall, Inc., 1972. TABS. London: The Strand Electric & Engineering Co., Ltd. Theatre Lighting: Past and Present. New York: Ward Leonard Electric Company, 1923. Williams, Bill. “A History of Light and Lighting.” 1999. http://www.mts.net/~william5/history/hol.htm. 40 Years of Kliegl Lighting. New York: Kliegl Bros Universal Electric Stage Lighting Co., Inc., 1936. 馬修．約瑟夫遜（Matthew Josephson）著；桂明譯。《愛迪生傳》。臺北：志文，1990 年。 郭燦江。《燈具》。臺北：貓頭鷹出版，2003 年。 愛得華．泰勒（Edward Burnett Taylor）著；連樹聲譯。《人類學 人及其文化研究》。上海：上海文藝，1993 年。 | |
| dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/39244 | - |
| dc.description.abstract | 分析劇場燈光發展的歷史過程當中，燈光技術上的革新往往影響了燈光美學上的表現意含。在歷經了自然光源時期、蠟燭和油燈時期、煤氣燈時代、和電燈時代的階段發展後，劇場燈光的美學也有所更迭和演變，因而逐漸地豐富了它的內容和表現形態。
從煤氣燈時代跨向電燈時代，也就是十九世紀末到二十世紀的初期，這個時期是劇場燈光轉變最為劇烈的時代。電燈技術的發明使得燈光美學上的表現有了極大的演變，同時由於多位燈光設計師紛紛闡述有關燈光美學的看法，奠定了日後二十世紀現代燈光設計概念的輪廓。燈光設計師們所提出的美學理念也影響了設計方法上的呈現，追隨自然和象徵表現成為二個主要的藝術思考。 現代劇場燈光美學的概念在這樣的交互影響下，確立了它於藝術上的主體性。燈光的功能在歷經照明、氣氛、和象徵意義的階段演變下，逐漸成為劇場藝術的元素之一。燈光設計的概念於是形成，燈光藝術從舞臺藝術的範疇中脫離出來，擁有完整獨立的美學表現。 | zh_TW |
| dc.description.provenance | Made available in DSpace on 2021-06-13T17:24:46Z (GMT). No. of bitstreams: 1 ntu-94-R91129012-1.pdf: 3637795 bytes, checksum: 30f1d557f35bda1975031d4bbbbb042c (MD5) Previous issue date: 2005 | en |
| dc.description.tableofcontents | 摘要 ………………………………………………………………………………… i
誌謝 ………………………………………………………………………………… ii 目錄 ………………………………………………………………………………… iii 表列 ………………………………………………………………………………… v 圖列 ………………………………………………………………………………… vi 第一章 緒論 ……………………………………………………………………… 1 第一節 研究動機 …………………………………………………………… 1 第二節 研究目的 …………………………………………………………… 2 第三節 研究方法 …………………………………………………………… 3 第二章 文獻回顧 ………………………………………………………………… 5 第三章 劇場燈光技術與美學之演變 ………………………………………… 14 第一節 煤氣燈發明之前 ………………………………………………… 14 一、自然光源 ………………………………………………………… 14 二、油燈和蠟燭 ……………………………………………………… 18 第二節 煤氣燈時代 ……………………………………………………… 35 一、煤氣燈 …………………………………………………………… 35 二、灰光燈 …………………………………………………………… 40 第三節 電燈時代 ………………………………………………………… 43 一、電弧燈 …………………………………………………………… 43 二、白熾燈 …………………………………………………………… 46 第四章 著名燈光設計師的美學理念 ………………………………………… 53 第一節 史提爾麥凱（Steele Mackaye）………………………………… 54 第二節 修伯凡赫克門（Hubert von Herkomer）………………………… 60 第三節 大衛貝拉斯科（David Belasco）………………………………… 66 第四節 馬瑞阿諾佛坦尼（Mariano Fortuny）…………………………… 73 第五節 阿道夫阿匹亞（Adolphe Appia）……………………………… 80 第五章 劇場燈光美學演變對設計方法之影響 ……………………………… 87 第一節 追隨自然環境的設計方法 ……………………………………… 88 第二節 表現象徵理念的設計方法 ……………………………………… 113 第六章 現代劇場燈光設計的概念分析 ……………………………………… 132 第七章 研究結論 ……………………………………………………………… 143 參考文獻 ………………………………………………………………………… 145 | |
| dc.language.iso | zh-TW | |
| dc.subject | 燈光設計 | zh_TW |
| dc.subject | 燈光美學 | zh_TW |
| dc.subject | 劇場燈光史 | zh_TW |
| dc.subject | Theatre Lighting Design | en |
| dc.subject | Lighting Aesthetics | en |
| dc.title | 從煤氣燈時代到電燈時代
劇場燈光設計美學與設計方法演變之分析 | zh_TW |
| dc.title | From Gas Lighting to Incandescent Era
An Analysis of the Evolution of Theatre Lighting Design Aesthetics and Methods | en |
| dc.type | Thesis | |
| dc.date.schoolyear | 93-1 | |
| dc.description.degree | 碩士 | |
| dc.contributor.oralexamcommittee | 劉權富(Chuan-Fu Liu),簡立人(Lee-Zen Chien) | |
| dc.subject.keyword | 燈光美學,劇場燈光史,燈光設計, | zh_TW |
| dc.subject.keyword | Theatre Lighting Design,Lighting Aesthetics, | en |
| dc.relation.page | 148 | |
| dc.rights.note | 有償授權 | |
| dc.date.accepted | 2005-01-26 | |
| dc.contributor.author-college | 文學院 | zh_TW |
| dc.contributor.author-dept | 戲劇學研究所 | zh_TW |
| 顯示於系所單位： | 戲劇學系 | |
文件中的檔案：
| 檔案 | 大小 | 格式 | |
|---|---|---|---|
| ntu-94-1.pdf 未授權公開取用 | 3.55 MB | Adobe PDF |
系統中的文件，除了特別指名其著作權條款之外，均受到著作權保護，並且保留所有的權利。