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| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.advisor | 鄭士康 | |
| dc.contributor.author | Yu-Chi Wu | en |
| dc.contributor.author | 吳育奇 | zh_TW |
| dc.date.accessioned | 2021-06-13T15:49:34Z | - |
| dc.date.available | 2008-07-21 | |
| dc.date.copyright | 2008-07-21 | |
| dc.date.issued | 2008 | |
| dc.date.submitted | 2008-06-27 | |
| dc.identifier.citation | [1] B. Anderson, “Quilt Music,” Albany Records, Troy 709.
[2] 刺激2005 Web: http://www.youtube.com/watch?v=X53qxsfeRLc [3] Y. C. Wu and S. K. Jeng, “An Algorithm for Quilt Music Composition,” WOCMAT 2008. [4] J. Jo, Y. Kim, H. Kang, J. Lee, “Chord-Based Musical Composition and Incorporating it into Auto-Accompaniment Instrument,” IEEE Information Assurance in Networks, 2007 [5] S. C. Chiu, M. K. Shan, “Computer Music Composition Based on Discovered Music Patterns,” IEEE International Conference on Systems, Man, and Cybernetics, 2006 [6] C. H. Chen, S. K. Jeng, “Emotion-based Media Player Show,” Master Thesis, Department or Graduate Institute of Electrical Engineering College of Electrical Engineering and Computer Science ,National Taiwan University, 2007 [7] Let them sing it for you Web: http://www.sr.se/P1/SRC/Sing/ [8] B. Pardo, and W. Birmingham,” The Chordal Analysis of Tonal Music,” Technical Report (CSETR- 439-01), 2001 [9] B. Pardo, and W. Birmingham, “Algorithms for Chordal Analysis,” Computer Music Journal, 2002 [10] C. W. Chang, Y. K. Wu, and H. C. Jiau, “A Practical Chord Arrangement Algorithm for Monophonic Music,” Proceeding of the Tenth Conference on Artificial Intelligence and Applications, 2005. [11] 李宏儒, 鄭雯妮與張智星,“以統計方法與音樂理論為基礎之哼唱譜曲系統”, 第七屆人工智慧與應用研討會, 台中, 2002 [12] 傅思為, “Rule-based Chord Generation with Cadence,” 清華大學資訊工程學系碩士論文, 2004. [13] 董信宗、沈錳坤, “基植於音樂風格的電腦音樂自動伴奏”, DATF數位典藏技術研討會, 2006. [14] D. Povel, “A Model for the Perception of Tonal Melodies,” CIMAI Edinburgh, Scotland, UK, 2002 [15] T. Eerola, and P. Toiviainen, “MIDI Toolbox: MATLAB Tools for Music Research,” University of Jyväskylä: Kopijyvä, Jyväskylä, Finland. Available at http://www.jyu.fi/hum/laitokset/musiikki/en/research/coe/materials/miditoolbox/. 2004. [16] C. Gamer, “Some Combinational Resources of Equal Tempered Systems,” Journal of Music Theory, Vol. 11, No. 1, pp. 32-59, 1967. [17] C.C. Liu, and W.Y. Kou, “Content-Based Segmentation of MP3 Music Objects,” In Proc. of the Workshop on the 21st Century Digital Life and Internet Technologies, 2001. [18] D. Huron and R. Parncutt “An improved model of tonality perception incorporating pitch salience and echoic memory,” Psychomusicology, 12, 152-169, 1993 [19] C. L. Krumhansl, “Cognitive Foundations of Musical Pitch,” New York: Oxford University Press, 1990 [20] C. L. Krumhansl and E. J. Kessler, “Tracing the Dynamic Changes in Perceived Tonal Organization in a Spatial Representation of Musical Keys,” Psychological Review, Vol. 89, No. 4, 1982. [21] C.C. Judd, 'Introduction: Analyzing Early Music', Tonal Structures of Early Music (ed. Judd). New York: Garland Publishing, 1998. [22] H.C. Chen, C.H. Lin, Arbee L.P. Chen, “Music Segmentation by Rhythmic Features and Melodic Shapes,” IEEE International Conference on Multimedia and Expo (ICME), 2004 [23] C. Dahlhaus, and R.O. Gjerdingen, Studies in the Origin of Harmonic Tonality, Princeton University Press, p.67, 1990. [24] H. Hanson, Harmonic Materials of Modern Music, Irvington, 1960, ISBN: 978-0891972075 [25] J. McKinney, The Diagnosis and Correction of Vocal Faults, Genovex Music Group, 1994 | |
| dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/37891 | - |
| dc.description.abstract | 本文開發了一個音樂作曲的演算法，將來自於不同歌曲的音樂片段拼貼在一起而成為一段完整的音樂。音樂片段來源是現代流行歌曲。本文採用統計機率模型加上一些音樂理論為基礎的概念來設計演算法。在音樂理論上，和弦在音樂和諧度上扮演重要的角色，所以和弦是本論文主要去探討的特徵。和弦的轉換及音樂架構也是我們探討的對象。最後提出一套兩階層的貪婪演算法，包括和弦模型及節奏架構來達到拼貼作曲的效果。而在得出主旋律後，我們還用動態程式規劃設計一個以和弦為基礎的自動伴奏演算法來為主旋律搭配伴奏。最後實驗部份採取人為受訪的實驗方式，實驗結果顯示本系統完成的作品效果不錯。 | zh_TW |
| dc.description.abstract | This thesis presents a composition algorithm by sewing several unrelated music swatches into one piece of music, based on music harmony and several musical features. All segments in our system are from popular songs in modern life. Statistical concepts and music theory-based rules are applied in our algorithm. The chord pattern is the main feature for that chord plays an important role in music harmony. A training model of chord transition and music structure analysis are both proposed. The composition approach is a two-level greedy algorithm combining the chord model and rhythmic features. A chord-based automatic accompaniment algorithm using dynamic programming is also proposed in this paper. Subjective experiments were executed and the result shows that the music generated by our algorithm performs pretty well. | en |
| dc.description.provenance | Made available in DSpace on 2021-06-13T15:49:34Z (GMT). No. of bitstreams: 1 ntu-97-R95944030-1.pdf: 366620 bytes, checksum: c4867e0a88c59557837a2048133e3175 (MD5) Previous issue date: 2008 | en |
| dc.description.tableofcontents | Chapter 1 Introduction 1
1.1 Motivation 1 1.2 Literature Survey 2 1.3 System Structure 3 1.4 Organization of Thesis 5 Chapter 2 Background 6 2.1 MIDI Notation 6 2.2 Chord Notation 9 Chapter 3 Methodology 11 3.1 Pre-work 11 3.1.1 Auto-segmentation 11 3.1.2 Key-shifting to C-major 12 3.2 Chord Recognition 14 3.2.1 Chord Decision Algorithm 14 3.2.2 Chord State Candidates 16 3.3 Transition Probability Model 17 3.4 Music Structure 18 Chapter 4 Composition Algorithm 21 4.1 System Stucture 21 4.2 Local Phase Features 24 4.2.1 Chord Features 24 4.2.2 Rhythmic Structure 25 4.3 Global Phase Features 27 4.3.1 Music Structure 27 4.4 Post-process 28 4.4.1Automatic Accompaniment 28 Chapter 5 Experiments and Discussions 32 5.1 Experiment 1 32 5.2 Experiment 2 35 5.3 Experiment 3 37 Chapter 6 Conclusion 41 Reference 44 | |
| dc.language.iso | en | |
| dc.title | 集錦音樂自動作曲演算法之研究 | zh_TW |
| dc.title | An Algorithm for Quilt Music Composition | en |
| dc.type | Thesis | |
| dc.date.schoolyear | 96-2 | |
| dc.description.degree | 碩士 | |
| dc.contributor.oralexamcommittee | 蘇文鈺,張智星,陳良弼 | |
| dc.subject.keyword | 和弦辨識,音樂作曲,音樂和諧, | zh_TW |
| dc.subject.keyword | chord recognition,musical composition,music harmony, | en |
| dc.relation.page | 47 | |
| dc.rights.note | 有償授權 | |
| dc.date.accepted | 2008-06-27 | |
| dc.contributor.author-college | 電機資訊學院 | zh_TW |
| dc.contributor.author-dept | 資訊網路與多媒體研究所 | zh_TW |
| 顯示於系所單位： | 資訊網路與多媒體研究所 | |
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