Please use this identifier to cite or link to this item:
http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/37350Full metadata record
| ???org.dspace.app.webui.jsptag.ItemTag.dcfield??? | Value | Language |
|---|---|---|
| dc.contributor.advisor | 紀蔚然(Wei-jan Chi) | |
| dc.contributor.author | Li-wen Wang | en |
| dc.contributor.author | 王俐文 | zh_TW |
| dc.date.accessioned | 2021-06-13T15:25:13Z | - |
| dc.date.available | 2008-07-21 | |
| dc.date.copyright | 2008-07-21 | |
| dc.date.issued | 2008 | |
| dc.date.submitted | 2008-07-19 | |
| dc.identifier.citation | 一、英文書目
Adler, Thomas P. “‘The Blind Leading the Blind’: Rabe’s Sticks and Bones and Shakespeare’s King Lear.” Papers on Language and Literature 15.2 (1979): 203-06. Albee, Edward. The Zoo Story. The American Dream and The Zoo Story: Two Plays by Edward Albee. New York: Signet, 1961. 1-49 Asahina, Robert. “The Basic Training of American Playwrights: Theater and the Vietnam War.” Theater 9.2 (1978): 30-37. Beidler, Philip D. American Literature and the Experience of Vietnam. Athens, Georgia: The U of Georgia P, 1982. Beynon, John. Masculinities and Culture. Buckingham: Open UP, 2002. Bigsby, Christopher. Contemporary American Playwrights. Cambridge: Cambridge UP, 1999. Bly, Robert. Iron John: A Book about Men. Cambridge, MA: Da Capo Press, 2004. Brannon, Robert. “The Male Sex Role: Our Culture’s Blueprint of Manhood, and What It’s Done for Us Lately.” The Forty-Nine Percent Majority: The Male Sex Role. Eds. Deborah S. David and Robert Brannon. Reading, MA: Addison-Wesley, 1976. 1-45. Brucetein, Robert. “The Crack in the Chimney: Reflections on Contemporary American Playwriting.” Theater 9.2 (1978): 21-29. Büchner, Georg. Wyozeck . Complete Plays, Lenz and Other Writings. London: Penguin, 1993. 109-38. Carrigan, Tim, Bob Connell, and John Lee. “Toward a New Sociology of Masculinity.” The Making of Masculinities: The New Men’s Studies. Ed. Harry Brod. Boston: Allen & Unwin, 1987. 63-100. Chi, Wei-jan. The Role of Language in the Plays of Mamet, Wilson, and Rabe. Diss. U of Iowa, 1991. Ann Arbor: UMI, 1991. Clatterbaugh, Kenneth. Contemporary Perspectives on Masculinity: Men, Women, and Politics in Modern Society. 1st ed. Boulder: Westview, 1990. ---. Contemporary Perspectives on Masculinity: Men, Women, and Politics in Modern Society. 2nd ed. Boulder: Westview, 1997. Clum, John M. Acting Gay: Male Homosexuality in Modern Drama. New York: Columbia UP, 1992. Cooper, Pamela. “David Rabe’s Sticks and Bones: The Adventures of Ozzie and Harriet.” Modern Drama 24 (1986): 613-25. Doyle, Richard. The Rape of the Male. St. Paul, Minn.: Poor Richard’s Press, 1976. Dubbert, Joe L. A Man’s Place: Masculinity in Transition. Englewood Cliffs: Prentice-Hall, 1979. Eagleton, Terry. Literary Theory: An Introduction. Malden, MA: Blackwell Publishing, 1983. Edwards, Tim. Cultures of Masculinity. London: Routledge, 2006. Fenn, Jeffery W. “Conditioned Response: David Rabe’s The Basic Training of Pavlo Hummel.” Canadian Review of American Studies 21.2 (1990): 157-72. Filene, Peter Gabriel. Him/Her/Self: Sex Roles in Modern America. New York: Mentor, 1974. Flax, Jane. “Postmodernism and Gender Relations in Feminist Theory.” Feminism/ Postmodernism. Ed. Linda J. Nicholson. New York: Routledge, 1990. Foucault, Michel. Discipline and Punish: The Birth of the Prison. Trans. Alan Sheridan. New York: Vintage Books, 1997. Franklin, Clyde W. II. “Ain’t I a Man? The Efficacy of Black Masculinities for Men’s Studies in the 1990s.” The American Black Male: His Present Status and His Future. Ed. Richard G. Majors and Jacob U. Gordon. Chicago: Nelson-Hall, 1994. 271-83. Franzt, Fanon. Black Skin, White Mask. Trans. Charles Lam Markmann. New York: Grove Weidenfeld, 1991. Frye, Joanne S. “Politics, Literary Form, and a Feminist Poetics of the Novel.” Essentials of the Theory of Fiction. 2nd ed. Ed. Michael J. Hoffman and Patrick D. Murphy. Durham: Duke UP, 1996. 432-53. Geis, Deborah. ““Fighting to Get Down, Thinking It Was Up”: A Narratological Reading of The Basic Training of Pavlo Hummel.” David Rabe: A Casebook. Ed. Toby Silverman Zinman. New York: Garland Publishing, 1991. 71-83. Gerzon, Mark. A Choice of Heroes: The Changing Faces of American Manhood. Boston: Houghton Mifflin, 1982. Goffman, Erving. Asylums: Essays on the Social Situation of Mental Patients and Other Inmates. Garden City: Anchor Books, 1961. ---. Stigma: Notes on the Management of Spoiled Identity. London: Penguin, 1990. Halperin, David M. One Hundred Years of Homosexuality: and Other Essays on Greek Love. New York: Routledge, 1990. Herman, Judith Lewis. Trauma and Recovery. New York: BasicBooks, 1992. Hersh, Seymour M. My Lai 4: A Report on the Massacre and Its Aftermath. New York: Random House, 1970. Homan, Richard L. “American Playwrights in the 1970s: Rabe and Shepard.” Critical Quarterly 24.1 (1982): 73-82. Kaufman, Michael. “Men, Feminism, and Men’s Contradictory Experiences of Power.” Theorizing Masculinities. Ed. Harry Brod and Michael Kaufman. Thousand Oaks, California: Sage Publications, 1994. 142-63. Kerr, Walter. “Stage View: Confrontations with Mortality.” New York Times. 2 July 1978: D1. Kimmel, Michael S. “Masculinity as Homophobia: Fear, Shame, and Silence in the Construction of Gender Identity.” Theorizing Masculinities. Ed. Harry Brod and Michael Kaufman. Thousand Oaks, California: Sage Publications, 1994. 119-41. Kinsman, Gary. “Men Loving Men: The Challenge of Gay Liberation.” Beyond Patriarchy: Essays by Men on Pleasure, Power, and Change. Ed. Michael Kaufman. Toronto: Oxford UP, 1987. 103-19. Kolin, Philip C. David Rabe: A Stage History and A Primary and Secondary Bibliography. New York: Garland Publishing, 1988. ---. “Rabe’s Streamers.” Explicator 45 (1986): 63-64. Kroll, Jack. “This Is the Army.” Newsweek 77.24 (1971): 34. Leverenz, David. Manhood and American Renaissance. Ithaca: Cornell UP, 1989. Lifton, Robert Jay. Home from the War. New York: Simon and Schuster, 1973. Little, Stuart W. Enter Joseph Papp: In Search of a New American Theater. New York: Coward, McCann & Geoghegan, 1974. Majors, Richard, and Janet Mancini Billson. Cool Pose: The Dilemmas of Black Manhood in America. New York: Touchstone, 1992. Mamet, David. Businessmen. Short Plays and Monologues. New York: Dramatists Play Service, 1981. 15-17. ---. Lakeboat. The Woods, Lakeboat, Edmond: Three Plays. New York: Grove Press, 1987. 121-212. McDonough, Carla J. Staging Masculinity: Male Identity in Contemporary American Drama. Jefferson: McFarland & Company Inc, 1997. Miller, Arthur. Death of a Salesman. Taipei: Bookman, 1995. Morgan, David H. J. “Theater of War: Combat, the Military, and Masculinities.” Theorizing Masculinities. Ed. Harry Brod and Michael Kaufman. Thousand Oaks, California: Sage Publications, 1994. 165-82. Oliver, Edith. “The Theatre: Off Broadway.” New Yorker 47.15 (1971): 55-56. Pittman, Frank. Man Enough: Fathers, Sons, and the Search for Masculinity. New York: The Putnam Berkley Group, 1993. Rabe, David. “Author’s Note.” The Vietnam Plays. Vol. 1. New York: Grove Press, 1993. 89. ---. The Basic Training of Pavlo Hummel. The Vietnam Plays. Vol. 1. New York: Grove Press, 1993. 1-88. ---. “Introduction.” The Basic Training of Pavlo Hummel and Sticks and Bones: Two Plays by David Rabe. New York: Viking, 1973. ix-xxv. ---. “Introduction: 1972.” The Vietnam Plays. Vol. 1. New York: Grove Press, 1993. ix-xxv. ---. “Rabe on Vietnam.” David Rabe: A Casebook. Ed. Toby Silverman Zinman. New York: Garland Publishing, 1991. 96. ---. Sticks and Bones. The Vietnam Plays. Vol. 1. New York: Grove Press, 1993. 91-175. ---. Streamers. The Vietnam Plays. Vol. 2. New York: Grove Press, 1993. 1-83. Rosen, Carol. Plays of Impasse: Contemporary Drama Set in Confining Institutions. Princeton: Princeton UP, 1983. Roszak, Theodore. “The Hard and the Soft: The Force of Feminism in Modern Times.” Masculine/ Feminine. Ed. Betty Roszak and Theodore Roszak. New York: Harper Colophon, 1969. 87-104. Said, Edward. Orientalism. New York: Vintage books, 1978. Samuels, Andrew. The Political Psyche. London: Routledge, 1993. Savron, David. “David Rabe.” In Their Own Words. New York: Theatre Communications Group, 1988. 193-206. Schein, Leonard. “Dangers with Men’s Consciousness-Raising Groups.”A Book of Readings for Men Against Sexism. Ed. Jon Snodgrass. Albion: Times Change Press, 1977. 129-35. Shakespeare, William. Romeo and Juliet. Ed. Brian Gibbons. New York: Routledge, 1980. Shepard, Sam. The Tooth of Crime. Seven Plays. New York: Dial Press, 2005. 201-51. ---. True West. Seven Plays. New York: Dial Press, 2005. 1-59. Stein, Howard. “The Lost People in David Rabe’s Plays.” David Rabe: A Casebook. Ed. Toby Silverman Zinman. New York: Garland Publishing, 1991. 17-30. Steiner, George. The Bluebeard’s Castle: Some Notes Towards the Redefinition of Culture. New Haven: Yale UP, 1971. Taylor, Clarke. “Playwright Rabe Cheered at Filmfest.” Los Angeles Times. 12 Oct. 1983: VI 2. Tong, Rosemarie. Feminist Thought: A Comprehensive Introduction. London: Routledge, 1992. Van Gennep, Arnold. The Rites of Passage. Trans. Monika B. Vizedom and Gabrielle L. Caffee. Chicago: U of Chicago P, 1972. Vorlicky, Robert. Act Like a Man: Challenging Masculinities in American Drama. Ann Arbor: U of Michigan P, 1995. Wallace, Michele. Black Macho and the Myth of the Superwoman. New York: Dial, 1979. Watson, Ryan. “American Myth and National Inspiration: Bill Couturie’s Dear America: Letters Home from Vietnam.” Journal of Film & Video 59.2 (2007): 3-12. Weiss, Hedy. “‘Simpatico’ a Classic Shepard Tale.” Chicago Sun-Times. 29 Nov. 1994: Sec. 2. Werner, Craig. “Primal Screams and Nonsense Rhymes: David Rabe’s Revolt.” Educational Theatre Journal. 30.4 (1978): 517-29. Zinman, Toby Silverman. “Search and Destroy: The Drama of the Vietnam War.” Theatre Journal. 42.1 (1990): 5-26. ---. “What’s Wrong with This Picture?: David Rabe’s Comic-Strip Plays.” David Rabe: A Casebook. Ed. Toby Silverman Zinman. New York: Garland Publishing, 1991. 31-47. 二、中文書目 刁曉華（譯）。《女性主義思潮》。羅思瑪莉．佟恩原著。台北市： 時報文化，1996。 王志弘等譯。《東方主義》。愛德華．薩依德原著。台北：立緒，1999。 王浩威。〈序〉。《鐵約翰：一本關於男性啟蒙的書》。羅勃．布萊原著。台北：張老師文化，1996。頁1-11。 朱生豪（譯）。《羅密歐與茱麗葉》。威廉．莎士比亞原著。台北：世界，1996。 宋國誠。《後殖民主義論述：從法農到薩依德》。台北：擎松，2003。 吳新發（譯）。《文學理論導讀》。泰瑞．伊果頓原著。台北：書林，1993。 施宏達，陳文琪（譯）。《從創傷到復原》。茱蒂斯．赫爾門原著。台北：遠流，2004。 紀蔚然。《現代戲劇敘事觀：建構與解構》。台北：書林，2006。 陳瑞華（譯）。《黑皮膚，白面具》。弗朗茲．法農原著。台北：心靈工坊，2005。 梁濃剛。《回歸佛洛伊德——拉康的精神分析學》。台北：遠流，1989。 楊淑智（譯）。《新男性：掙脫男子氣概的枷鎖》。法蘭克．匹特曼原著。台北：牛頓，1995。 劉建台、林宗德（譯）。《男性氣概的當代觀點》。肯尼斯．克拉特 鮑原著。台北市：女書，2003。 譚智華（譯）。《鐵約翰：一本關於男性啟蒙的書》。羅勃．布萊原著。台北：張老師文化，1996。 三、網路資料 Coolidge, Calvin. “America and the War.” The Authentic History Center. 1999. The Authentic History Center. 20 June 2007 <http://www.authentichistory.com/ 920s/920election/1920c_Calvin_Coolidge-America_And_The_War.html>. “James Cagney.” The Internet Movie Database. 1990. IMDb. 15 March 2008 <http://www.imdb.com/name/nm0000010/> “Statement of Principles.” National Organization for Men against Sexism. 2007. National Organization for Men against Sexism. 10 Aug. 2007 < http:// www.nomas.org/ principles>. | |
| dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/37350 | - |
| dc.description.abstract | 美國對男子氣概的觀感在七○年代時產生莫大的轉變：曾經壟斷美國男子氣概形象的「北美霸權式男子氣概」逐漸式微，並且轉而朝向多元化發展。造成這項轉變的原因，一方面是男性運動在女性運動的刺激之下，開始援引女性主義的理論以尋找男子氣概的新出口；另一方面則是僵滯約十年的越戰重挫了美國男性對於「戰爭英雄」的憧憬與幻想，使戰爭造就男人的神話徹底粉碎。於是，美國男性氣概的微妙變化與越戰對美國社會文化的衝擊成了美國當代劇場極欲探討的兩個議題，而大衛．雷柏以男性角色為主的越戰三部曲——《帕夫洛．漢莫的單兵基本教戰》、《棍與骨》、與《飄帶》——即捕捉了美國男性在這段期間，面對越戰失敗、憧憬破滅時仍企圖建構新男子氣概形象的掙扎樣態。然而，在重新檢視、探索美國男子氣概的過程中，美國男性卻發現過去他們對於男子氣概的定義皆建築在一連串徹底否定、排除「異己」——諸如女性、酷兒、異文化等——的基礎之上，這造成美國男子氣概在本質上的不穩定性。也就是說，任何「異己」的存在與改變都能搖撼美國男子氣概的定義，進而帶來莫大的危機。在越戰三部曲中，劇中男性即透過貶抑女性、酷兒、越南等「異己」的方式，企圖穩固其倍受威脅的男子氣概。
本論文將先從美國男子氣概的各項論述著手，探究其發展與變化，再深入大衛．雷柏的越戰三部曲，探討其作品中所呈現的美國男子氣概形象，以及其對「異己」的威脅所採取的危機處理策略。 | zh_TW |
| dc.description.provenance | Made available in DSpace on 2021-06-13T15:25:13Z (GMT). No. of bitstreams: 1 ntu-97-R93129009-1.pdf: 1028856 bytes, checksum: c1c3ae96e00e64e9bc1697e49e31f981 (MD5) Previous issue date: 2008 | en |
| dc.description.tableofcontents | 第一章 緒論
----------------------------------------------------------------------------------1 第一節 研究動機 ----------------------------------------------------------------------------------1 第二節 文獻回顧 ----------------------------------------------------------------------------------4 第三節 研究範圍與研究方法----------------------------------------------------------------------------------7 第四節 越戰三部曲之內容概述----------------------------------------------------------------------------------9 第二章 男子氣概(Masculinity)之論述與體現---------------------------------------------------------------------------------16 第一節 當代男子氣概之流派---------------------------------------------------------------------------------16 第二節 美國當代男角戲中的男子氣概---------------------------------------------------------------------------------26 一、 戲劇中的男性觀點---------------------------------------------------------------------------------26 二、 美國當代男角戲的戲劇場景---------------------------------------------------------------------------------28 三、 解放男性情感的機制---------------------------------------------------------------------------------34 第三節 男子氣概與戰爭---------------------------------------------------------------------------------37 第四節 越戰失敗對美國男子氣概的影響---------------------------------------------------------------------------------40 小結 ---------------------------------------------------------------------------------45 第三章 越戰三部曲中的男性形象---------------------------------------------------------------------------------46 第一節 越戰與越戰書寫---------------------------------------------------------------------------------46 第二節 迷途中的男人---------------------------------------------------------------------------------51 第三節 對性的焦慮與暴力---------------------------------------------------------------------------------58 第四節 男人間的權力遊戲---------------------------------------------------------------------------------61 第五節 尋找缺席的父親---------------------------------------------------------------------------------70 小結 ---------------------------------------------------------------------------------73 第四章 越戰三部曲中的男性危機---------------------------------------------------------------------------------75 第一節 易受「他者」威逼的美國男子氣概---------------------------------------------------------------------------------75 第二節 女性的威脅---------------------------------------------------------------------------------81 第三節 酷兒的威脅---------------------------------------------------------------------------------87 第四節 異文化的威脅---------------------------------------------------------------------------------94 小結 ---------------------------------------------------------------------------------99 第五章 結論 --------------------------------------------------------------------------------101 第一節 論文總結--------------------------------------------------------------------------------101 第二節 本論文的侷限與發展--------------------------------------------------------------------------------103 引用書目--------------------------------------------------------------------------------106附錄：大衛．雷柏戲劇作品年表--------------------------------------------------------------------------------113 | |
| dc.language.iso | zh-TW | |
| dc.subject | 越戰 | zh_TW |
| dc.subject | 大衛．雷柏 | zh_TW |
| dc.subject | 男子氣概 | zh_TW |
| dc.subject | 男角戲 | zh_TW |
| dc.subject | 男性運動 | zh_TW |
| dc.subject | 男性形象 | zh_TW |
| dc.subject | masculinity | en |
| dc.subject | David Rabe | en |
| dc.subject | Vietnam War | en |
| dc.subject | male-cast play | en |
| dc.subject | male image | en |
| dc.title | 大衛．雷柏的男人對話——
越戰三部曲中的男性形象與危機 | zh_TW |
| dc.title | David Rabe’s Men’s Talk:
Image and Crisis of Masculinity in Vietnam Trilogy | en |
| dc.type | Thesis | |
| dc.date.schoolyear | 96-2 | |
| dc.description.degree | 碩士 | |
| dc.contributor.oralexamcommittee | 蘇子中(Tzu-Chung Su),高維泓(Wei-Hung Kao) | |
| dc.subject.keyword | 大衛．雷柏,越戰,男角戲,男子氣概,男性形象,男性運動, | zh_TW |
| dc.subject.keyword | David Rabe,Vietnam War,male-cast play,masculinity,male image, | en |
| dc.relation.page | 113 | |
| dc.rights.note | 有償授權 | |
| dc.date.accepted | 2008-07-21 | |
| dc.contributor.author-college | 文學院 | zh_TW |
| dc.contributor.author-dept | 戲劇學研究所 | zh_TW |
| Appears in Collections: | 戲劇學系 | |
Files in This Item:
| File | Size | Format | |
|---|---|---|---|
| ntu-97-1.pdf Restricted Access | 1 MB | Adobe PDF |
Items in DSpace are protected by copyright, with all rights reserved, unless otherwise indicated.