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  1. NTU Theses and Dissertations Repository
  2. 管理學院
  3. 國際企業學系
請用此 Handle URI 來引用此文件: http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/25015
完整後設資料紀錄
DC 欄位值語言
dc.contributor.advisor黃恆獎教授
dc.contributor.authorHsien-Shu Tsengen
dc.contributor.author曾羨書zh_TW
dc.date.accessioned2021-06-08T06:00:17Z-
dc.date.copyright2007-08-02
dc.date.issued2007
dc.date.submitted2007-07-29
dc.identifier.citation一、中文書目
1. 理察˙考夫,仲曉玲,徐子超譯,「文化創意產業」,典藏藝術家庭股份有限公司出版,2003年9月。
2. 鄭沂珊(2002),「美國電影闢防影響因素之探討」,國立師範大學大眾傳播研究所碩士論文。
3. 蔡瑤昇,張雅婷(2004),「網路口碑訊息內容產生之說服效果對消費者推薦意願之影響」,2004科技與管理學術研討會。
4. 黃雅芬(2000),「口耳相傳效果對消費者行為的影響」,國立政治大學國際貿易學系碩士論文。
5. 吳明隆,涂金堂,「SPSS與統計應用分析」,五南圖書出版,2007年3月。
6. 經濟部工業局,「2005台灣文化創意產業發展年報」。
7. 鄭佩玲(2001),「口耳相傳效果對消費者態度形成之影響—以網路留言板為例」,國立政治大學國際貿易學系研究所碩士論文。

二、英文書目
1. Alain d'Astous, Antonella Carù, Oliver Koll, Simon Pierre Sigué(2005), ”Moviegoers' Consultation of Film Reviews in the Search for Information: A Multi-country Study,”International Journal of Arts Management, 7(3) ,32-45.
2. Arndt, Johan (1967), “Word of Mouth Advertising:A Review of the Literature,” New York:Advertising Research Federation.
3. Abrams, M. H. (1999), A Glossary of Literary Terms. Seventh edition. Fort Worth, TX: Harcourt Brace College Publishers.
4. Austin, Bruce A. (1981), ”Film Attendance: Why College Students Chose to See Their Most Recent Film,” Journal of Popular Film and Television, 9, 4- 49.
5. Austin, Bruce A. and Thomas F. Gordon.(1987), 'Movie Genres: Toward a Conceptualized Model and Standardized Definitions,' Current Research in Film: Audiences, Economics and the Law, 4: 12-33.
6. Abraham, Ravid S.,(1999),”Information, Blockbusters, and Stars: A Study of the Film Industry,”Journal of Business,72(4), 463-492.
7. Basuroy, Suman, Chatterjee, Subimal, S. and Ravid Abraham (2003), “How Critical Are Critical Reviews? The Box Office Effects of Film Critics, Star Power, and Budgets,” Journal of Marketing, 67, 103-117.
8. Bloch, P.H., Sherrell, D.L. and Ridgway, N.M.(1986), “Consumer Search: An Extended Framework,” Journal of Consumer Research, 13( June), 119-126.
9. Bone, P. F. (1995), “Word of Mouth Effects on Long-term and Short-term Product Judgment,” Journal of Business Research, 32, 213-223.
10. Burzynski, Michael H. and Dewey J. Bayer (1977), “The Effect of Positive and Negative Prior Information on Motion Picture Appreciation,” Journal of Social Psychology, 101 (2), 215-218.
11. Boor, M. (1992), “Relationships Among Ratings of. Motion Pictures by Viewers and Six Professional. Movie Critics,.” Psychological Reports,70, 1011–1021.
12. Camerson, S.(1995),”On The Role Of Critics in the Culture Industry,”Journal of Cultural Economics, 19, 321-331.
13. Caves, Richard E.(2000),”Creative Industry,”Cambridge, MA:Havard University Press.
14. Chisholm, Darlene C. (2004), “Two-Part Share Contracts, Risk, and the Life Cycle of Stars: Some Empirical Results from Motion Picture Contracts,” Journal of Cultural Economics, 28(February), 37-56.
15. De Vany, Arthur; Walls, W. David (1999),“ Uncertainty in the Movie Industry: Does Star Power Reduce the Terror of the Box Office?” Journal of Cultural Economics ,23(November), 285-318.
16. Dana-Nicoleta Lascu, William O. Bearden, and Randall L. Rose (1995). “Norm Extremity and Interpersonal Influences on consumer Conformity,” Journal of Business Research, 32, 201-212.
17. Eliashberg, Jehoshua and Sawhney, Mohanbir S. (1994), “Modeling Goes to Hollywood: Predicting Individual Differences in Movie Enjoyment,” Management Science, 40(9), 1151-1173.
18. Eliashberg, Jehoshua, Jonker Jedid-Jah, Sawhney, Mohanbir S. and Wierenga, Berend (2000), “MOVIEMOD: An implementable decision-support system for prerelease market evaluation of motion pictures,”Marketing Science, 19(Summer), 226-243.
19. Eliashberg, Jehoshua, Elberse, Anita and Leenders, A. A. M. Mark (2006), ”The Motion Picture Industry: Critical Issues in Practice, Current Research, and New Research Directions,”Marketing Science, 25(6), 638-661.
20. Eliashberg, Jehoshua and Shugan, Steven M.(1997), ”Influencers or Predictors?”Journal of Marketing ,61(April), 68-78.
21. Feldman, J. M., Lynch, J. G.., (1988), ”Self-generated Validity and Other Effects of Measurement on Belief, Attitude, Intention, and Behavior,” Journal of Applied Psychology, 73, 421-435.
22. Feick, L.F. and Price, L.L. (1987), “The Market Maven: A Diffuser of Marketplace Information,” Journal of Marketing, 51( January), 83-97.
23. Faber, R. J., & O'Guinn, T. C. (1984), ”Effect of media advertising and other sources on movie selection,” Journalism Quarterly, 61, 371-377.
24. Gelb, Betsy and Madeline Johnson (1995), “Word-of-Mouth Communication: Causes and Consequences,” Journal of Health Care Marketing, 15(Fall), 54-58.
25. Hanson, W. A. (2000). Principles of Internet Marketing. Ohio, South-Western College.
26. Holbrook, Morris B.(1999),”Popular Appeal Versus Expert Judgments of Motion Pictures, ” Journal of Consumer Research, 26(September), 144-155.
27. Herr, Paul M., Frank R. Kardes, and John Kim (1991), 'Effects of Word-of-Mouth and Product-Attribute Information on Persuasion: An Accessibility-Diagnosticity Perspective,' Journal of Consumer Research, 17 (March), 454-462.
28. Holmes J D, J D Lett. (1977), “Product sampling and Word of Mouth.” Journal of Advertising Research, 17, 35-39.
29. Hampel, D. J.(1977), “Consumer Satisfaction with the Home Buying Process: Conceptualization and Dissatisfaction,” Marketing Science Insistute, 7-19.
30. Kalpesh Kaushik Desai, Suman Basuroy,(2005),” Interactive Influence of Genre Familiarity, Star Power, and Critics' Reviews in the Cultural Goods Industry: The Case of Motion Pictures,” Psychology & Marketing. 22(3),203-216.
31. Liu, Yong, (2006), “ Word of Mouth for Movies: Its Dynamics and Impact on Box Office Revenue,” Journal of Marketing, 70(July),74-89.
32. Litman, Barry R. & Kohl, Linda S. (1989),”Predicting Financial Success of Motion Pictures: The ‘80s Experience,” The Journal of Media Economics, 2,(Fall), 35-50.
33. Levin, Aron M., Levin, Irwin P. and Heath, C. Edward,(1997),” Movie Stars and Authors as Brand Names: Measuring Brand Equity in Experiential Products,” Advances in Consumer Research, 24(1), 175-181.
34. MPAA(2006),”U.S. Entertainment Industry:2006 MPA Market Statisitcs,”[available at http://www.mpaa.org/researchStatistics.asp .]
35. Podoshen, Jeffrey (2005), “Brand Sense: How to Build Powerful Brands Through Touch, Taste, Smell, Sight and Sound,” The Journal of Product and Brand Management, 14(4), 278-297.
36. Pincus, Steve and Waters, L. K.,(1977). “Information Social Influence and Product Quality Judgments,” Journal of Applied Psychology, 62(5), 615-627.
37. Richins, Marsha L. (1983), “Negative Word-of-Mouth by Dissatisfied Consumers: A Pilot Study,” Journal of Marketing, 47( Winter), 68-78.
38. Reinstein, D.A., Snyder, C.M. (2005), 'The influence of expert reviews on consumer demand for experience goods: a case study of movie critics', The Journal of Industrial Economics, 53(1), 27-51.
39. Soderlund, Magnus (1998), “Customer Satisfaction and Its Consequences on Customer Behaviour Revisited,” International Journal of Service Industry Management, 9(2), 169-188.
40. Sood, Sanjay and Dreze, Xavier,(2006),”Brand Extensions of Experiential Goods: Movie Sequel Evaluations,” Journal of Consumer Research, 33(December), 352-360.
41. Sawhney, Mohanbir S. and Eliashberg, Jehoshua(1996),”A Parsimonious Model for Forecasting Gross Box-Office Revenues of Motion Pictures. Marketing Science,” 15(2), 113-131.
42. Sochay, Scott (1994). Predicting the Performance of Motion Pictures. Journal of Media Economics, 7(4), 1-20.
43. Tes, D. K. and Wilton, P. C. (1988),”Models of Consumer Satisfaction Formation: An Extention”, Journal of Marketing, 204-212.
44. Turner, J. C. (1991), Social Influence, Milton Keynes: Open University.
45. West, Patricia M. and Susan M. Broniarczyk(1998),” Integrating Multiple Options:The Role of Aspiration Level on Consumer Response to Critic Consensus,” Journal of Consumer Research, 25(June), 38-51.
46. Wyatt, Robert O. and David P. Badger(1984),”How Reviews Affect Interest in and Evaluation of Films,” Journalism Quarterly, 61(Winter), 874-878.
47. Wallace, W. T., Alan Siegerman, & Morris B. Holbrook (1993),”The Role of Actors and Actress in the Success of Films: How Much Is A Movie Star Worth?”. Journal of Culture Economics, 17(June), 1-27.
dc.identifier.urihttp://tdr.lib.ntu.edu.tw/jspui/handle/123456789/25015-
dc.description.abstract本研究以2006年6月到12月在美國上映的302部為研究樣本,探討以下變數對票房的影響:觀眾口碑的分數與數量、影評口碑的分數與篇數、卡司的明星號召力(明星效果)與電影類型。其中明星效果的部份,乃透過創造一個「星力指數」作為衡量標準,該指數是以演員陣容是否曾在重大電影競賽中獲獎,而計算出一個加權平均值。研究結果發現不論是觀眾或是影評的口碑,口碑的數量比口碑的分數來的重要且具顯著性;此外電影類型與明星對於票房皆不具顯著的直接影響力,但兩者皆會對觀眾與影評的口碑數量造成影響。本研究除了討論四類自變數與依變數的關係之外,也討論了各自變數之間的關係,結果發現感官刺激程度較高的電影,諸如動作片及恐怖片,較能誘發觀眾傳達意見、達成製造口碑的目的。zh_TW
dc.description.abstractThe study aims to investigate how the quality and quantity of the word-of-mouth effect affect the box office performance of a film. The paper considers this effect both from the points of views of moviegoers and critics. It also puts the star power and movie genres into consideration. We create a star power index, a weighted average value of the awards the main crew won in their respective past record in certain important international film awards and festivals, to measure the value awarded celebrity contributes to their next work and observe the relationship between the star power and the box office.
We use the internet movie data from International Movie Database (IMDb), Box Office MOJO and Metacritic to collect 302 movie samples which were released between June and December in 2006 in North American. The results show that no matter who creates the word of mouth (WOM), the quantity of WOM is more important than the quality. Once a movie can attract the attention of movie critics or the moviegoers, it tends to have a better box office performance. However, stars and different film genres do not have any significant effect on the box office, but they would have an influence on the word-of-mouth quantity. The results also show the movies with high sensor stimulate, such as horror and action films, would induce more audience to comment the movie and create a larger amount of word of mouth.
en
dc.description.provenanceMade available in DSpace on 2021-06-08T06:00:17Z (GMT). No. of bitstreams: 1
ntu-96-R94724065-1.pdf: 429835 bytes, checksum: 2c8408f50c5bb8e37519cba2c2442760 (MD5)
Previous issue date: 2007
en
dc.description.tableofcontents第一章 序論
第一節 研究動機…………………………………………………1
第二節 研究目的…………………………………………………3
第三節 研究流程…………………………………………………4
第二章 文獻探討
第一節 美國電影市場概況………………………………………5
第二節 觀眾口碑………………………………………………..10
第三節 影評……………………………………………………..12
第四節 卡司……………………………………………………..14
第五節 電影類型………………………………………………..14
第三章 研究方法
第一節 研究架構………………………………………………..17
第二節 變數定義與測量………………………………….…….18
第三節 研究假說………………………………………….…….23
第四節 資料分析方法…………………………………….…….29
第四章 實證分析
第一節 樣本敘述………………………………………….…….30
第二節 迴歸分析………………………………………………..34
第三節 假設檢定………………………………………………..37
第五章 結論與建議
第一節 研究發現………………………………………………..48
第二節 行銷策略意涵…………………………………….…….50
第三節 研究限制…………………………………………….….50
第四節 未來研究方向……………………………………….….51
參考文獻. ……………………………………….……………………… 52
附錄1:迴歸模式之相關係數…………………………….……………58
附錄2:本研究之電影樣本…………………………………………….59.
附錄3:Metacritic所採用的刊物……………………………..………..67
附錄4:星力指數的衡量獎項…………………………………………..68
dc.language.isozh-TW
dc.title美國電影票房績效研究:從口碑、影評、卡司與電影類型角度觀之zh_TW
dc.titleA Study on American Box Office:From the Perspective of Word of Mouth, Critics, Star Power and Movie Genresen
dc.typeThesis
dc.date.schoolyear95-2
dc.description.degree碩士
dc.contributor.oralexamcommittee陳厚銘,王仕茹
dc.subject.keyword電影工業,口碑效果,影評人,明星魅力,電影類型,zh_TW
dc.subject.keywordmotion picture industry,word-of-mouth effect,critics,star power,movie genre,en
dc.relation.page57
dc.rights.note未授權
dc.date.accepted2007-07-30
dc.contributor.author-college管理學院zh_TW
dc.contributor.author-dept國際企業學研究所zh_TW
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