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請用此 Handle URI 來引用此文件: http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/22946
完整後設資料紀錄
DC 欄位值語言
dc.contributor.advisor楊植勝
dc.contributor.authorChung-Chen Soongen
dc.contributor.author宋仲辰zh_TW
dc.date.accessioned2021-06-08T04:34:42Z-
dc.date.copyright2009-08-20
dc.date.issued2009
dc.date.submitted2009-08-19
dc.identifier.citation期刊論文:
Charlton, William, “Feeling for the Fictitious”, British Journal of Aesthetics, vol.24, No.3 (1984): 211-212
Gennaro, Rocco J., “Fiction, Pleasurable Tragedy, and the HOT Theory of Consciousness”, Philosophical Papers, (2000): 1-7
Hanfling, Oswald, “Real Life, Art, and the Grammar of Feeling”, Philosophy, vol.58, No. 224 (1983): 237-243
Hartz, Gleen, “How We Can Be Moved by Anna Karenina, Green Slime, and a Red Pony”, Philosophy, vol.74, (1999): 557-578
Jackson, Frank, 'Epiphenomenal Qualia', Philosophical Quarterly, vol.32, (1982): 127-136
Joyce, Richard, “Rational Fear of Monsters”, British Journal of Aesthetics, vol.40, No. 2 (2000): 209-224
Kim, Seahwa, “The Real Puzzle from Radford”, Erkenntnis, vol.62, (2005):29-46
Kirk, Robert, “Zombies”, Stanford Encyclopedia of Philosophy, http://plato.stanford.edu/entries/zombies/
Mannison, Don, “On Being Moved by Fiction”, Philosophy, vol.60, (1985): 71-87
Matravers, Derek, “The Challenge of Irrationalism and how not to meet it”, Contemporary Debates in Aesthetics and the Philosophy of Art, Kieran, ed., London: Blackwell 2005: 257-258
Neill, Alex, “Fiction and the Emotions”, American Philosophical Quarterly, vol.30, (1993): 1-13
Paskins, Barrrie, “On Being Moved by Anna Karenina and Anna Karenina”, Philosophy, vol.52, (1977): 344-347
Radford, Colin and Weston, Michael, “How Can We be Moved by the Fate of Anna Karenina?”, Proceedings of the Aristotelian Society, Supplementary Volumes, vol.49, (1975): 67-93
Radford, Colin, “Tears and Fiction”, Philosophy, vol.52, No. 200, (1977): 208-213
Radford, Colin, “The Essential Anna”, Philosophy, vol. 54, (1979): 390-394
Radford, Colin, “Stuffed Tigers: a Reply to H. O. Mounce”, Philosophy, vol.54, (1982): 529-532
Radford, Colin, “Philosophers and Their Monstrous Thoughts”, British Journal of Aesthetics, vol.22, (1983): 261-263
Radford, Colin, “Charlton’s Feelings about the Fictitious: a Reply”, British Journal of Aesthetics, vol.25, (1985): 380-383
Radford, Colin, “Can We Be Moved by Hanfling's Feelings about Grammar?”, Philosophy, vol.60, No. 234 (1985): 532-538
Radford, Colin, “Replies to Three Critics”, Philosophy, vol.64, (1989): 93-97
Radford, Colin, “The Incoherence and Irrationality of Philosophers”, Philosophy, vol. 65, (1990): 349-354
Radford, Colin, “Fiction, Pity, Fear, and Jealousy”, The Journal of Aesthetics and Art Criticism, vol.53, No.1 (1995): 71-75
Radford, Colin, “Neuroscience and Anna: a Reply to Glenn Hartz”, Philosophy, vol.75, no.293, (2000): 437-440
Radford, Colin, “Anna and Thought Theory T”, The Philosophy Reviews, vol.110, No.4, (2001): 617-620
Schneider, Steven , ”The Paradox of Fiction”, The Internet Encyclopedia of Philosophy in http://www.iep.utm.edu/ (2006)
Shoemaker, David, “Personal Identity and Ethics”, Stanford Encyclopedia of Philosophy, http://plato.stanford.edu/entries/identity-ethics/
Walton, Kendall, “Fearing Fictions”, Journal of Philosophy, vol.75, (1978): 5-27
Walton, Kendall, “Spelunking, Simulation and Slime”, Emotion and the Arts, Mette Hjort and Sue Laver ed., New York: Oxford University Press, (1997):257-271
書籍:
Carroll, Noël, The Philosophy of Horror, or, Paradoxes of the Heart, New York: Routledge, 1990
Carroll, Noël, Philosophy of Motion Pictures, Malden, MA; Oxford: Blackwell Pub. Ltd, 2008
Currie, Gregory, The Nature of Fiction, New York: Cambridge University Press, 1989
Davies, Stephen, The Philosophy of Art, USA: Blackwell Publishing, 2006
E,M,Dadlez, What's Hecuba to Him? Fictional Events and Actual Emotions, University Park: Pennsylvania State University Press, 1997
Gaut, Berys, Art, Emotion, and Ethics, Oxford; New York: Oxford University Press, 2007

Kagan, Shelly, Normative Ethics, Boulder, Colorado: Westview Preview 1998
Kieran, Matthew, ed., Contemporary Debates in Aesthetics and the Philosophy of Art, London: Blackwell 2005
Lamarque, Peter, Fictional Points of View, Ithaca: Cornell University Press, 1996
Matravers, Derek, Art and Emotion Oxford; New York: Clarendon press, 1998
Paskow, Alan, The Paradoxes of Art: a Phenomenological Investigation, Cambridge, UK; New York, NY: Cambridge University Press, 2004
Yanal, Robert J., Paradoxes of Emotion and Fiction, University Park: Pennsylvania State University Press, 1999
Walton, Kendall, Mimesis as Make-Believe, Cambridge: Harvard University Press, 1990
dc.identifier.urihttp://tdr.lib.ntu.edu.tw/jspui/handle/123456789/22946-
dc.description.abstract柯林.瑞福主張:「深信虛構角色不存在,而關心虛構角色,是有問題的。」此主張三十餘年來廣受非議,本論文試圖為文平反。筆者先清楚交代瑞福的主張,再檢討眾多對瑞福的批評,最後指出瑞福之正確,與批評者之錯誤。
導論以一個自問自答的思想歷程,具體而微地呈現瑞福的思路,使讀者有大致的掌握。第一章分三個階段來介紹瑞福的思想:一、提出問題並反省:怎麼會關心虛構角色?二、發展直覺:關心虛構角色是不對勁的。三、將直覺略為擴充,以「不理性」一詞來形容對虛構角色的關心。小結則強調瑞福的思想核心在第二階段,而直覺是掌握瑞福思想的關鍵。第二章將對瑞福的眾多批評分為四類:一、我們不關心「虛構角色」;二、我們對虛構角色的態度不是「關心」;三、我們「相信」虛構角色存在;四、深信虛構角色不存在,而關心虛構角色,是「沒有問題」的。介紹此四類批評之餘,筆者也交代瑞福的辯護。第三章則回顧瑞福與批評者之間的攻防。「動機」一節揭露了批評者對瑞福有強烈而先入為主的誤解。「錯誤理論」一節指出各種批評不符事實,且代價太高。「因果解釋」一節指出各種因果解釋是無關緊要的,對瑞福的主張毫髮無傷。「直覺」一節則指出評判瑞福主張的最根本依據是「直覺」,並說明眾多反對者的直覺其實和瑞福一致。最後筆者提幾個案例供讀者反省,再次試探讀者的直覺。對有相同直覺的人,瑞福的主張確實是成立的:深信虛構角色不存在,而關心虛構角色,是有問題的。
zh_TW
dc.description.abstractAccording to Colin Radford, being moved by the fate of fictional characters that are not believed to exist is problematic. This claim has been in dispute for more than thirty yeas. In this thesis I will defend Radford’s claim. I will start with Radford’s argument, and then introduce four kinds of opposite views, finally argue that Radford was right.
In the introduction, I use an example to show how Radford thinks. In Chapter 1, I interpret Radford’s thought in three stages. The first is, finding the question and trying to answer: how can we be moved by the fate of fictional characters? The second, developing his intuition: being moved by the fate of fiction characters is puzzling. The third, describing the response of being moved by the fate of fiction characters as “irrational”. Finally, I emphasize that the second stage is the core of Radford’s claim, and that intuition is the key to understand Radford’s thought. In Chapter 2, I introduce four kind of opposite views. First, we are not moved by the fate of “fiction characters”. Second, we are not “moved” by the fate of fictional characters. Third, we “believe” that fictional characters “do exist”. And forth, being moved by the fate of fictional characters that are not believed to exist is “not problematic”. Meanwhile I introduce Radford’s replies. In Chapter 3, I indicate that the four opposite views misunderstood Radford’s motivation, and can be seen as error theories and causal theories, which are not only false to our experience but also irrelevant to Radford’s claim. Finally I argue that intuition is the key to decide if Radford is right. And our intuition is at Radford’s side. Even the opponents have the same intuition. So Radford’s claim is right, at least to those who have the same intuition with Radford. Being moved by the fate of fictional characters that are not believed to exist is problematic.
en
dc.description.provenanceMade available in DSpace on 2021-06-08T04:34:42Z (GMT). No. of bitstreams: 1
ntu-98-R94124004-1.pdf: 573402 bytes, checksum: 24f80d2e49278945e6fbf1bdfb5be367 (MD5)
Previous issue date: 2009
en
dc.description.tableofcontents目錄
中文摘要…………………………………………………………….i
英文摘要…………………………………………………………………ii
導論………………………………………………………………….1
第一章 Radford的論述……………….....................11
第一節 第一階段…………………………………................12
第二節 第二階段:發展直覺「關心虛構角色是不對勁的」…………………23
第三節 第三階段…………………………………………………..28
第四節 小結…………………………………………………………..29
第二章 對Radford的反駁……………………………………….. .31
第一節 轉移論.........................................32
第二節 不關心論………………………………………………..37
第三節 信以為真論……………………………………………..43
第四節 沒有問題…………………………………………………..50
第三章 攻防戰之回顧...................................54
第一節 動機…………………………………………………..54
第二節 錯誤理論……………………………………………..57
第三節 因果解釋………………………………………………..60
第四節 直覺…………………………………………………..62
第五節 總結…………………………………………………..66
參考書目………………………………………………………...68
dc.language.isozh-TW
dc.title瑞福論關心虛構角色zh_TW
dc.titleRadford on Concerning Fictional Charactersen
dc.typeThesis
dc.date.schoolyear97-2
dc.description.degree碩士
dc.contributor.oralexamcommittee賀瑞麟,龔卓軍
dc.subject.keyword柯林.瑞福,虛構角色,類關心,懸置,zh_TW
dc.subject.keywordColin Radford,fictional character,quasi-emotion,suspension of disbelief,en
dc.relation.page71
dc.rights.note未授權
dc.date.accepted2009-08-19
dc.contributor.author-college文學院zh_TW
dc.contributor.author-dept哲學研究所zh_TW
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