《若娘》、《鄭伯克段于鄢》及其創作說明

Abstract

本論文分為兩大部分：劇本與創作說明。 劇本包含兩齣新編京劇，分別為《若娘》和《鄭伯克段于鄢》。《若娘》以《楚辭》〈九歌.山鬼〉中山鬼形象與民間孟婆湯傳說為發想起點，構想了孟婆身邊「炊湯女」這一人物的前世今生。《鄭伯克段于鄢》取材自《春秋左傳》中「鄭伯克段于鄢」本事，著力重探鄭莊公一系列舉措背後的內心意圖，尤其是與其母武姜、其弟段複雜難解的情感關係，試圖為這齣倫理悲劇傳達出更多其時其地其人的幽迴心聲。 創作說明將分別陳述兩部作品的創作緣起、角色設計、情節安排、編劇理念及主旨意圖等。

This thesis consists of two parts: plays and their creation report. The first part contains two Peking Opera plays: Ruo Niang and The Earl of Ch‘ing Overcame Twan in Yen. Ruo Niang starts from the image of Shangui in The Songs of Chu and the concept of Granny Meng’s soup in folktales to create a story of the woman who helps Granny Meng in making soup in the netherworld. The Earl of Ch‘ing Overcame Twan in Yen is an adaptation story based on the history recorded in Tso Chuen. Focusing on the complicated emotional relationship between Woo Këang the mother and her two sons, this play explores the deep inner thoughts of duke Chwang of Ch‘ing, called Woo-shang. The creation report includes the creative originality, concepts and motivation of the work, and analysis of the plot and characters.