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  1. NTU Theses and Dissertations Repository
  2. 管理學院
  3. 國際企業學系
Please use this identifier to cite or link to this item: http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/21390
Full metadata record
???org.dspace.app.webui.jsptag.ItemTag.dcfield???ValueLanguage
dc.contributor.advisor陳瑀屏
dc.contributor.authorYu-Ju Linen
dc.contributor.author林妤儒zh_TW
dc.date.accessioned2021-06-08T03:32:46Z-
dc.date.copyright2019-08-16
dc.date.issued2019
dc.date.submitted2019-08-08
dc.identifier.citation中文部份
1. 鄭晏如(1999),MP3網站使用對唱片消費行為之影響,國立中山大學傳播管理研究所碩士論文。
2. 陳文賢(2006) ,數位音樂對音樂產業之影響,中華民國出版年鑑,頁164~173。
3. 羅名君(2007),線上音樂平台業者與音樂內容提供者的合作及營運模式探討,東吳大學國際貿易學系碩士在職專班碩士論文。
4. 陳禹辰、尚榮安、陳祥源(2010),非法音樂檔案下載意圖之研究: 消費價值觀點之分析,電子商務學報12(3) ,頁381~405。
5. 簡妙如(2013),台灣獨立音樂的生產政治,思想,24,107。
6. 顧昕瑋(2013),兩岸獨立音樂市場競爭力之研究,國立中山大學企業管理學系研究所碩士論文。
7. 鄭安育(2013),消費價值對音樂購買決策之影響,私立銘傳大學國際企業學系碩士班碩士論文。
8. 林晴揚(2016),串流音樂模式對獨立音樂購買行為及願購價格之影響:以消費價值分析,國立中正大學電訊傳播所碩士班碩士論文。
9. 莊于葶(2015),串流音樂產業之平台競爭策略:以KKBOX為例,國立台灣大學國際企業研究所碩士論文。
英文部分
1. Sheth, J., Newman, B., & Gross, B. (1991). “Consumption Values and Market Choices: Theory and Applications.” South Western Publishing Co.
2. Sheth, J., Newman, B., & Gross, B. (1991). “Why WeBuy What We Buy: A Theory of Consumption Value.”Journal of Business Research. (22):159-170.
3. Zeithaml, Valarie A. (1988). “Consumer Perception of Price, Quality, and Value: An Means-End Model and Synthesis of Evidence.” Journal of Marketing, 52(3), 2-22.
4. Sweeney, Jillian C., & Soutar, Geoffery N.(2001). “Consumer Perceived Value: The Development of a Multiple Item Scale.” Journal of Retailing, 77(2), 203-220.
5. Bonchek, Mark & Patrick, William. (2015). “Why Apple Music Missed a Beat”. Sept. 25, Harvard Business Review.
6. Hodgson. Sam. (2015). “Seeking Genuine Discovery on Music Streaming Service” June 28, The New York Times.
7. Luca, Michael & McFadden, Craig (2016). “How Streaming Is Changing Music(Again).”Dec. 12, Harvard Business Review.
8. Frith, Simon (2001). Nobody likes pop, especially me. The Cambridge Companion to Pop and Rock, p.94.
9. Sacks, Leo. (1993). “The Soul of Jerry Wexler”. Aug. 29, New York Times.
10. Cohn, Lawrence; Aldin, Mary Katherine; Bastin, Bruce. (1993) “Nothing but the Blues: The Music and the Musicians.” Abbeville Press.
11. Palmer, Robert. (1982). Deep Blues: A Musical and Cultural History of the Mississippi Delta paperback. Penguin. 1982-07-29: 146.
12. Tad Richards (2002). 'Rhythm and Blues', St. James Encyclopedia of Pop Culture. Findarticles.com. 2002-01-2913.
13. Kugelberg, Johan. (2007). Born in the Bronx. New York: Oxford University Press. 2007: 17.
14. Brown, Lauren (2009). Hip to the Game – Dance World vs. Music Industry, The Battle for Hip Hop's Legacy. Movement Magazine. February 18, 2009
15. Chang, Jeff (2005). Can't Stop Won't Stop: A History of the Hip Hop Generation. New York: St. Martin's Press. 2005: 90.
16. Dyson, Michael Eric, 2007, Know What I Mean?: Reflections on Hip-Hop, Basic Civitas Books, p. 6.
17. Wyman, Bill.(2016). Chuck Berry Invented the Idea of Rock and Roll. Vulture.com. New York Media, LLC. 20 December 2016.
18. Michael Campbell & James Brody, Rock and Roll: An Introduction, pages 80-81
19. William Emmett Studwell, David F.Lonergan.(1999).The Classic Rock and Roll Reader: Rock Music from Its Beginnings to the Mid-1970s. Psychology Press, 1999
dc.identifier.urihttp://tdr.lib.ntu.edu.tw/jspui/handle/123456789/21390-
dc.description.abstract中文摘要
隨著科技的日新月異及行動裝置設備、網際網路的普及,音樂產業也搭上數位化、網路化的浪潮。根據統計,越來越多消費者選擇在網路上購買、收聽音樂,而非購買實體唱片業者發行的CD專輯。串流音樂儼然已成為美國音樂產業的主要事業,也成為了全球音樂產業中最大的一塊市場。
本研究主旨即為探討串流音樂消費價值對於串流音樂消費者的購買行為有甚麼影響,透過問卷調查的方式將受訪者區分為流行音樂消費者、獨立音樂消費者以及古典音樂消費者。樣本的蒐集是採用便利抽樣方式進行問卷發放,共回收160 份有效問卷。
研究結果發現,流行音樂消費者較注重串流音樂的品質功能價值、情境價值及經濟價值;而獨立音樂消費者以及古典音樂消費者則較注重串流音樂的社會價值。而三群消費者的平均每月願付價格略有不同,其中以獨立音樂者最高。
藉由問卷資料的分析結果,我們認為(1).串流音樂需增加其附加價值,並針對不同的目標客群進行差異化行銷。(2).串流音樂的可以調高每月定價,不同消費者有不同最高願付價,差別訂價可獲得更高的收益。
zh_TW
dc.description.abstractAbstract
With the advance of science and the ever-changing nature of technology,mobile devices and mobile internet access more and more popular.Music industry is on the wave of cyberization as well. According to studies, more and more consumers do not buy CDs, but purchase music service online. Streaming music is already, by far, the biggest business for the US recording industry.Also, it becomes the biggest market for recorded music in the world.
The main purpose of this study is to explore the consumer choice behavior of streaming music users. In the survey, the Consumption Value Theory was applied, and the respondents were divided into three different groups. We categorized the respondents into three different music genres, to learn more about whether there is any difference among pop music consumers, independent music consumers and classical music consumers. The sample collection used “convenience sampling,” and a total of 160 valid questionnaires were collected.
The result shows that pop music consumers pay more attention on “functional value” and “conditional value” while independent music consumers and classical music consumers focus more on “social value.” Also, the average willingness to pay a month changes among the three groups. Obviously, independent music consumers are willing to pay more than the others.
Through the study, we can suggest that: (1). Streaming music company should offer more additional value, and create differentiate marketing strategy to appeal consumers targeted. (2). The price of the payment can be higher, and it can be classified according to different type of consumers.
en
dc.description.provenanceMade available in DSpace on 2021-06-08T03:32:46Z (GMT). No. of bitstreams: 1
ntu-108-R06724052-1.pdf: 1407704 bytes, checksum: 8e7b33662955dc21cfbeec9d0e7e4443 (MD5)
Previous issue date: 2019
en
dc.description.tableofcontents誌謝.................................................................................................................i
中文摘要 ...........................................................................................................ii
英文摘要 ...........................................................................................................iii
目錄 ...................................................................................................................iv
表目錄 ...............................................................................................................v
圖目錄 ...............................................................................................................vii
第一章緒論 ....................................................................................................... 1
第一節 研究背景及研究動機 ..............................................................1
第二節 研究問題 .................................................................................4
第三節 研究架構與流程 .....................................................................6
第二章 相關資料與文獻回顧........................................................................... 8
第一節 音樂種類的定義及歷史 ..........................................................8
第二節 音樂產業分析 ..........................................................................17
第三節 消費價值理論 ..........................................................................23
第三章 研究方法 ..............................................................................................27
第一節 研究假說 ..................................................................................27
第二節 變數的衡量操作及分析方法 ..................................................32
第四章 研究結果分析......................................................................................36
第一節 樣本結構敘述性統計 ..............................................................36
第二節 信度及效度分析 ......................................................................39
第三節 皮爾森相關分析 ......................................................................50
第四節 迴歸分析 ..................................................................................55
第五節 消費者每月最高願付價格......................................................58
第五章 結論與建議 ..........................................................................................60
第一節 假說驗證與結論 ......................................................................60
第二節 研究貢獻與管理意涵..............................................................63
第三節 研究限制與建議 ......................................................................64
參考文獻 .........................................................................................................66
dc.language.isozh-TW
dc.title串流音樂消費價值與消費者購買選擇行為探討zh_TW
dc.titleDiscussion on Consumption Value and Streaming
Music Consumer Choice Behavior
en
dc.typeThesis
dc.date.schoolyear107-2
dc.description.degree碩士
dc.contributor.oralexamcommittee陳聿宏,柯冠州
dc.subject.keyword消費者購買行為,消費價值,串流音樂,流行音樂,獨立音樂,古典音樂,願付價格,zh_TW
dc.subject.keywordconsumer choice behavior,consumption value theory,streaming music,pop music,independent music,classical music,willing to pay,en
dc.relation.page68
dc.identifier.doi10.6342/NTU201902028
dc.rights.note未授權
dc.date.accepted2019-08-08
dc.contributor.author-college管理學院zh_TW
dc.contributor.author-dept國際企業學研究所zh_TW
Appears in Collections:國際企業學系

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