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請用此 Handle URI 來引用此文件: http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/19799
完整後設資料紀錄
DC 欄位值語言
dc.contributor.advisor廖咸浩(Hsien-Hao Liao)
dc.contributor.authorShiou-Ru Yangen
dc.contributor.author楊琇茹zh_TW
dc.date.accessioned2021-06-08T02:19:49Z-
dc.date.copyright2015-09-17
dc.date.issued2015
dc.date.submitted2015-08-20
dc.identifier.citationAlexander, Bethany. “No Need to Choose: A Magnificent Anarchy of Belief” Schweitzer 135-39.
Alexander, William. “Backstage.” Schweitzer 131-34.
Allen, Graham. Intertextuality. London: Routledge, 2000. Print.
Appignanesi, Richard and Chris Garratt. Introducing Post-Modernism. London: Icon Books, 2003. Print.
Bacchilega, Cristina. Postmodern Fairy Tales: Gender and Narrative Strategies. Philadelphia: U of Pennsylvania P, 1997. Print.
Barry, Peter. Beginning Theory: An Introduction to Literary and Cultural Theory. Manchester: Manchester UP, 2009. Print.
Baudrillard, Jean. Simulacra and Simulation. Ann Arbor: U of Michigan P, 1994. Print.
---. “The Matrix Decoded: Le Nouvel Observateur Interview With Jean Baudrillard.” Interview by Aude Lancelin. trans. Gary Genosko and Adam Bryx. IJBS 1.1 (2004): n. pag. Web. 15 June 2015. <http://www.egs.edu/faculty/jean-baudrillard/articles/the-matrix-decoded-interview/>.
---. “The Order of Simulacra.” Symbolic Exchange and Death. London: Sage, 1993. 50-86. Print.
Bealer, Tracy L., Rachel Luria, and Wayne Yuen, ed. Neil Gaiman and Philosophy: Gods Gone Wild! Chicago: Open Court, 2012. Print.
Best, Steven, and Douglas Kellner. Postmodern Theory: Critical Interrogations. New York: Guilford, 1991. Print.
Bobby, Susan Redington, ed. Fairy Tales Reimagined: Essays on New Retellings. Jefferson: McFarland, 2009. Kindle file.
Clark, Miriam Marty. “Contemporary Short Fiction and the Postmodern Condition.” Studies in Short Fiction 32.2 (1995): n. pag. Web. 13 May 2015. <https://www.questia.com/library/journal/1G1-17268499/contemporary-short-fiction-and-the-postmodern-condition>.
Connor, Steven. Postmodernist Culture: An Introduction to Theories of the Contemporary. Oxford: Blackwell, 1997. Print.
Dowd, Chris. “An Autopsy of Storytelling: Metafiction and Neil Gaiman.” Schweitzer 103-20.
Doyle, Arthur Conan. Sherlock Holmes: The Complete Novels and Stories. New York; Bantam Classic, 1986. Print.
Felschow, Laura. “lagiarism or Props? Homage to Neil Gaiman in Eric Kripke's Supernatural.” TV Goes to Hell: An Unofficial Road Map of Supernatural. Ed. Stacey Abbott and David Lavery. Toronto: ECW Press, 2011. 230-43. Print.
Ferguson, Harvie. Self-Identity and Everyday Life. Abington: Routledge, 2009. Print.
Fleming, James R. “Incommensurable Ontologies and the Return of the Witness in Neil Gaiman's 1602.” Image Text: Interdisciplinary Comic Studies 4.1 (2008) Web. 13 May 2015. <http://www.english.ufl.edu/imagetext/archives/v4_1/fleming/index.shtml>.
Gaiman, Neil. Smoke and Mirrors. 1998. New York: Avon Books, 2005.
---. Fragile Things. New York: HarperCollins, 2006. Print.
---. Interview by Henry Wagner and Stephen R. Bissette. Prince of Stories. 447-505.
---. M is for Magic. New York: HarperCollins, 2007. Print.
Hall, Stuart. “Cultural Identity and Diaspora.” Identity: Community, Culture, Difference. Ed. Jonathan Rutherford. London: Lawrence & Wishart, 1990. 222-37. Print.
---. “Introduction: Who needs ‘Identity’?” Questions of Cultural Identity. Ed. Stuart Hall and Paul du Gay. London: Sage, 1996. 1-17. Print.
Horkheimer, Max and Theodor W. Adorno. Dialectic of Enlightenment. trans. John Cumming. 1972. New York: Continuum, 1982. Print.
Hutcheon, Linda. A Poetics of Postmodernism: History, Theory, Fiction. London: Routledge, 1988. Print.
---. A Theory of Parody: The Teachings of Twentieth-Century Art Forms. New York: Methuen, 1985. Print.
Jódar, Andrés Romero. “Somewhere Over the Rainbow: Representation of Identities in Neil Gaiman’s the Sandman.” Revista Canaria De Estudios Ingleses 54 (2007): 149-68. Print.
Joyce, Christa Mastrangelo. “Contemporary Women Poets and the Fairy Tale.” Bobby n. pag.
Klapcsik, Sándor. “The Double-edged Nature of Neil Gaiman's Ironical Perspectives and Liminal Fantasies.” Journal of the Fantastic in the Arts 20.2(2009): 193-211. ProQuest. Web. 14 May 2015.
Lundberg, Jason Erik. “The Old Switcheroo: A Study in Neil Gaiman’s Use of Character Reversal.” Schweitzer 122-30.
Lyotard, Jean-Francoise. The Postmodern Condition. Minneapolis: U of Minnesota P, 1979. Print.
The Matrix. Dir. The Wachowski Brothers. Perf. Keanu Reeves, Laurence Fishburne, and Carrie-Ann Moss. Warner Bros, 1999. Film
Maus, Derek, ed. Postmodernism. San Diego: Greenhaven, 2001. Print.
McHale, Brian. Postmodernist Fiction. 1987. New York: Routledge, 1991. Print.
Messier, Vartan P. “Baudrillard in The Matrix: the Hyperreal, Hollywood, and a Case for Misused References” The Film Journal 13 (2006): n. pag. Web. 20 June 2015. < http://www.thefilmjournal.com/issue13/thematrix.html >.
Newhouse, Wade. “Coming of Age with the Ageless” Bealer, Luria and Yuen 113-26.
Porter, Lynette. “Bookends of the Great Detective's Life- Neil Gaiman's Award-Winning Pastiches.” Sherlock Holmes for the 21st Century: Essays on New Adaptations. Ed. Lynette Porter. Jefferson: McFarland, 2012. 192-202. Print.
Poster, Mark. “Critical Theory and Technoculture: Habermas and Baudrillard.” Baudrillard: A Critical Reader. Ed. Douglas Kellner. Oxford UK: Blackwell, 1994. 68-88. Print.
Rauch, Stephen. “Campbell and the Sandman: Reminding Us of the Sacred.” Schweitzer 11-21.
---. Neil Gaiman's The Sandman and Joseph Campbell: In Search of the Modern Myth. Holicong: Wildside P, 2003. Print.
Rawlik, Peter S. Jr. “The King Forsakes His Throne: Campbellian Hero Icons in Neil Gaiman’s Sandman.” Schweitzer 30-50.
Rovira, James. “Subverting the Mechanisms of Control: Baudrillard, The Matrix Trilogy, and the Future of Religion.” International Journal of Baudrillard Studies 2.2 (2005): n. pag. Web. June 20 2015. <http://www.ubishops.ca/baudrillardstudies/vol2_2/rovira.htm>.
Sacido, Jorge. “Modernism, Postmodernism, and the Short Story.” Modernism, Postmodernism, and the Short Story in English. Ed. Jorge Sacido. New York: Rodopi, 2012. 1-28. Print.
Sandner, David. ed. Fantastic Literature: A Critical Reader. Westport: Praeger, 2004. Print.
Schweitzer, Darrell, ed. The Neil Gaiman Reader. Rockville: Wildside P, 2007. Print.
Siddiqi, Yumna. Anxieties of Empire and the Fiction of Intrigue. New York: Columbia UP, 2008. Print.
Slabbert, Mathilda. “Inventions and Transformations: Imagining New Worlds in the Stories of Neil Gaiman.” Bobby n.pag.
Stewart, Nicholas. “A Post-Colonial Canonical and Cultural Revision of Conan Doyle's Holmes Narratives.” Web. June 4 2015. <http://www.123helpme.com/view.asp?id=38742 >.
Tally, Robert T. Jr. “Nobody’s Home” Bealer, Luria and Yuen 169-82.
Tatar, Maria. The Hard Facts of the Grimms' Fairy Tales. Princeton: Princeton UP, 2003. Print.
Todorov, Tzvetan. The Fantastic: A Structural Approach to a Literary Genre. 1970. trans. Richard Howard. Ithaca: Cornell UP, 1975. Print.
Wagner, Hank, Christopher Golden, and Stephen R. Bissette, eds. Prince of Stories: The Many Worlds of Neil Gaiman. New York: St. Martin’s P, 2008. Print.
Waugh, Patricia. Metafiction: The Theory and Practice of self-conscious Fiction. 1984. London: Routledge, 2003. Print.
---. Postmodernism. New York: Edward Arnold, 1992. Print.
dc.identifier.urihttp://tdr.lib.ntu.edu.tw/jspui/handle/123456789/19799-
dc.description.abstract本論文試圖檢視尼爾•蓋曼的短篇小說從寫作技巧和主題上如何展現後現代思維。互文文本、諧擬的使用、以及挑戰理性、身分和現實等議題的傳統觀念,是蓋曼的短篇小說中顯著的後現代特徵。藉由抹去既有概念所建立起的界線,蓋曼的短篇小說呈現出反抗單一論述的特色,並時時邀請讀者共同參與創作。
論文主要分成三部分。第一部分以克里斯蒂娃的互文性理論以及沃的後設小說中對於諧擬的探討為基礎,討論蓋曼如何顛覆文類傳統,以顯示傳統的建構性以及對讀者的侷限性。第二部分討論啟蒙時代以來對理性的過度崇拜所帶來的傲慢與心胸狹隘,反而阻卻認知事物存在的可能性,因此蓋曼認為應以承認取代解釋。本部分也兼論語言取代經驗成為構成身分的元素,而身分雖仍維持不定性,卻不影響其反過來影響敘事的能力。第三部分探討現實觀,蓋曼提倡真實與虛幻無法分別也無須分別,因界線早已內爆。
zh_TW
dc.description.abstractThe thesis examines how Neil Gaiman's short stories can be read as postmodernist writing in terms both of thematics and writing strategies. The application of intertextuality and parody, along with the challenges to traditional concepts of rationality, identity, and reality, are the most outstanding postmodernist features of Gaiman's stories. Through eliminating the boundaries constructed by the preconceived ideas, his short stories deconstruct banal language, linear narrative, and the accepted world order, always inviting the reader to take part in constructing the story.
This thesis is divided into three parts. The first part is based on Julia Kristeva's theory of intertextuality and Patricia Waugh's discussion on parody. My argument is that Gaiman breaks up the conventions of literary genres to reveal that they are constructed and are liable to put a limit on the reader. In the second part I move on to the problematic both of rationality and identity. I first discuss how the deification of rationality leads to arrogance and narrow-mindedness, which block the way to experience the possibilities in life. As a result, Gaiman proposes that what people should do is to refrain from trying to explain all phenomena, but to acknowledge their existence. As to the problematic of language, I argue that in Gaiman’s short stories, language rather than experience forms identity. While identity always remains unstable, it nevertheless has the power to affect the narrative retroactively. The third part explores Gaiman's reconceptualization of reality. He considers the real and the illusory to be both indistinguishable and needing no distinguishing, because their boundary already implodes and moving back and forth in this double world is the way we have lived and should live.
en
dc.description.provenanceMade available in DSpace on 2021-06-08T02:19:49Z (GMT). No. of bitstreams: 1
ntu-104-R97122003-1.pdf: 555033 bytes, checksum: 8fd0a177bacfe283350c5638d234e422 (MD5)
Previous issue date: 2015
en
dc.description.tableofcontentsAcknowledgements…………………………………………………………………….i
Chinese Abstract……………………………………………………………………....ii
English Abstract………………………………………………………………………iii
Chapter One………………………………………………………………………….1
Chapter Two………………………………………………………………………….19
Chapter Three………………………………………………………………………...38
Chapter Four………………………………………………………………………….56
Conclusion……………………………………………………………………………69
Works Cited…………………………………………………………………………..73
dc.language.isoen
dc.title易碎物品,強效策略:尼爾•蓋曼的短篇小說作為後現代書寫zh_TW
dc.titleFragile Things, Powerful Maneuvers: Neil Gaiman’s Short Stories as Postmodernist Writingen
dc.typeThesis
dc.date.schoolyear103-2
dc.description.degree碩士
dc.contributor.oralexamcommittee張靄珠(I-Chu Chang),劉建基(Chien-Chi Liu)
dc.subject.keyword尼爾‧蓋曼,後現代主義,互文性,諧擬,理性,身分,現實,zh_TW
dc.subject.keywordNeil Gaiman,postmodernism,intertextuality,parody,rationality,identity,reality,en
dc.relation.page77
dc.rights.note未授權
dc.date.accepted2015-08-20
dc.contributor.author-college文學院zh_TW
dc.contributor.author-dept外國語文學研究所zh_TW
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