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請用此 Handle URI 來引用此文件: http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/18461
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dc.contributor.advisor劉毓秀
dc.contributor.authorPei-wen Houen
dc.contributor.author侯蓓文zh_TW
dc.date.accessioned2021-06-08T01:06:24Z-
dc.date.copyright2014-08-21
dc.date.issued2014
dc.date.submitted2014-08-19
dc.identifier.citationAbel, Elizabeth. “Between the Acts of Mrs. Dalloway.” Virginia Woolf and the Fictions of Psychoanalysis. Chicago: U of Chicago P, 1989. 30-44. Print.
---. “(En)gendering History.” Virginia Woolf and the Fictions of Psychoanalysis. Chicago: U of Chicago P, 1989. 1-29. Print.
Allan, Tuzyline Jita. Womanist and Feminist Aesthetics: A Comparative Review. Athens: Ohio UP, 1995. Print.
Beja, Morris. “Introduction.” Mrs. Dalloway. By Virginia Woolf. 1925. Ed. Morris Beja. Oxford: Blackwell Publishers, 1996. xi-xxxi. Print.
Bernheimer, Charles. “A Shattered Globe: Narcissism and Masochism in Virginia Woolf’s Life-Writing.” Psychoanalysis and …. Ed. Richard Feldstein and Henry Sussman. New York and London: Routledge, 1990. 187-206. Print.
Caramagno, Thomas C. “‘The sane & the insane, side by side’: The Object-Relations of Self-Management in Mrs. Dalloway.” The Flight of the Mind: Virginia Woolf’s Art and Manic-Depressive Illness. Berkeley: U of California P, 1992. 210-43. Print.
DeMeester, Karen. “Trauma, Post-Traumatic Stress Disorder, and Obstacles to Postwar Recovery in Mrs. Dalloway.” Virginia Woolf and Trauma: Embodied Texts. Ed. Suzette Henke and David Eberly. New York: Pace UP, 2007. 77-93. Print.
---. “Trauma and Recovery in Virginia Woolf’s Mrs. Dalloway.” Modern Fiction Studies 44.3 (1998): 649-73. Print.
DeSalvo, Louise A. Virginia Woolf: The Impact of Childhood Sexual Abuse on Her Life and Work. Boston: Beacon P, 1989. Print.
Eberly, David, and Suzette Henke. “Introduction.” Virginia Woolf and Trauma: Embodied Texts. Ed. Suzette Henke and David Eberly. New York: Pace UP, 2007. 1-17. Print.
Evans, Dylan. An Introductory Dictionary of Lacanian Psychoanalysis. London: Routledge, 1996. Print.
Freud, Sigmund. Beyond the Pleasure Principle. 1920. The Standard Edition of the Complete Psychological Works of Sigmund Freud. (Abbreviated as S. E. in the following entries.) Vol. XVIII. Trans. and ed. James Strachey. London: Hogarth, 1955. 1-64. Print.
---. The Ego and the Id. 1923. S. E. Vol. XIX. London: Hogarth, 1961. 1-66. Print.
---. “Formulations on the Two Principles of Mental Functioning.” 1911. S. E. Vol. XII. London: Hogarth, 1958. 213-26. Print.
---. “Heredity and the Aetiology of the Neuroses.” 1896. S. E. Vol. III. London: Hogarth, 1962. 141-56. Print.
---. Inhibitions, Symptoms and Anxiety. 1926. S. E. Vol. XX. London: Hogarth, 1959. 75-175. Print.
---. “Introduction to Psycho-Analysis and the War Neuroses.” 1919. S. E. Vol. XVII. London: Hogarth, 1955. 205-15. Print.
---. “Lecture XXIV. The Common Neurotic State.” Introductory Lectures on Psycho-Analysis (Part III: General Theory of the Neuroses). S. E. Vol. XVI. London: Hogarth, 1963. 378-91. Print
---. “Lecture XXV. Anxiety.” S. E. Vol. XVI. London: Hogarth, 1963. 392-411. Print
---. “Memorandum on the Electrical Treatment of War Neurotics.” 1920. S. E. Vol. XVII. London: Hogarth, 1955. 211-15. Print.
---. “Repression.” 1915. S. E. Vol. XIV. London: Hogarth, 1957. 141-58. Print.
---. “Sexuality in the Aetiology of the Neuroses.” 1898. S. E. Vol. III. London: Hogarth, 1962. 259-85. Print.
---. “The ‘Uncanny.’” 1919. S. E. Vol. XVII. London: Hogarth, 1955. 217-56. Print.
Froula, Christine. Virginia Woolf and the Bloomsbury Avant-garde: War, Civilization, Modernity. “Mrs. Dalloway’s Postwar Elegy: Women, War, and the Art of Mourning.” Print.
Henke, Suzette A. “Virginia Woolf’s Septimus Smith: An Analysis of ‘Paraphrenia’ and the Schizophrenic Use of Language.” Literature and Psychology 31.4 (1981): 13-23. Print.
---. “Mrs Dalloway: the Communion of Saints.” New Feminist Essays on Virginia Woolf. Ed. Jane Marcus. London: Macmillan, 1981. 125-147. Print.
Jackson, Tony E. The Subject of Modernism: Narrative Alterations in the Fiction of Eliot, Conrad, Woolf, and Joyce. Ann Arbor: U of Michigan P, 1994. Print.
Lacan, Jacques. The Seminar of Jacques Lacan, Book I: Freud’s Papers on Technique, 1953-1954. Ed. Jacques-Alain Miller. Trans. John Forrester. New York: Norton, 1991. Print.
---. The Seminar of Jacques Lacan, Book II: The Ego in Freud’s Theory and in the Technique of Psychoanalysis, 1954-1955. Ed. Jacques-Alain Miller. Trans. Sylvana Tomaselli. New York: Norton, 1991. Print.
---. The Seminar of Jacques Lacan, Book X: Anxiety, 1962-63. Unedited French ms. Trans. Cormac Gallagher. Eastbourne: Antony Rowe Ltd, n.d. Print.
---. The Seminar of Jacques Lacan, Book XI: The Four Fundamental Concepts of Psychoanalysis. Trans. Alan Sheridan. Ed. Jacques-Alain Miller. New York: Norton, 1981. Print.
---. The Seminar of Jacques Lacan, Book XX: On Feminine Sexuality, the Limits of Love and Knowledge, 1972-1973. Encore. 1998. Ed. Jacques-Alain Miller. Trans. Bruce Fink. New York: Norton, 1999. Print.
Laplanche, J., and J.-B. Pontalis. The Language of Psycho-Analysis. Trans. Donald Nicholson-Smith. New York: Norton, 1973. Print.
Lee, Hermione. Virginia Woolf. 1996. New York: Vintage, 1999. Print.
Minow-Pinkney, Makiko. “psychoanalytic approaches.” Palgrave Advances in Virginia Woolf Studies. Ed. Anna Snaith. Basingstoke: Palgrave Macmillan, 2007. 60-82. Print.
---. “Virginia Woolf and the Age of Motor Cars.” Virginia Woolf in the Age of Mechanical Reproduction. Ed. Pamela L. Caughie. New York: Garland Publishing, 2000. 159-82. Print.
---. Virginia Woolf and the Problem of the Subject: Feminine Writing in the Major Novels. New Brunswick: Rutgers UP, 1987. Print.
Phillips, Kathy J. “Devouring the Lamb: Sex, Money, and War.” Virginia Woolf against Empire. Knoxville: U of Tennessee P, 1994. 1-51. Print.
Poole, Roger. The Unknown Virginia Woolf. New York: Cambridge UP, 1978. Print.
Schlack, Beverly Ann. “A Freudian Look at Mrs. Dalloway.” Literature and Psychology 23 (1973): 49-58. Print.
---. “Mrs. Dalloway.” Continuing Presences: Virginia Woolf’s Use of Literary Allusion. University Park: Pennsylvania State UP, 1979. 51-76. Print.
Trombley, Stephen. All That Summer She Was Mad: Virginia Woolf, Female Victim of Male Medicine. New York: Continuum, 1982. Print.
Verhaeghe, Paul. Does The Woman Exist? From Freud’s Hysteric to Lacan’s Feminine. Trans. Marc du Ry. London: Rebus, 1999. Print.
---. On Being Normal and Other Disorders: A Manual for Clinical Psychodiagnostics. Trans. Sigi Jottkandt. New York: Other, 2004. Print.
Whitworth, Michael. “Virginia Woolf and modernism.” The Cambridge Companion to Virginia Woolf. Ed. Sue Roe and Susan Sellers. Cambridge: Cambridge UP, 2000. 146-63. Print.
Woolf, Leonard. Beginning Again: An Autobiography of the Years 1911-1918. London: Hogarth, 1964. Print.
Woolf, Virginia. “Modern Fiction.” The Common Reader: First Series. 1925. New York: Harcourt, Brace & World, 1953. 150-58. Print.
---. “Street Haunting: A London Adventure.” 1930. The Death of the Moth and Other Essays. San Diego: Harcourt Brace, 1942. 20-36. Print.
---. The Diary of Virginia Woolf. Vol. 2: 1920-1924. Ed. Anne Olivier Bell. San Diego: Harcourt Brace, 1980. Print.
---. The Diary of Virginia Woolf. Vol. 3: 1925-1930. Ed. Anne Olivier Bell. San Diego: Harcourt Brace Jovanovich, 1981. Print.
---. The Diary of Virginia Woolf. Vol. 5: 1936-1941. Ed. Anne Olivier Bell. San Diego: Harcourt Brace, 1984. Print.
---. The Essays of Virginia Woolf. Vol. 2: 1912-1918. Ed. Andrew McNeillie. San Diego: Harcourt Brace Jovanovich, 1987. Print.
---. The Letters of Virginia Woolf. Vol. 3: 1923-1928. Ed. Nigel Nicolson and Joanne Trautmann. New York: Harcourt Brace Jovanovich, 1980. Print.
---. The Letters of Virginia Woolf. Vol. 4: 1929-1931. Ed. Nigel Nicolson and Joanne Trautmann. New York: Harcourt Brace, 1981. Print.
---. “Freudian Fiction.” The Essays of Virginia Woolf. Vol. 3: 1919-1924. Ed. Andrew McNeillie. London: Hogarth, 1988. 195-98. Print.
---. “On Being Ill.” 1930. The Moment and Other Essays. San Diego: Harcourt Brace, 1947. 9-23. Print.
---. Mrs. Dalloway. 1925. Ed. Morris Beja. Oxford: Blackwell Publishers, 1996. Print.
---. “A Sketch of the Past.” Moments of Being: Unpublished Autobiographical Writings. Ed. Jeanne Schulkind. New York: Harcourt Brace Jovanovich, 1976. 61-137. Print.
---. The Waves. 1931. New York: Harcourt Brace, 1959. Print.
dc.identifier.urihttp://tdr.lib.ntu.edu.tw/jspui/handle/123456789/18461-
dc.description.abstractIn light of Woolf’s theory of self and psychoanalytic theories, this thesis delves into psyche of the characters especially Septimus as well as the dual design and the social critique in Mrs. Dalloway, both of which are characteristic of Woolf’s modernist aesthetics. I believe that Septimus’s loathing of the doctors who enforces on him inhumane treatment doesn’t infer his simple negation or rejection of the symbolic. Along with the author Woolf, what Septimus (who embodies the author’s own idea) attempts is, while maintaining some hold on the symbolic network, to upset or even to expand the symbolic realm to contain “the insane truth” he perceives. Septimus is constantly attracted by the inassimilable real, which appears to Septimus “unimaginable beauty;” yet meanwhile he is vigilant against it. He aspires to communicate the truth about this unthinkable, yet the unthinkable itself is the real that resists any symbolization and hence render the communication impossible. Not to mention Septimus himself is gradually losing his already tenuous hold on the signifying networks. Septimus in the actualpathological position is situated between the somatic preverbal and the verbal. He can only directly confront the real of the drive and manage traumatic and automatic anxiety without recourse to representation or mediating measure. Septimus tries to use his “phenomena” (the meaningless non-symptom in actualpathology) as the foundation for developing psychoneurotic symptom. Yet his psychiatrists Holmes and Bradshaw fail to understand the purpose of Septimus’s illness, let alone help him construct a relation in which he can bring his problems into psychic elaboration. In Septimus’s conflicts with the psychiatrists, Woolf presents her bitter critique of the psychiatric professionalism which colludes with the imperialist and capitalist authority to convert people into their civilizing convictions. Eventually Septimus ends his fluctuation between the two forces with his suicide as his passage to the act. That is, he takes a flight from the scene where the Other is located and turns himself into the objet petit a.en
dc.description.provenanceMade available in DSpace on 2021-06-08T01:06:24Z (GMT). No. of bitstreams: 1
ntu-103-R97122010-1.pdf: 3417052 bytes, checksum: 17512c21b3e3399177b94c0bcff7ec8d (MD5)
Previous issue date: 2014
en
dc.description.tableofcontentsAbstract i
Introduction 1
Chapter One: Theories 11
Chapter Two: Fluctuation between Sanity and Insanity 34
Chapter Three: Duality 66
Conclusion 72
Works Cited 73
dc.language.isoen
dc.title在理智與瘋狂間擺盪:以精神分析閱讀維吉尼亞•吳爾芙《達洛威夫人》及其他作品zh_TW
dc.titleFluctuation between Sanity and Insanity: A Psychoanalytic Reading of Virginia Woolf’s Mrs. Dalloway and Other Writingsen
dc.typeThesis
dc.date.schoolyear102-2
dc.description.degree碩士
dc.contributor.oralexamcommittee沈志中,李鴻瓊
dc.subject.keyword現實型神經症,現實病理學,焦慮,驚嚇經驗,zh_TW
dc.subject.keywordactual neurosis,actualpathology,anxiety,shock experience,en
dc.relation.page78
dc.rights.note未授權
dc.date.accepted2014-08-19
dc.contributor.author-college文學院zh_TW
dc.contributor.author-dept外國語文學研究所zh_TW
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