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  1. NTU Theses and Dissertations Repository
  2. 文學院
  3. 外國語文學系
Please use this identifier to cite or link to this item: http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/15684
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???org.dspace.app.webui.jsptag.ItemTag.dcfield???ValueLanguage
dc.contributor.advisor劉亮雅
dc.contributor.authorChao-Yen Chungen
dc.contributor.author鍾照妍zh_TW
dc.date.accessioned2021-06-07T17:49:59Z-
dc.date.copyright2013-02-01
dc.date.issued2013
dc.date.submitted2013-01-23
dc.identifier.citationAllen, James Sloan. “Mrs. Dalloway and the Ethics of Civility.” The Sewanee Review. 107.4(1999): 586-594. Print.
Bagley, Melissa. “Nature and the Nation in Mrs. Dalloway.” Woolf Studies Annual. 14 (Annual 2008): 35-51. Print.
Barnes, Deborah H. “Movin’ on up: The Madness of Migration in Toni Morrison’s Jazz.” Toni Morrison’s Fiction: Contemporary Criticism. Ed. David L. Middleton. New York: Garland Pub., 2000. 283-295. Print.
Barrett, Eileen. “Septimus and Shadrack: Woolf and Morrison Envision the Madness of War.” Virginia Woolf: Emerging Perspectives. Ed. Mark Hussey and Vara Neverow. New York: Pace University Press, 1994. 26-32. Print.
Bouson, J. Brooks. Quiet As It’s Kept: Shame, Trauma, and Race in the Novels of Toni Morrison. New York: State University of New York Press, 2000. Print.
Bowlby, Rachel. “Thinking Forward Through Mrs. Dalloway’s Daughter.” Mrs. Dalloway and To The Lighthouse. Ed. Su Reid. Hampshire: Macmillan Press, 1993. 142-155. Print.
Bowlby, S.R., J. Foord and L. McDowell. “The Place of Gender in Locality Studies.” Area. 18.4 (1986): 327-331. Print.
Brown, Caroline. “Golden Gray and the Talking Book: Identity as a Site of Artful Construction in Toni Morrison’s Jazz.” African American Review. 36.4(2002): 629-642. Print.
Burton, Angela. “Signifyin(g) Abjection: Narrative Strategies in Toni Morrison’s Jazz.” Toni Morrison. Ed. Linden Peach. New York: St. Martin’s Press, 1998. 170-193. Print.
Cannon, Elizabeth M. “Following the Traces of Female Desire in Toni Morrison’s Jazz.” African American Review. 31.2(1997): 235-247. Print.
Caruth, Cathy. Unclaimed Experience :Trauma, Narrative, and History. Baltimore: Johns Hopkins University Press, 1996. Print.
Christian, Barbara T. “Layered Rhythms: Virginia Woolf and Toni Morrison.” Modern Fiction Studies. 39.3/4(1993): 483-500. Print.
DeMeester, Karen. “Trauma and Recovery in Virginia Woolf’s Mrs. Dalloway.” Modern Fiction Studies. 44.3(1998): 649-73. Print.
Denard, Carolyn C. Toni Morrison : Conversations. Jackson: University Press of Mississippi, 2008. Print.
Falcetta, Jennie-Rebecca. “Geometries of Space and Time: the Cubist London of Mrs. Dalloway.” Woolf Studies Annual. 13(Annual 2007):111-136. Print.
Forbes, Shannon. “Equating Performance with Identity: The Failure of Clarissa Dalloway’s Victorian ‘Self’ in Virginia Woolf’s Mrs. Dalloway.” The Journal of the Midwest Modern Language Association. 38.1(2005): 38-50. Print.
Gamble, Isabel. “Clarissa Dalloway’s ‘Double’.” Critics on Virginia Woolf. Ed. Jacqueline E. M. Latham. Coral Gables: University of Miami Press, 1970. 52-56. Print.
Garvey, Johanna X.K. “Difference and Continuity: The Voices of Mrs. Dalloway.” College English. 53.1(1991): 59-76. Print.
Glenny, Allie. Ravenous Identity: Eating and Eating Distress in the Life and Wrok of Virginia Woolf. New York: St. Martin’s Press, 1999. Print.
Gottdiener, Mark and Leslie Budd. Key Concepts in Urban Studies. London: Sage Publications, 2005. Print.
Groz, Elizabeth. Volatile Bodies: Toward a Corporeal Feminism. Bloomington: Indiana University Press, 1994. Print.
Hardack, Richard. “A Music Seeking its Words: Double-Timing and Double-Consciousness in Toni Morrison’s Jazz.” Callaloo. 18.2(1995): 451-471. Print.
Harris-Williams, Ann. “Woolf and Toni Morrison: Moments from the Critical Dialogue.” Virginia Woolf: Emerging Perspectives. Ed. Mark Hussey and Vara Neverow. New York: Pace University Press, 1994. 32-37. Print.
Heinze, Denise. The Dilemma of “Double-Consciousness.” Athens: University of Georgia Press, 1993. Print.
Henke, Suzette A. “Mrs. Dalloway: The Communion of Saints.” New Feminist Essays on Virginia Woolf. Ed. Jane Marcus. Nebraska: University of Nebraska Press, 1981. 125-147. Print.
hooks, bell. Talking Back. Boston: South End Press, 1989. Print.
---.Yearning: Race, Gender, and Cultural Politics. Boston: South End Press, 1990. Print.
Jones, Carolyn M. “Traces and Cracks: Identity and Narrative in Toni Morrison’s Jazz.” African American Review. 31.3(1997): 481-495. Print.
Joyes, Kaley. “Failed Witnessing in Virginia Woolf's Mrs. Dalloway.” Woolf Studies Annual. 14(Annual 2008): 69-89. Print.
Kennedy, Liam. Race and Urban Space in Contemporary American Culture. Chicago: Fitzroy Dearborn, 2000. Print.
Kim, Yeoman. “Involuntary Vulnerability and the Felix Culpa in Toni Morrison’s Jazz.” The Southern Literary Journal. 33.2(2001): 124-133. Print.
Kubitschek, Missy Dehn. Toni Morrison: a critical companion. Westport: Greenwood Press, 1998. Print.
LaCapra, Dominick. Writing History, Writing Trauma. Baltimore: Johns Hopkins University Press, 2001. Print.
Lee, Hermione. The Novels of Virginia Woolf. London: Methuen, 1977. Print.
Lefebvre, Henri. The Production of Space. UK: Blackwell, 1991. Print.
Lewis, Barbara Williams. “The Function of Jazz in Toni Morrison’s Jazz.” Toni Morrison’s Fiction: Contemporary Criticism. Ed. David L. Middleton. New York: Garland Pub., 2000. 271-281. Print.
Littleton, Jacob. “Mrs. Dalloway: Portrait of the Artist as a Middle-Aged Woman.” Twentieth Century Literature. 41.1(1995): 36-53. Print.
Massey, Doreen. Space, Place and Gender. Cambridge : Polity, 1994. Print.
Mayberry, Katherine J. “The Problem of Narrative in Toni Morrison’s Jazz.” Toni Morrison’s Fiction: Contemporary Criticism. Ed. David L. Middleton. New York: Garland Pub., 2000. 297-309. Print.
Mbalia, Doreatha Drummond. “Women Who Run with Wild: The Need for Sisterhoods in Jazz.” Modern Fiction Studies. 39.3(1993): 623-646. Print.
McDowell, Linda. Gender, Identity and Place: Understanding Feminist Geographies. Minneapolis: University of Minnesota Press, 1999. Print.
Miller, J. Hillis. “Mrs. Dalloway: Repetition as Raising of the Dead.” Mrs. Dalloway and To the lighthouse, Virginia Woolf. Ed. Su Reid. Hampshire: Macmillan Press, 1993. 45-56. Print.
Minow-Pinkney, Makiko. “Mrs. Dalloway.” Mrs. Dalloway and To the lighthouse, Virginia Woolf. Ed. Su Reid. Hampshire: Macmillan Press, 1993. 98-111. Print.
Moody, A.D. “Mrs. Dalloway as Comedy.” Critics on Virginia Woolf. Ed. Jacqueline E. M. Latham. Coral Gables: University of Miami Press, 1970. 48-51. Print.
Morrison, Toni. Beloved. New York: A. A. Knopf, 2006. Print.
---.“City Limits, Village Values: Concepts of the Neighborhood in Black Fiction.” Literature and the Urban Experience: Essays on the City and Literature. Eds. Michael C. Jaye and Ann Chalmers Watts. New Brunswick, New Jersey: Rutgers UP, 1981. 35-43. Print.
---. Jazz. New York: Vintage, 2004. Print.
---.“Notes on Home.” The House That Race Built: Black Americans, U.S. Terrain. Ed. Wahneema Lubiana. New York: Pantheon Books, 1997. Print.
---. Paradise. New York : A.A. Knopf, 1998. Print.
---. Playing in the Dark: Whiteness and the Literary Imagination. New York: Vintage Books, 1993. Print.
---. “Rootedness: The Ancestor as Foundation.” Black Women Writers. Ed. Mari Evans. New York: Anchor Press, 1984. 339-45. Print.
---. “The Site of Memory.” Inventing the Truth. Ed. Russell Baker. Boston: Houghton Mifflin, 1987. 103-24. Print.
---. “Unspeakable Things Unspoken: The Afro-American Presence in American Literature.” Modern Critical Views: Toni Morrison. Ed. Harold Bloom. New York: Chelsea House, 1990. 201-30.
Munton, Alan. “Misreading Morrison, Mishearing Jazz: A Response to Toni Morrison’s Jazz Critics.” Journal of American Studies. 31.2(1997): 235-251. Print.
Nowlin, Michael. “Toni Morrison’s Jazz and the Racial Dreams of the American Writer.” American Literature. 71.1(1999): 151-174. Print.
O’Reilly, Andrea. “In Search of My Mother’s Garden, I Found My Own: Mother-Love, Healing, and Identity in Toni Morrison’s Jazz” African American Review. 30.3(1996): 367-379. Print.
Panichas, George A.” Virginia Woolf's Mrs. Dalloway: ‘A Well of Tears’.” Modern Age. 46.3 (Summer 2004): 234-245. Print.
Paquet-Deyris, Anne-Marie. “Toni Morrison's Jazz and the City.” African American Review. 35.2 (Summer, 2001): 219-231. Print.
Peach, Linden. Toni Morrison. New York: St. Martin's Press, 2000. 126-171. Print.
---. Virginia Woolf. New York: St. Martin's Press, 2000. Print.
Poole, Roger. “Was Septimus Smith ‘Insane’?” The Unknown Virginia Woolf. New York : Cambridge University Press, 1978. 185-197. Print.
Rabinow, Paul, ed. The Foucault Reader. New York: Pantheon Books, 1984. Print.
Rachman, Shalom. “Clarissa's Attic: Virginia Woolf's Mrs. Dalloway Reconsidered” Twentieth Century Literature. 18.1(1972): 3-18. Print.
Rodrigues, Eusebio L. “Experiencing Jazz.” Toni Morrison. Ed. Linden Peach. New York: St. Martin’s Press, 1998. 154-169. Print.
Ronchetti, Ann. The Artist, Society & Sexuality in Virginia Woolf’s Novels. New York: Routledge, 2004. 49-59. Print.
Rose, Gillian. Feminism & Geography: The Limits of Geographical Knowledge. UK: Polity Press, 1993. Print.
Ruotolo, Lucio P. “The Unguarded Moment: Mrs. Dalloway.” The Interrupted Moment : A View of Virginia Woolf's Novels. Stanford: Stanford University Press, 1986. 95-117. Print.
Russell, Danielle. Between the Angle and the Curve: Mapping Gender, Race, Space, and Identity in Willa Cather and Toni Morrison. New York: Routledge, 2006. Print.
Scheiber, Andrew Joseph. “Jazz and the Future Blues: Toni Morrison’s Urban Folk Zone.” Modern Fiction Studies. 52.2(2006): 470-494. Print.
Schreiber, Evelyn Jaffe. Race, trauma, and home in the novels of Toni Morrison. Baton Rouge: Louisiana State University Press, 2010.
Simon, Irene. “Some Images in Mrs. Dalloway.” Critics on Virginia Woolf. Ed. Jacqueline E. M. Latham. Coral Gables: University of Miami Press, 1970. 57-60. Print.
Simpson, Kathryn. Gifts, Markets and Economies of Desire in Virginia Woolf. New York: Palgrave Macmillan, 2008. Print.
Smith, Amy C. “Loving Maidens and Patriarchal Mothers: Revisions of the Homeric Hymn to Demeter and Cymbeline in Mrs. Dalloway.” Woolf Studies Annual. 17 (Annual 2011): 151-172.
Smith, Susan Bennett. “Reinventing Grief Work: Virginia Woolf’s Feminist Representations of Mourning in Mrs. Dalloway and To the Lighthouse.” Twentieth Century Literature. 41.4(1995): 310-327. Print.
Snaith, Anna. “Virginia Woolf’s Narrative Strategies: Negotiating between Public and Private Voices.” Journal of Modern Literature. 20.2 (1996): 133-148.
Son, Youngjoo. Here and Now: The Politics of Social Space in D.H. Lawrence and Virginia Woolf. New York: Routledge, 2006. Print.
Squire, Susan M. Virginia Woolf and London: The Sexual Politics of the City. Chapel Hill: University of North Carolina Press, 1985. Print.
Stave, Shirley Ann. “Jazz and Paradise: Pivotal Moments in Black History.” The Cambridge Companion to Toni Morrison. Ed. Justine Tally. New York: Cambridge UP, 2007. 59-74. Print.
Tambling, Jeremy. “Repression in Mrs. Dalloway’s London.” Mrs. Dalloway and To The Lighthouse. Ed. Su Reid. Hampshire: Macmillan Press, 1993. 57-70. Print.
Taylor-Guthrie, Danille, ed. Conversations with Toni Morrison. Jackson: University Press of Mississippi, 1994. Print.
Tyler, Lisa. “The Loss of Roses: Mother-daughter Myth and Relationships between Women in Mrs. Dalloway.” West Virginia University Philological Papers. 51(2005): 60-69. Print.
Wicke, Jennifer. “Mrs. Dalloway goes to Markets: Woolf, Keynes, and Modern Markets.” A Forum on Fiction. 28.1(1994): 5-23. Print.
Walker, Alice. In Search of Our Mothers’ Gardens. San Diego: Harcourt Brace Jovanovich, 1983. Print.
Williams, Lisa. The Artist as Outsider in the Novels of Toni Morrison and Virginia Woolf. Westport, Conn.: Greenwood Press, 2000.
Woolf, Virginia. A Room of One’s Own. New York: Harcourt Brace Jovanovich, 1929. Print.
---. Mrs. Dalloway. London: Penguin Books, 1996. Print.
---. The Diary of Virginia Woolf. Ed. Anne Oliver Bell. New York: Harcourt Brace Javanovich. I, 1915-19(1977); II, 1920-24(1978); III, 1925-30(1980); IV, 1931-35(1982). Print.
Zwerdling, Alex. Virginia Woolf and the Real World. London: University of California Press, 1986. 120-143. Print.
dc.identifier.urihttp://tdr.lib.ntu.edu.tw/jspui/handle/123456789/15684-
dc.description.abstract空間在兩位二十世紀重要女性作家─吳爾芙與摩里森的作品中是經常出現的議題。透由檢視這兩位作家作品中的空間配置可以揭露階層制度的結構運作和辨識出可以反抗壓迫的空間。駱斐博在《空間的生產》一書裡闡述西方哲學家和理論家對空間的不同概念,並且倡議提出一種關於空間的科學。此類科學在討論空間的生產時會納入知識、權力和社會關係的影響。透由駱斐博和女性地理學家的空間理論,本論文欲探究在維吉尼亞•吳爾芙《戴洛維夫人》與童妮•摩里森《爵士樂》兩本小說裡的城市與家庭、公共與私人空間配置如何與國家和社會體制的力量層層相關。希望透由對空間的探討揭露性別的二元分立與空間的關聯性,並分析因戰爭和種族歧視所引發的創傷如何從空間經驗去探究。透由兩位作者對於傳統制式化空間配置的挑戰,本論文欲研究這兩本小說能否挑戰和推翻被性別和種族歧視所掌控與影響的空間配置,並且開展出另外一種顛覆性的空間。zh_TW
dc.description.abstractSpace is a recurrent theme in the novels of Virginia Woolf and Toni Morrison, two major female writers of the 20th century. By inspecting the allocation of space in Woolf’s and Morrison’s novels, one may reveal hierarchical structures and discern spaces of resistance. Henri Lefebvre in The Production of Space expounds on the nuanced conceptions of space proposed by Western philosophers and theorists, arguing for a concrete “science of space” that takes into consideration the framework of knowledge, power and social relations in the production of space. By applying space theories of Lefebvre and feminist geographers, this thesis plans to investigate how the distribution of urban and domestic, public and private spaces portrayed in Virginia Woolf’s Mrs. Dalloway and Toni Morrison’s Jazz is intricately linked to and influenced by the hegemonic power of the state and the society, and to further reveal the pervasiveness of gender dichotomy in the society, and how the devastating effects of war trauma or racial trauma can be revealed through spatial experiences. Through the two authors’ challenging of conventional spatial allocation, the thesis will also explore the possibility of a reconceptualization of gendered and racial division of space, and to see whether an alternative subversive space is presented by Woolf and Morrison in Mrs.
Dalloway and Jazz.
en
dc.description.provenanceMade available in DSpace on 2021-06-07T17:49:59Z (GMT). No. of bitstreams: 1
ntu-102-R99122011-1.pdf: 712276 bytes, checksum: 3c4d137f17d51c52c2dcf948c584c7cd (MD5)
Previous issue date: 2013
en
dc.description.tableofcontentsAcknowledgements
English Abstract
Chinese Abstract
Introduction Woolf’s and Morrison’s Spatial Politics 1
Chapter One Public and Private Spheres: Politics of Space and Gender in
Virginia Woolf’s Mrs. Dalloway 18
Chapter Two Trauma and Recovery: Space, Race and Gender in Toni
Morrison’s Jazz 57
Conclusion Towards a Space of One’s Own 89
Works Cited 95
dc.language.isoen
dc.subject創傷zh_TW
dc.subject維吉尼亞‧吳爾芙zh_TW
dc.subject《戴洛維夫人》zh_TW
dc.subject童妮‧摩里森zh_TW
dc.subject《爵士樂》zh_TW
dc.subject空間zh_TW
dc.subject駱斐博zh_TW
dc.subject性別zh_TW
dc.subjectMrs. Dallowayen
dc.subjectTraumaen
dc.subjectGenderen
dc.subjectVirginia Woolfen
dc.subjectToni Morrisonen
dc.subjectHenri Lefebvreen
dc.subjectSpaceen
dc.subjectJazzen
dc.title維吉尼亞•吳爾芙《戴洛維夫人》與童妮•摩里森《爵士樂》
中的空間、性別與創傷
zh_TW
dc.titleSpace, Gender and Trauma in Virginia Woolf’s Mrs. Dalloway and
Toni Morrison’s Jazz
en
dc.typeThesis
dc.date.schoolyear101-1
dc.description.degree碩士
dc.contributor.oralexamcommittee黃毓秀,蔡秀枝
dc.subject.keyword維吉尼亞‧吳爾芙,《戴洛維夫人》,童妮‧摩里森,《爵士樂》,空間,駱斐博,性別,創傷,zh_TW
dc.subject.keywordVirginia Woolf,Mrs. Dalloway,Toni Morrison,Jazz,Space,Henri Lefebvre,Gender,Trauma,en
dc.relation.page101
dc.rights.note未授權
dc.date.accepted2013-01-23
dc.contributor.author-college文學院zh_TW
dc.contributor.author-dept外國語文學研究所zh_TW
Appears in Collections:外國語文學系

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