請用此 Handle URI 來引用此文件：
http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/96184完整後設資料紀錄
| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.advisor | 劉好迪 | zh_TW |
| dc.contributor.advisor | Adrian Rauchfleisch | en |
| dc.contributor.author | 陳小風 | zh_TW |
| dc.contributor.author | Audrey Champion | en |
| dc.date.accessioned | 2024-11-20T16:08:28Z | - |
| dc.date.available | 2024-11-21 | - |
| dc.date.copyright | 2024-11-20 | - |
| dc.date.issued | 2024 | - |
| dc.date.submitted | 2024-10-08 | - |
| dc.identifier.citation | BIBLIOGRAPHY
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Riposte alimentaire : pourquoi ce collectif a aspergé « La Joconde ». Nature Climat Luttes Alternatives Monde Reportages Enquêtes Idées. https://reporterre.net/Riposte-alimentaire-pourquoi-ce-collectif-a-asperge-La-Joconde. Quinn, B. (2022, November 22). Just Stop Oil protesters guilty of criminal damage to Van Gogh frame. The Guardian. https://www.theguardian.com/environment/2022/nov/22/protesters-who-glued-themselves-to-van-gogh-frame-found-guilty-of-criminal-damage. Small, Z. (2023, July 11). After a Year of Climate Protests, the Toll Rises for Museums and Activists. The New York Times. https://www.nytimes.com/2023/07/11/arts/design/climate-protests-museums-sentences-art.html. Sharma, G. (2024, July 12). Sudden cancellation of U.K. North Sea oil drilling bids may cost millions. Forbes. https://www.forbes.com/sites/gauravsharma/2024/07/12/sudden-cancellation-of-uk-north-sea-oil-drilling-bids-may-cost-millions/. Stallard, E., & Thomas, M. (2023, April 27). BP faces green protest over new climate goals. BBC News. https://www.bbc.com/news/science-environment-65385834. Taylor, M. (2019, June 9). Leading artists call on National Portrait Gallery to cut ties to BP. The Guardian. https://www.theguardian.com/artanddesign/2019/jun/09/artists-national-portrait-gallery-bp-oil. Terry, K. (2022, June 30). Just Stop Oil eco zealots risk ten years in prison after targeting Van Gogh's Peach Trees In Blossom in latest superglue stunt. Mail Online. https://www.dailymail.co.uk/news/article-10971071/Just-Stop-Oil-eco-zealots-risk-ten-years-prison-targeting-Van-Goghs-Peach-Trees-Blossom.html. Vermelin, J. (2024, April 28). Paris: Deux individus en garde à vue, soupçonnés d'avoir voulu dégrader des biens au musée d'Orsay. TF1 INFO. https://www.tf1info.fr/culture/paris-deux-militants-ecologistes-interpelles-au-musee-d-orsay-soupconnes-de-vouloir-degrader-des-biens-classes-2297598.html. Yeo, Sophie. “How the largest environmental movement in history was born”, BBC: Future Planet, 22/04/2020, accessed on 22/07/2024. https://www.bbc.com/future/article/20200420-earth-day-2020-how-an-environmental-movement-was-born. D) Official Sources David Kaufman and Casey E. “History of the environmental movement”, Climate Change Conversations: Causes, Impacts, Solutions, American Archive of Public Broadcasting, accessed on 24/07/2024. https://americanarchive.org/exhibits/climate-change. Jackson, P. (2007). From Stockholm to Kyoto: A brief history of climate change. Green Our World!, XLIV(2). https://www.un.org/en/chronicle/article/stockholm-kyoto-brief-history-climate-change. UNESCO. (2015). Recommendation concerning the protection and promotion of museums and collections, their diversity and their role in society. Paris, France: UNESCO. https://www.unesco.org/en/legal-affairs/recommendation-concerning-protection-and-promotion-museums-and-collections-their-diversity-and-their#:~:text=Museums%20should%20be%20places%20that,human%20rights%20and%20gender%20equality. “What Is Climate Change?”, United Nations: Climate Action, accessed on 2023/11/15: https://www.un.org/en/climatechange#:~:text=Climate%20change-,Climate%20change%20refers%20to%20long%2Dterm%20shifts%20in%20temperatures%20and,the%20burning%20of%20fossil%20fuels. E) Internet Resources A22 Network. “Who we are?”, accessed on 2024/07/11: https://a22network.org/. “Anthropocene: The Exhibition”, The Anthropocene Project, accessed on 2024/02/07: https://theanthropocene.org/exhibition/. BP. (2011, December 18). BP and leading UK cultural institutions extend partnerships with £10 million sponsorship. [Press release]. https://www.bp.com/en/global/corporate/news-and-insights/press-releases/bp-and-leading-uk-cultural-institutions-extend-partnerships-with-10-million-sponsorship.html. BP or Not BP? About, accessed on 2024/07/23: https://bp-or-not-bp.org/about/. Britannica, T. Editors of Encyclopaedia (2018, December 4). Guerrilla Girls. Encyclopedia Britannica. accessed on 2024/03/15: https://www.britannica.com/topic/Guerrilla-Girls. Britannica, T. Editors of Encyclopaedia (2024, February 25). civil disobedience. Encyclopedia Britannica. accessed on 2024/04/22: https://www.britannica.com/topic/civil-disobedience. Burtynsky, E. (2016). Oil Bunkering #1, Niger Delta, Nigeria [Photograph]. courtesy Robert Koch Gallery, San Francisco / Nicholas Metivier Gallery, Toronto. https://emergencemagazine.org/gallery/the-anthropocene-project/. Culture Unstained. Who we are, accessed on 2024/07/24: https://cultureunstained.org/who-we-are/. Extinction Rebellion. What is XR?, accessed on 2024/07/23: https://rebellion.global/about-us/. Eliasson, O., & Kleist, K. V. (2018). Ice Watch, la nouvelle installation signée Olafur Eliasson à Londres [Photograph]. Olafur Eliasson / Kuupik V. Kleist. https://www.rtbf.be/article/ice-watch-la-nouvelle-installation-signee-olafur-eliasson-a-londres-10093633. Guerrilla Girls. (1985). Reinventing the “f” word - feminism! [Poster]. in Azimi R (November 2016). “Entretien avec Frida Kahlo, membre des Guerrilla Girls”, Le quotidien de l’art, édition n°173, accessed on 2024/09/06 : https://www.lequotidiendelart.com/articles/9930-entretien-avec-frida-kahlo-membre-des-guerrilla-girls.html. ICOM Germany. (2022, November 9). Statement: Attacks on artworks in museums. https://icom-deutschland.de/de/nachrichten/564-statement-attacks-on-artworks-in-museums.html. Just Stop Oil. (2024, June 19). Just Stop Oil protesters spraying orange powder on Stonehenge [Photograph]. Just Stop Oil. https://www.museumsassociation.org/museums-journal/news/2024/06/sector-bodies-condemn-just-stop-oil-vandalism-of-stonehenge/. Just Stop Oil. (2022, June 30). Young supporters of Just Stop Oil glue themselves to a Van Gogh painting. Press. https://juststopoil.org/2022/06/30/young-supporters-of-just-stop-oil-glue-themselves-to-a-van-gogh-painting/. Just Stop Oil. (2022, June 30). 'Normal cannot continue' | The Courtauld Gallery, London | 30 June 2022 | Just Stop Oil [Video]. YouTube. https://www.youtube.com/watch?v=WNeDkFR8Kn8. Just Stop Oil. “Will You Back a Fossil Fuel Treaty?”, accessed on 16/07/2024: https://juststopoil.org/. Elliott, Lorraine. “Environmentalism”. Encyclopedia Britannica, accessed on 13/01/2024. https://www.britannica.com/topic/environmentalism. Ringgold, F. (1969). Black Light Series #12: Party Time [Oil on canvas]. Glenstone Museum, Potomac, Maryland. 2023 Faith Ringgold / Artists Rights Society (ARS), New York. Courtesy ACA Galleries. https://visit.mcachicago.org/exhibitions/faith-ringgold-american-people/. Riposte Alimentaire. (2024). Instagram profile. Instagram. accessed on 2024/07/12, from https://www.instagram.com/ripostealimentaire. Webster’s New World College Dictionary. (2010). Guerrilla theater. In Webster’s New World College Dictionary (4th ed.). Houghton Mifflin Harcourt. https://www.collinsdictionary.com/dictionary/english/guerrilla-theater. Weiwei, A. (2017). Law of the Journey [Installation]. National Gallery of Prague. https://mymodernmet.com/ai-weiwei-law-of-the-journey/. “What We Do”, Fridaysforfuture.org, accessed on 24/07/2024. https://fridaysforfuture.org/what-we-do/. F) Artificial Intelligence I used AI models such as ChatGPT, Quillbot, Happy Scribe, and Grammarly to structure some ideas in the thesis, reformulate sentences, help me with the transcriptions, translate some elements in the interviews that were conducted in French and correct orthograph and grammar mistakes in my writing. | - |
| dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/96184 | - |
| dc.description.abstract | 本碩士論文探討了全球博物館中近年來環保行動主義事件的趨勢，特別是自 2022 年 A22 網絡成立以來的情況。在科學文獻、政治、媒體及行動主義領域中，各種概念被動員用來描述這些事件。通過分析“藝術破壞”、“藝術行動主義”和“藝術干擾”等不同概念，本研究檢視這些術語如何形塑大眾對激進環保行動的認知及政治話語。研究結果顯示，主流媒體和文化機構使用的“藝術破壞”一詞是有缺陷的，因為它忽視了這些動員形式的表演性和象徵性維度。“藝術行動主義”呈現了藝術與行動主義的融合，似乎更具相關性，但這個新詞往往會稀釋這些行動的顛覆性特質。最終，本研究引入了“藝術干擾”這一概念，因為它更準確地反映了行動主義在制度化文化空間中的特殊性。分析總結認為，對博物館中的環保行動事件的定性，不僅僅是研究問題，而是對這些事件的政治框架設定。我們接著探討所研究行動的有效性問題。行動者透過向著名藝術作品潑灑湯、油漆或馬鈴薯泥等物質，引發醜聞，藉此吸引媒體關注其社會和環保運動。然而，本論文揭示了這種策略的風險和局限性，如隨著行動的重複，其媒體影響力逐漸下降，或可能疏遠目標受眾。此外，行動者將博物館置於遺產保護與社會政治參與之間的兩難境地。儘管面臨這些挑戰，這些事件仍成功吸引了國際關注，尤其是透過如 A22 網絡組織的跨國運動。 | zh_TW |
| dc.description.abstract | This Master Thesis looks at the recent trend of incidents of environmental activism in museums worldwide, particularly since the formation of the A22 network in 2022. Various concepts are mobilized to name these events in scientific literature and in the political, media and activist spheres. By analyzing various concepts, such as “artistic vandalism”, “artivism”, and the notion of “art disruption”, this study examines how these terms shape public perception and political discourse around radical environmental activism. This characterization proves that the term “art vandalism” used by mainstream media and cultural institutions is flawed, as it neglects the performative and symbolic dimensions of these forms of mobilization. Illustrating a fusion between art and activism, “artivism” seems relevant, but the neologism tends to dilute the subversive nature of these actions. The concept of “artistic disruption” is finally introduced, as it more accurately reflects the specificities of activist actions within institutional cultural spaces. This analysis concludes that the characterization of eco-activist incidents in museums is not just a research question, but an issue of political framing of these events. We then turn to the question of the effectiveness of the actions studied. Activists cause scandals by targeting famous works of art with substances such as soup, paint or mashed potatoes, to draw media attention to their social and environmental campaigns. This thesis, however, brings to light the risks and limits of this tactic, such as declining media impact as actions are repeated, or the possibility of alienating the target audience. Additionally, activists push museums into a dilemma between heritage protection and socio-political engagement. Despite these challenges, these incidents are successfully attracting international attention, notably via cross-border campaigns like the ones organized by the A22 network. | en |
| dc.description.provenance | Submitted by admin ntu (admin@lib.ntu.edu.tw) on 2024-11-20T16:08:28Z No. of bitstreams: 0 | en |
| dc.description.provenance | Made available in DSpace on 2024-11-20T16:08:28Z (GMT). No. of bitstreams: 0 | en |
| dc.description.tableofcontents | Content
CONTENT III ACKNOWLEDGMENTS VI SUMMARY – KEYWORDS VII INTRODUCTION 1 A) RESEARCH TOPIC 1 1. The Soup Shower Trend: An International Threat to Artworks? 1 2. Art, Activism or Vandalism? The Debate over Modern Iconoclasm 2 3. Art in the Crossfire: The Role of Art in Radical Ecological Activism 4 B) RESEARCH QUESTIONS AND HYPOTHESES 6 1. Research Questions 6 2. Results 7 C) METHODS AND DATA 9 1. Mobilizing Qualitative Methods and Literature Review 9 2. The Use of Case Studies 11 3. The Key Role of Semi-Structured Interviews 13 4. Data Analysis 14 D) STUDY LIMITATIONS 15 E) OUTLINE 16 CHAPTER 1: THE CHALLENGE OF CHARACTERIZING INCIDENTS OF ECOLOGICAL ACTIVISM IN MUSEUMS 17 A) RADICAL ECOLOGICAL ACTIVISM: ART VANDALISM ACROSS A SPECTRUM OF TACTICS? 17 1. Evolution and Radicalization of Ecological Activism 17 2. The Repertoire of Radical Ecological Tactics 19 3. Radical Eco-Activism in the Art Worlds: Can I Speak About Art Vandalism? 20 B) ARTIVISM: MERGING ART AND ACTIVISM IN ENVIRONMENTAL MOVEMENTS 24 1. Redefining Art and Activism: The Emergence of Artivism 24 2. Historical Roots and Evolution of Artivism 25 3. Artivism Discussed as a Tool for Ecological and Social Transformation 26 C) ARTIVISM WITHIN THE ART WORLDS: BALANCING INTEGRATION AND SUBVERSION 30 1. The Integration of Artivism into Mainstream Cultural Institutions 30 2. Artivism as a Catalyst for Challenging Institutional Norms Both Inside and Out 31 3. The Tension Between the Subversion of the Art Worlds and Co-optation 33 D) ARTIVISM AND ART DISRUPTION: TOWARD A COUNTER-HEGEMONIC CULTURAL LANDSCAPE 36 1. Art and Activism as Counter-Hegemony 36 2. Artivism and Art Disruption as Tools to Challenge the Center-Periphery Hierarchy 38 3. The Trajectory of Art from Local to Global Activist Movements 40 CHAPTER 2: THE RIPPLE EFFECT OF INCIDENTS OF ECOLOGICAL ACTIVISM IN MUSEUMS 43 A) CASE STUDIES: INCIDENTS DESCRIPTION AND ANALYSIS 44 1. The Mona Lisa Incident on January 28, 2024 44 2. The Van Gogh Peach Trees in Blossom Incident on June 30, 2022 47 3. The BP Portrait Award Protest on October 20, 2019 51 4. Comparing and Discussing Case Studies 54 B) STRATEGIC DISRUPTION AND PUBLIC IMPACT: HOW ACTIVISTS LEVERAGE MEDIA POTENTIAL 57 1. Creating Buzz: Activists’ Strategic Use of the Media 57 2. Digital Platforms and Traditional Media: A Dual Approach 58 3. The Risk of Public Alienation: The Double-Edged Impact of Radical Strategies 60 C) THE ROLE OF MUSEUMS IN MITIGATION AND PRESERVATION: RESPONSES AND COMMUNICATION FROM CULTURAL INSTITUTIONS 61 1. Museum Missions: Between Preservation of Cultural Heritage and the Quest for Neutrality 61 2. Evolving Dynamics and Tensions Between Activism and Core Museum Missions 63 3. Museums’ Dilemma Between Security and Engagement in Response to Eco-Activism 65 D) TRANSNATIONAL RESONANCE OF LOCAL INCIDENTS OF ECO-ACTIVISM IN MUSEUMS 67 1. The A22 Network and its Role in the Cross-Border Coordination of Art Disruption Actions 67 2. Local Contexts and the Differential Impact of Transnational Tactics 68 3. Global Amplification: The Role of Media and International Organizations in the International Resonance of Local Activist Actions 70 CONCLUSION 71 A) SUMMARY OF THE FINDINGS 71 B) DISCUSSION OF THE FINDINGS 72 C) OUTLOOK 73 BIBLIOGRAPHY 75 SOURCES 77 A) SCIENTIFIC ARTICLES, PUBLICATIONS AND BOOK CHAPTERS 77 B) REPORTS 86 C) PRESS ARTICLES 87 D) OFFICIAL SOURCES 92 E) INTERNET RESOURCES 92 F) ARTIFICIAL INTELLIGENCE 95 APPENDIX 1: RECAPITULATORY INTERVIEW GRID 96 APPENDIX 2: ASTRID’S INTERVIEW TRANSCRIPT 99 APPENDIX 3: LORRY’S INTERVIEW TRANSCRIPT 109 APPENDIX 4: VERONIQUE’S INTERVIEW TRANSCRIPT 123 APPENDIX 5: RACHEL’S INTERVIEW TRANSCRIPT 134 APPENDIX 6: LOUIS’ INTERVIEW TRANSCRIPT 151 APPENDIX 7: JASPER’S INTERVIEW TRANSCRIPT 173 APPENDIX 8: INFORMATION SHEET AND CONSENT FORM SENT TO PARTICIPANTS 183 | - |
| dc.language.iso | en | - |
| dc.subject | 藝術行動主義 | zh_TW |
| dc.subject | 策略 | zh_TW |
| dc.subject | 集體行動的表現形式 | zh_TW |
| dc.subject | 激進性 | zh_TW |
| dc.subject | 公眾認知 | zh_TW |
| dc.subject | 媒體 | zh_TW |
| dc.subject | 生態 | zh_TW |
| dc.subject | 反霸權 | zh_TW |
| dc.subject | 藝術界 | zh_TW |
| dc.subject | 藝術漂白 | zh_TW |
| dc.subject | 藝術破壞 | zh_TW |
| dc.subject | 藝術干擾 | zh_TW |
| dc.subject | 行動主義 | zh_TW |
| dc.subject | Tactics | en |
| dc.subject | Activism | en |
| dc.subject | Artivism | en |
| dc.subject | Art Disruption | en |
| dc.subject | Art Vandalism | en |
| dc.subject | Art Washing | en |
| dc.subject | Art World | en |
| dc.subject | Counter-hegemony | en |
| dc.subject | Ecology | en |
| dc.subject | Media | en |
| dc.subject | Public Perception | en |
| dc.subject | Radicality | en |
| dc.subject | Repertoire of Collective Action | en |
| dc.title | 超越藝術破壞： A22 網路成立以來的博物館生態活動探討 | zh_TW |
| dc.title | Going beyond Art Vandalism: An Inquiry on Museum Incidents of Ecological Activism Since the Formation of the A22 Network | en |
| dc.type | Thesis | - |
| dc.date.schoolyear | 113-1 | - |
| dc.description.degree | 碩士 | - |
| dc.contributor.coadvisor | Eric Macé | zh_TW |
| dc.contributor.coadvisor | Eric Macé | en |
| dc.contributor.oralexamcommittee | 黃旻華;Anthony Amicelle | zh_TW |
| dc.contributor.oralexamcommittee | Min-Hua Huang;Anthony Amicelle | en |
| dc.subject.keyword | 行動主義,藝術行動主義,藝術干擾,藝術破壞,藝術漂白,藝術界,反霸權,生態,媒體,公眾認知,激進性,集體行動的表現形式,策略, | zh_TW |
| dc.subject.keyword | Activism,Artivism,Art Disruption,Art Vandalism,Art Washing,Art World,Counter-hegemony,Ecology,Media,Public Perception,Radicality,Repertoire of Collective Action,Tactics, | en |
| dc.relation.page | 186 | - |
| dc.identifier.doi | 10.6342/NTU202404372 | - |
| dc.rights.note | 同意授權(全球公開) | - |
| dc.date.accepted | 2024-10-08 | - |
| dc.contributor.author-college | 社會科學院 | - |
| dc.contributor.author-dept | 政治學系 | - |
| 顯示於系所單位： | 政治學系 | |
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