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| DC 欄位 | 值 | 語言 |
|---|---|---|
| dc.contributor.advisor | 洪一平 | zh_TW |
| dc.contributor.advisor | Yi-Ping Hung | en |
| dc.contributor.author | 陳煬升 | zh_TW |
| dc.contributor.author | Yang-Sheng Chen | en |
| dc.date.accessioned | 2024-02-20T16:14:31Z | - |
| dc.date.available | 2024-02-21 | - |
| dc.date.copyright | 2024-02-20 | - |
| dc.date.issued | 2024 | - |
| dc.date.submitted | 2024-01-30 | - |
| dc.identifier.citation | [1] AMD GPUOpen. Amd radeon™ software fidelityfx contrast adaptive sharpening. https://gpuopen.com/fidelityfx-cas/, Sep. 2023.
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| dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/91620 | - |
| dc.description.abstract | 透過虛擬實境技術我們可以模擬沉浸式的虛擬世界，並將此技術應用至教育領域。雖然目前虛擬實境頭盔的開發廠商提供虛擬實境的開發指引，但仍然難以套用至各種領域中，如博物館或美術館用來傳播文化遺產。這類型的虛擬實境應用需要跨領域團隊合作，結合歷史學家、博物館研究員以及程式開發團隊共同協力完成虛擬實境體驗。並且在開發階段考量互動開發、財務預算考量、硬體限制以及體驗內容的效能處裡使得製作這類型的虛擬實境體驗別具挑戰性。本篇論文根據文化遺產類型於虛擬實境體驗的方式逕行分類，提出設計考量的框架對應不同類型的文化遺產呈現。並且本篇論文亦提出過去製作並已發表的虛擬實際博物館體驗為最佳實踐範例，提出這些專案的設計考量以及互動實作方式於製作高沉浸的虛擬實際應用。此外我們也套用多模式互動方法讓使用者可以獲得多重感官互動體驗以強化虛擬實境體驗。在各實例中，本篇論問亦進行使用者研究以及場域應用評估以量測系統易用性、沉浸程度以及主觀的學習成效結果。本篇論文總結了博物館虛擬實境應用開發之跨領域合作所需的設計考量，以及數位文化遺產之互動方法用於虛擬環境中。 | zh_TW |
| dc.description.abstract | With virtual reality technology, we can simulate immersive virtual worlds, making it a valuable tool in education. Despite existing best practices outlined by head-mounted display providers, applying VR in diverse fields, such as disseminating cultural heritage in museums, presents unique challenges. This application necessitates collaboration among historians, museum researchers, and developers to effectively convey cultural heritage contexts, considering factors like human aspects, financial constraints, hardware limitations, and performance issues. This thesis categorizes cultural heritage in VR experience design, providing a framework for design considerations in various heritage presentations. We present our best practices, offering insights into design considerations and interaction implementation to create high-immersion VR museum experiences. Additionally, our projects leverage multimodal interactions to enable multiple sensations in the VR museum setting. Through user studies and field deployment assessments, we review system usability, immersion, and subjective learning aspects. In conclusion, our results not only enhance cross-field cooperation in developing VR museum experiences but also contribute interaction insights for translating cultural heritage into virtual environments. | en |
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| dc.description.tableofcontents | Verification Letter from the Oral Examination Committee i
Acknowledgments iii 摘要 v Abstract vii Contents ix List of Figures xv List of Tables xix Chapter 1 Introduction 1 1.1 Background and Motivation . . . . . . . . . . . . . . . . . . . . . . 1 1.2 Problem and Approach . . . . . . . . . . . . . . . . . . . . . . . . . 3 Chapter 2 Related Work 5 2.1 Immersive VR Museum Experiences . . . . . . . . . . . . . . . . . 5 2.2 Approaching to create the VR Museum Experiences . . . . . . . . . 6 2.2.1 Cinematic Virtual Reality (CVR) . . . . . . . . . . . . . . . . . . . 7 2.2.2 Interactive Virtual Reality (IVR) . . . . . . . . . . . . . . . . . . . 8 2.2.3 Hybrid Approaches . . . . . . . . . . . . . . . . . . . . . . . . . . 9 2.3 Experiencing Cultural Heritage in VR . . . . . . . . . . . . . . . . . 9 2.3.1 Movable Heritage VR Experience . . . . . . . . . . . . . . . . . . 12 2.3.2 Immovable Heritage VR experience . . . . . . . . . . . . . . . . . 15 2.4 Interaction Concept in Cultural Heritage Experiences . . . . . . . . . 17 2.4.1 Cultural Heritage Education and VR . . . . . . . . . . . . . . . . . 17 2.4.2 Locomotion Techniques . . . . . . . . . . . . . . . . . . . . . . . . 18 2.4.3 Gaze-based interaction in VR applications . . . . . . . . . . . . . . 19 2.4.4 Guidance in VR . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 2.5 Summary . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 21 2.5.1 Visual Design of VR Experience . . . . . . . . . . . . . . . . . . . 22 2.5.2 Moving Techniques . . . . . . . . . . . . . . . . . . . . . . . . . . 23 2.5.3 Guidance Strategy . . . . . . . . . . . . . . . . . . . . . . . . . . . 24 2.5.4 Design Space of VR Cultural Heritage . . . . . . . . . . . . . . . . 25 Chapter 3 Applying the Exploration-Based Interaction to Immovable Her itage VR Experience 27 3.1 Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 27 3.2 Design Consideration . . . . . . . . . . . . . . . . . . . . . . . . . . 29 3.2.1 Stories of Murals . . . . . . . . . . . . . . . . . . . . . . . . . . . 30 3.2.2 Unreachable And Obstructed Murals Throughout the Cave . . . . . 30 3.2.3 Damaged Murals and Lost Statues . . . . . . . . . . . . . . . . . . 31 3.3 Interaction Design . . . . . . . . . . . . . . . . . . . . . . . . . . . 33 3.3.1 Spatial Context and Augmented Information . . . . . . . . . . . . . 33 3.3.2 Teleport Technique for Moving Around in the Cave . . . . . . . . . 35 3.3.3 Digital Restoration of Damaged Murals and Lost Statues . . . . . . 41 3.4 System Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . 43 3.5 User Study . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 44 3.6 Result . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 46 3.7 Discussion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 48 3.7.1 Regions of Interest . . . . . . . . . . . . . . . . . . . . . . . . . . 48 3.7.2 Forgot or Unseen . . . . . . . . . . . . . . . . . . . . . . . . . . . 49 3.7.3 Acquiring Information from Spatial Context . . . . . . . . . . . . . 50 3.7.4 Audio Guidance in the Virtual Tour . . . . . . . . . . . . . . . . . . 51 3.8 Conclusion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 52 Chapter 4 Applying the Exploration-Based Interaction to Movable Heritage VR Experience 55 4.1 Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 55 4.2 Design Consideration . . . . . . . . . . . . . . . . . . . . . . . . . . 56 4.2.1 Stories of Heritage . . . . . . . . . . . . . . . . . . . . . . . . . . 57 4.2.2 Reconstruction of Heritage Background . . . . . . . . . . . . . . . 61 4.3 Interaction Design . . . . . . . . . . . . . . . . . . . . . . . . . . . 63 4.3.1 Interaction of Excavation . . . . . . . . . . . . . . . . . . . . . . . 63 4.3.2 Interaction with First Dog . . . . . . . . . . . . . . . . . . . . . . . 67 4.4 Multimodal Tactile Feedback . . . . . . . . . . . . . . . . . . . . . 69 4.4.1 Wearable Devices . . . . . . . . . . . . . . . . . . . . . . . . . . . 69 4.4.2 Environment-Based Feedback . . . . . . . . . . . . . . . . . . . . 70 4.4.3 Physical Scenery Design . . . . . . . . . . . . . . . . . . . . . . . 71 4.5 System Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . 72 4.6 Field Deploy Study . . . . . . . . . . . . . . . . . . . . . . . . . . . 73 4.7 Result and Discussion . . . . . . . . . . . . . . . . . . . . . . . . . 73 4.7.1 Discussion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 75 4.8 Conclusion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 78 Chapter 5 Applying the Storytelling-Based Interaction to Movable Heritage VR Experience 79 5.1 Introduction . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 79 5.2 Design Consideration . . . . . . . . . . . . . . . . . . . . . . . . . . 81 5.2.1 Collaboration Process with Museum . . . . . . . . . . . . . . . . . 81 5.2.2 Exploration of visible and invisible objects . . . . . . . . . . . . . . 84 5.2.3 Style Transfer Application . . . . . . . . . . . . . . . . . . . . . . 85 5.3 Interaction Design . . . . . . . . . . . . . . . . . . . . . . . . . . . 86 5.3.1 Water Rendering for Chinese Watercolor Painting in VR . . . . . . 86 5.3.2 Post-processing for Chinese Watercolor Painting in VR . . . . . . . 90 5.3.3 Gaze-based Interaction for Storytelling . . . . . . . . . . . . . . . . 93 5.3.4 Style Transfer Technique of Heritage Painting Interpretation . . . . 94 5.4 System Overview . . . . . . . . . . . . . . . . . . . . . . . . . . . . 97 5.5 User Study . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 98 5.6 Result . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99 5.7 Discussion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 100 5.7.1 Understanding of Virtual Painting Environment . . . . . . . . . . . 101 5.7.2 Area of Interesting . . . . . . . . . . . . . . . . . . . . . . . . . . 103 5.8 Conclusion . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107 Chapter 6 Conclusion and Future Work 109 6.1 Summary of This Thesis . . . . . . . . . . . . . . . . . . . . . . . . 109 6.2 Future Direction . . . . . . . . . . . . . . . . . . . . . . . . . . . . 111 References 113 | - |
| dc.language.iso | en | - |
| dc.subject | 虛擬實境 | zh_TW |
| dc.subject | 使用者經驗 | zh_TW |
| dc.subject | 沉浸式互動 | zh_TW |
| dc.subject | 多模組回饋技術 | zh_TW |
| dc.subject | 文化遺產 | zh_TW |
| dc.subject | Virtual Reality | en |
| dc.subject | Cultural Heritage | en |
| dc.subject | Multimodal Feedback Techniques | en |
| dc.subject | Immersive Interaction | en |
| dc.subject | User Experience | en |
| dc.title | 用於強化沉浸式體驗之多模式回饋技術於虛擬實境博物館體驗 | zh_TW |
| dc.title | Multimodal Interaction for Enhancing Immersion in VR Museum Experience | en |
| dc.type | Thesis | - |
| dc.date.schoolyear | 112-1 | - |
| dc.description.degree | 博士 | - |
| dc.contributor.oralexamcommittee | 歐陽明;莊永裕;陳彥仰;李明穗;胡敏君;孫士韋 | zh_TW |
| dc.contributor.oralexamcommittee | Ming Ouhyoung;Yung-Yu Chuang;Mike Y. Chen;Ming-Sui Lee;Min-Chun Hu;Shih-Wei Sun | en |
| dc.subject.keyword | 虛擬實境,使用者經驗,沉浸式互動,多模組回饋技術,文化遺產, | zh_TW |
| dc.subject.keyword | Virtual Reality,User Experience,Immersive Interaction,Multimodal Feedback Techniques,Cultural Heritage, | en |
| dc.relation.page | 125 | - |
| dc.identifier.doi | 10.6342/NTU202400320 | - |
| dc.rights.note | 同意授權(限校園內公開) | - |
| dc.date.accepted | 2024-02-01 | - |
| dc.contributor.author-college | 電機資訊學院 | - |
| dc.contributor.author-dept | 資訊網路與多媒體研究所 | - |
| dc.date.embargo-lift | 2029-01-29 | - |
| 顯示於系所單位： | 資訊網路與多媒體研究所 | |
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