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完整後設資料紀錄
DC 欄位 | 值 | 語言 |
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dc.contributor.advisor | 蘇碩斌 | |
dc.contributor.author | Huan-Yi Chang | en |
dc.contributor.author | 張桓溢 | zh_TW |
dc.date.accessioned | 2021-06-17T08:11:43Z | - |
dc.date.available | 2019-08-20 | |
dc.date.copyright | 2019-08-20 | |
dc.date.issued | 2019 | |
dc.date.submitted | 2019-08-15 | |
dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/73845 | - |
dc.description.abstract | 近年崛起於臺灣的非虛構寫作,不僅在市場上獲得眾多讀者的迴響,更在學院的背書以及官方機構的獎助下,成為一種新興的文學形式。然究竟非虛構意指為何,其如何被提出、為何被提出,又怎樣在殊異的實踐過程中,互涉於臺灣當前的文化語境,尚缺乏歷史性的反省與理論的闡連。是以,我將沿著歷時性與共時性的軸線,探究臺灣非虛構寫作譯介的脈絡與實踐的景況,進而以此二軸線所勾勒出的圖像,提供一個理解非虛構的理論視點。
論文因此分為以下三個面向進行申論:一、透過耙梳「非虛構」作為一種文類的生成脈絡,闡明「非虛構」概念在美國文化場域的建構、其如何對話於臺灣報導文學的發展歷程,並指出台灣非虛構怎樣在翻譯與承繼的作用下,形成新的紀實性書寫範式。二、以敘事學為理論觀點,分析人類學、新聞學及歷史學背景的施為者,如何在「面向大眾」的大方向下,援引文學裝置重新組織、調度資料,從而踐履出關懷、效果各異的非虛構寫作。三、回到「何謂非虛構」的根本命題,藉由呂格爾的三重摹創框架,推導出非虛構的認識論與存有論基礎,進而指認非虛構寫作所蘊含的倫理潛能。嘗試建構非虛構的理論,並非欲形成一最終錨定或評價非虛構的準則,而是希望以此作為反思的基點,為長期內存於台灣文學中「紀實與虛構」的爭論,提供新的文學倫理的思辨可能。 | zh_TW |
dc.description.abstract | Taiwan's recently surging nonfiction writing has become a popular form of literature, not only because it has aroused great attention on the publishing market, but even more through the affirmation of academia and the prizes awarded by official institutions. However, what does the term “nonfiction” refer to in Taiwan? How and why was it produced? Moreover, how did “nonfiction” come to intertwine with contemporary Taiwan's cultural context within different processes of the practice? These questions are still awaiting historical reflection and theories for articulation. Thus, following diachronic and synchronic axes, I attempt to provide a theoretical perspective on nonfiction writing in Taiwan, on the basis of an exploration of the context of its translation and the circumstances of the practice, to push the understanding of nonfiction a little further.
The argument of this thesis therefore includes three main aspects: first, through a historical retrospect of the formation of “nonfiction” as a literary genre, this thesis elaborates how the concept of “nonfiction” was constructed in the cultural field of the United States and how it interrelated with the process of the development of reportage in Taiwan, and points out how nonfiction could constitute a new paradigm of factual writing in Taiwan owing to the forces of translation and adoption. Second, using the theoretical perspective of narratology, this thesis analyzes how agents with backgrounds in anthropology, journalism and historiography, in following the major trend of “attracting public attention”, all appropriate literary devices to re-organize and arrange original materials, thereby carrying out nonfiction writing with different concerns and effects. Third, returning to the basic proposition of “What is nonfiction?”, this thesis builds on Ricoeur’s threefold mimesis model, to establish the epistemological and ontological foundations of nonfiction to assert its ethical potential. To articulate a theory of nonfiction does not mean to create an ultimate formula for anchoring or evaluating nonfiction. Instead, from the radical point of view it opens up, what I propose to demonstrate, is a new possibility for considering an ethics of literature that reflects the ongoing debate over “fact and fiction” in Taiwan literature. | en |
dc.description.provenance | Made available in DSpace on 2021-06-17T08:11:43Z (GMT). No. of bitstreams: 1 ntu-108-R05145007-1.pdf: 4038629 bytes, checksum: 83dc09107739419a23521dfa3d334739 (MD5) Previous issue date: 2019 | en |
dc.description.tableofcontents | 第一章 緒論 1
一、問題意識 2 二、文獻回顧 7 三、章節架構與研究觀點 17 第二章 丈量世界:非虛構寫作的發展與翻譯脈絡 26 第一節 緣起:從美國新新聞到創造性非虛構 29 第二節 前身:報導文學的建構、發展與困境 43 第三節 開創:非虛構概念在台灣的提出與發展 55 小結:非虛構寫作的積澱與創新 67 第三章 敘事的轉向:人文科學的非虛構實踐 69 第一節 以身為度,想像田野:《辶反田野》的民族誌詩學嘗試 71 第二節 慢新聞的實踐:《煙囪之島》的批判性敘事 86 第三節 記憶即正義:談《無法送達的遺書》對歷史的重建 102 小結:非虛構敘事的虛構技術 117 第四章 中介的倫理:對「何謂非虛構」的理論解釋 119 第一節 語言與經驗:非虛構寫作的存有論基礎 121 第二節 三重摹創:非虛構的實踐圖式 135 第三節 朝向他者:倫理的敘事 151 小結:非虛構敘事的三重摹創架構 162 結論 非虛構的意義? 166 參考書目 173 附錄一:非虛構發展大事簡表 194 | |
dc.language.iso | zh-TW | |
dc.title | 現實的摹創與中介:論臺灣非虛構寫作的翻譯、實踐與理論 | zh_TW |
dc.title | Mimesis and Mediation of Reality: On the Translation, Practices and Theorization of Nonfiction in Taiwan | en |
dc.type | Thesis | |
dc.date.schoolyear | 107-2 | |
dc.description.degree | 碩士 | |
dc.contributor.oralexamcommittee | 藍適齊,高國魁 | |
dc.subject.keyword | 非虛構,敘事學,呂格爾,摹創,文學倫理學, | zh_TW |
dc.subject.keyword | nonfiction,narratology,Paul Ricoeur,mimesis,ethics of literature, | en |
dc.relation.page | 195 | |
dc.identifier.doi | 10.6342/NTU201902491 | |
dc.rights.note | 有償授權 | |
dc.date.accepted | 2019-08-16 | |
dc.contributor.author-college | 文學院 | zh_TW |
dc.contributor.author-dept | 台灣文學研究所 | zh_TW |
顯示於系所單位: | 臺灣文學研究所 |
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