東坡離別詞的情感書寫

Abstract

本文以「東坡離別詞的情感書寫」為論題，將緊扣詞體的特質來關照東坡的離別詞，依序自離別詞的「書寫手法」與「情感內蘊」切入討論，探究東坡在人生的各個階段面對、梳理離別的不同態度，研究東坡以詞作承載生命中纖細淳厚之情感的靈活手法。並回歸本論文最根本的關懷，即推論東坡從承襲、熟用前人寄情於詞的方法，到超脫詞體束縛、超越情感枷鎖、開創自家風格的過程。希望藉此論文提供他人認識東坡離別詞，與觀察東坡詞在詞史中之位置的另一視角。全文共分為五章，以下為簡要的介紹： 第一章為「緒論」：第一節釐清本文的研究動機，並界定了「離別詞」的概念與相關詞彙的使用原則，以確立挑選離別詞的標準。第二節回顧相關的研究成果，著重討論以「東坡離別詞」為論題的學位論文及期刊論文。希望能在前人的基礎上，努力補充不足之處。第三節先確定離別詞的分期方式與採用的東坡詞版本，再提出研究方法，最後呈現論文的架構。 第二章為「從離別詩到離別詞」：因詞體受詩體的影響甚大，因此第一節將先討論晚唐以前離別詩的沿革，並歸納離別詩的特質。第二節則接續探討中晚唐時期離情的抒發為何能與新興的詞體相互契合。第三節進而梳理花間至宋初離別詞的展現，歸結東坡以前離別詞的特色，以便下一章參照。 第三章為「東坡離別詞的書寫手法」：本章把「文體」的概念作為思考時的支點，各小節分別從「時空鋪寫的變換」、「送別與留別的區分」、「東坡離別詩與離別詞的差別」三個層面切入，由小到大、由裡而外地探究詞情的組織與體裁的運用。意在縱觀東坡離別詞的書寫手法在詞史中承前啟後的表現，亦橫視離別主題在東坡的詞中獨有的面貌。 第四章為「東坡離別詞的情感內蘊」：第三章在討論離別詞的書寫手法時已適時提及詞作中的離情別緒，而此章承接上一章，將更仔細地剖析離情中的內蘊。第一節先梗概地探論東坡如何將多情多感的心思寄託在詞作中，並以此作為後續討論的基礎。第二、三節再分別結合東坡的生命經驗，深入地體察前期與後期離別詞中的感思，比較兩期情感的歧異，理解東坡如何在詞作中應對人生中頻繁且不可拒的離別，並於其中整頓疲憊的身心。 第五章為「結論」：本節將總結全文的內容，並且提出文中不足、可待補強與延伸之處。

The title of the thesis is “the expression of emotions in Dong-Po’s parting ci(東坡離別詞)”. The thesis will be closely connected to the features of ci(詞), which reveals Dong-Po’s parting ci according to the writing methods and emotional connotation of parting ci。It explores different attitudes when Dong-Po(東坡) faced parting in each of his life stage. It studies the facile techniques that used to carry the delicate emotion of life in his ci. Then we return to the basic concern of thesis: Infering the process, from the stage that Dong-Po Inherited and familiarized former people with the way they put emotion in ci, to the stage that he detached the bondage of ci, broke emotional shackles, and created his own style. With this thesis, we hope to let others know Dong-Po’s parting ci, and observe the other perspective about the character of Dong-Po’s parting ci in the history of ci. The thesis is divided into five chapters. The following is a brief introduction: Chapter 1 is “Introduction”: Section 1 clarifies the motivation of this thesis. It defines the concept of parting ci and the use of related vocabularies. Section 2 reviews some related researh, which will forcus on those paper with the topic centering on Dong-Po’s parting ci. We hope to supplement the inadequacies on the basis of predecessors. Section 3 establishes the seperation way of parting ci and the adopted edition of Dong-Po’s ci. Then it purposes the research methods, and finally present the structure of the thesis. Chapter 2 is “From Parting Poetry to Parting Ci”: Since poetry has a great impact on ci, Section 1 will discuss the history of parting poetry before the late Tang Dynasty, and summarize the features of parting poetry. Section 2 continues exploring the reason why the expression of departure in the middle and late Tang Dynasty can fit with new ci. Section 3 then organize the manifestation of ci from Hua Jian Ci(花間詞) to the parting ci in the early Song. It will sum up the characteristics of Dong-Po parting poetry in his early stage, which will be the reference of the next chapter. Chapter 3 is “The Writing Method of Dong-Po Paring Ci”: This chapter considers the concept of “writing type” as the base of thinking. The following sections illustrate the idea from the perspectives of “the transformation of time-space description”, “the difference between farewell and departing”, and “the difference between Dong-Po’s parting poetry and his parting ci,” which studies the organization and writing type of ci from small to large, from inside and out. This chapter aims at overviewing the manifestation about the writing methods of Dong-Po’s parting poetry in the history of ci, and observing the unique appearance of parting in Dong-Po’s ci. Chapter 4 is “The Emotional Connotation of Parting Ci”: Chapter 3 has timely mentioned the parting emotion in ci while discussing the writing methods of parting ci. Following this, chapter 4 will thoroughly analyze the connotation in parting emotion. Section 1 synoptically studies how Dong-Po put various emotion in his ci, and uses it as the base of following discussion. Section 2 and section 3 then deeply observe the thoughts in the early and late parting ci. They compare the difference between two stages, illustrate how Dong-Po responded unavoidable and frequent parting in his ci, and how Dong-Po reorganized exhausted mind and body from his ci. Chapter 5 is “Summary”: This chapter will summarize the contents of the full text, and put forward the deficiencies in the text, which can be reinforced and extended.