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  1. NTU Theses and Dissertations Repository
  2. 管理學院
  3. 管理學院企業管理專班(Global MBA)
請用此 Handle URI 來引用此文件: http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/67588
完整後設資料紀錄
DC 欄位值語言
dc.contributor.advisor陳忠仁
dc.contributor.authorI-Wen Huangen
dc.contributor.author黃意文zh_TW
dc.date.accessioned2021-06-17T01:39:02Z-
dc.date.available2018-08-01
dc.date.copyright2017-08-01
dc.date.issued2017
dc.date.submitted2017-07-29
dc.identifier.citationChinese
陳威如/余卓軒 (2013)。平台革命(初版)。台北: 商周出版
莊于葶 (2014)。串流音樂產業之平台競爭策略:以 KKBOX 為例。國立臺灣大學國際企業學研究所碩士論文
蔣宜達 (2015)。音樂產業中成功的免費增值商業模式。國立交通大學企業管理碩士學位學程碩士論文
English
Anderson, Chris (2009). Free: The Future of a Radical Price. United States: Hyperion
Barney, Jay. (1991). Firm Resources and Sustained Competitive Advantage. Journal of Management Vol 17, No1, 99-120
Eisenmann, Thomas R. 'Platform-Mediated Networks: Definitions and Core Concepts.' Harvard Business School Module Note 807-049, September 2006. (Revised October 2007.)
Osterwalder, A., & Pigneur, Y. (2010). Business model generation: a handbook for visionaries, game changers, and challengers. Hoboken: John Wiley and Sons.
Joelle Bissonnette, J., & Brunelle E. (2015) Legal and Profitable? Spotify: The Challenges of an Online Music Service. Harvard Business Review
Porter, Michael E. (2008). The Five Competitive Forces That Shape Strategy.' Harvard Business Review
Porter, Michael E. (1985). Competitive Advantage: Creating and Sustaining Superior Performance. New York: Simon and Schuster.
IFPI (2017). Digital Music Report 2017, International Federation of the Phonographic Industry http://www.ifpi.org/news/IFPI-GLOBAL-MUSIC-REPORT-2017
IFPI (2016). Global Music Report 2016. International Federation of the Phonographic Industry www.ifpi.org/downloads/GMR2016.pdf
IFPI (2015). Digital Music Report 2015, International Federation of the Phonographic Industry
RIAA (2016). Music Consumer Profile 2015, US: Recording Industry Association of America
RIAJ (2017). The Recording Industry in Japan 2016, Japan: Recording Industry Association of Japan
WIN (2016). Worldwide Independent Market Report 2015, US: World Wide Independent Network
Privco (2016). Spotify Technologies S.A., Private Company Financial Intelligence. Retrieved from: http://www.privco.com/private-company/spotify-ltd
Website
APP Annie (2017, January 17) 。App Annie 2016 回顾报告——移动行业继续保持增长势头。取自 https://www.appannie.com/cn/insights/market-data/app-annie-2016-retrospective/
何佩珊 (2017, January 9) 。串流音樂突圍 KKBOX李明哲:只靠APP是打不開新市場的。 取自 https://www.bnext.com.tw/article/42684/kkbox-izero-opinion-about-streaming-music
Afront (2011, April). Spotify Technology: How Spotify Works. Retrieved from http://pansentient.com/2011/04/spotify-technology-some-stats-and-how-spotify-works/
Appleinsider Staff (2013, June 20). Apple's iTunes accounts for 75% of global digital music market, worth $6.9B a year. Retrieved from http://appleinsider.com/articles/13/06/20/apples-itunes-accounts-for-75-of-global-digital-music-market-worth-69b-a-year
Blanco, X. (2016, October 21). Spotify, Apple Music, Tidal, Amazon Music Unlimited and Google Play Music: Which music streaming app is right for you? Retrieved from https://www.cnet.com/how-to/best-music-streaming-service/
Blythe, W. (2016, July 22). KKBOX – How a music streaming service can actually make money. Retrieved from https://meet.bnext.com.tw/articles/view/38062
Byford, S. (2016 December 6). Apple Music hits 20 million paying subscribers. Retrieved from http://www.theverge.com/2016/12/6/13864294/apple-music-subscriber-number-eddy-cue
Dillet, R. (2014, April 17). Spotify Removes Peer-To-Peer Technology From Its Desktop Client. Retrieved from https://techcrunch.com/2014/04/17/spotify-removes-peer-to-peer-technology-from-its-desktop-client/
Doerrfeld, B. (2016, November 8). The Brilliance of Spotify Internal APIs to Mitigate Payments. Retrieved from http://nordicapis.com/the-brilliance-of-spotify-internal-apis-to-mitigate-payments/
Dredge, S. (2017, January 25). How ‘sleeping giant’ China is Waking up to Legal Music. Retrieved from http://musically.com/2017/01/25/how-sleeping-giant-china-is-waking-up-to-legal-music/
Dredge, S. (2017, January 24). Universal Music and Spotify talk music-streaming in 2017. Retrieved from http://musically.com/2017/01/24/universal-music-and-spotify-talk-music-streaming-in-2017/
Ernesto (2014, April 16). Spotify Starts Shutting Down Its Massive P2P Network. Retrieved from https://torrentfreak.com/spotify-starts-shutting-down-its-massive-p2p-network-140416/
Freshpatents (2017). Spotify Patents List. Retrieved from http://stks.freshpatents.com/Spotify-nm1.php
Glenn Peoples (2017, March 15). What Do Users Really Want In Their Premium Streaming Music Service? Retrieved from http://www.hypebot.com/hypebot/2017/03/what-do-users-really-want-in-their-premium-streaming-music-service-glenn-peoples.html
Gröger, B. (2013, February 16). Soundbuzz’s Music Strategy for Asia-Pacific. Retrieved from https://www.slideshare.net/BirteGrger/soundbuzzs-music-strategy-for-asiapacific
Houghton, B. (2017, January 24). YouTube Pays Indies 10% Of What Spotify Does, says Merlin CEO. Retrieved from http://hypebot.com/hypebot/2017/01/youtube-pays-indies-10-of-what-spotify-does-says-merlin-ceo.html
IFPI (2016). Digital music in figures. Retrieved from http://www.ifpi.org/facts-and-stats.php
Ingham, T. (2016, May 23). Spotify revenues topped $2bn last year as losses hit $194m Retrieved from https://www.musicbusinessworldwide.com/spotify-revenues-topped-2bn-last-year-as-losses-hit-194m/
Ingham, T. (2017, January 17). Over 100 million people now pay for music streaming, beating the number of Netflix subscribers for the first time. Retrieved from http://www.businessinsider.com/midia-report-music-streaming-subscribers-overtook-netflix-subscribers-the-first-time-2017-1
Ingham, T. (2015, May11). How Spotify Can Become Profitable. Retrieved from https://www.musicbusinessworldwide.com/how-can-spotify-become-profitable/
Jones, R. (2017, January 25). Spotify and Apple Music will struggle in China. Meet the reason why…. Retrieved from http://www.musicbusinessworldwide.com/spotify-and-apple-music-will-struggle-in-china-meet-the-reason-why/
Kniberg, H. & Ivarsson, A. (2012, October). Scaling agile at Spotify with Tribes, Squads, Chapters & Guilds. Retrieved from https://ucvox.files.wordpress.com/2012/11/113617905-scaling-agile-spotify-11.pdf
Lu, K. (2016, October 31). How Spotify Wins 6 Challenging Markets in Asia (Includes Japan Pre-Launch Case Study). Retrieved from http://www.oneskyapp.com/blog/spotify-asia-expansion-japan-case-study/

Lunden, I. (2016, November 2). Spotify acquires Preact to fuel its subscription business. Retrieved from https://techcrunch.com/2016/11/02/spotify-acquires-preact-to-boost-its-subscriber-story/
Mark Bonchek M., & Choudary, S.P. (2013, January 31). Three Elements of a Successful Platform Strategy. Retrieved from https://hbr.org/2013/01/three-elements-of-a-successful-platform
McIntyre, H. (2017, March 03). Spotify Officially Hits 50 Million Paid Subscribers. Retrieved from https://www.forbes.com/sites/hughmcintyre/2017/03/03/spotify-officially-hits-50-million-paying-subscribers/
McReynolds, K. (2012). The Digital Music Supply Chain: How Streaming is Catalyzing a Transformation. Retrieved from https://zh.scribd.com/document/126106283/The-Digital-Music-Supply-Chain-How-Streaming-is-Catalyzing-a-Transformation
Mulligan, M. (2017, February 26). Global Recorded Market Music Market Shares 2016, Media Insights & Decisions in Action. Retrieved from https://www.midiaresearch.com/blog/global-recorded-market-music-market-shares-2016/
Music Business Worldwide (2017, February 26). Global market shares 2016: Sony and Warner gain on Universal, as indies rule. Retrieved from https://www.musicbusinessworldwide.com/global-market-shares-2016-sony-and-warner-gain-on-universal-as-indies-rule/
Pasick, A. (2015, December 21). The magic that makes Spotify’s Discover Weekly playlists so damn good. Retrieved from https://qz.com/571007/the-magic-that-makes-spotifys-discover-weekly-playlists-so-damn-good/
Phonautograph. (2017, May 23). In Wikipedia, The Free Encyclopedia. Retrieved from https://en.wikipedia.org/w/index.php?title=Phonautograph&oldid=781887770
Phonograph. (2017, June 1). In Wikipedia, The Free Encyclopedia. Retrieved from https://en.wikipedia.org/w/index.php?title=Phonograph&oldid=783246064
Resnikoff, P. (2017, February 28). Two-Thirds of All Music Sold Comes from Just 3 Companies. Retrieved from http://www.digitalmusicnews.com/2016/08/03/two-thirds-music-sales-come-three-major-labels/
Resnikoff, P. (2016, March 25). Average Annual Salary for a Spotify Employee: $168,747. Retrieved from https://www.digitalmusicnews.com/2016/05/25/average-annual-salary-spotify-employee/
Richter, F. (2017, February 14). iTunes Still Popular Among U.S. Music Lovers. Retrieved from https://www.statista.com/chart/8086/digital-music-platforms/
Richter, F. (2017, March 6). Spotify Sets the Pace for Apple Music. Retrieved from https://www.statista.com/chart/8399/spotify-apple-music-paid-subscribers/
Rosenberg, E. (2015, March 26). How Youtube Ad Revenue Works. Retrieved from http://www.investopedia.com/articles/personal-finance/032615/how-youtube-ad-revenue-works.asp
Singapore Management University (2016, November 30). Spot(ify) on: Streaming music and revenue. Retrieved from https://www.smu.edu.sg/perspectives/2016/11/30/spotify-streaming-music-and-revenue
Socialblade (2017). Youtube Spotlight. Retrieved from https://socialblade.com/youtube/user/youtube/monthly
Statista (2016). Music Streaming, The Statistics Portal. Retrieved from
https://www.statista.com/outlook/209/100/music-streaming/worldwide#market-driver
Statista (2016). Digital Music, The Statistics Portal. Retrieved from
https://www.statista.com/outlook/202/100/digital-music/worldwide#market-driver
Statista (2017). Spotify's revenue and net income/loss from 2009 to 2016 (in million euros). Retrieved from https://www.statista.com/statistics/244990/spotifys-revenue-and-net-income/
Statista (2017). Number of paying Spotify subscribers worldwide from July 2010 to March 2017 (in millions). Retrieved from https://www.statista.com/statistics/244995/number-of-paying-spotify-subscribers/
Statista (2017). Number of global monthly active Spotify users from July 2012 to June 2017 (in millions). Retrieved from https://www.statista.com/statistics/367739/spotify-global-mau/
The Trichordist (2017, January16). Updated! Streaming Price Bible w/ 2016 Rates: Spotify, Apple Music, YouTube, Tidal, Amazon, Pandora, Etc., Retrieved from https://thetrichordist.com/2017/01/16/updated-streaming-price-bible-w-2016-rates-spotify-apple-music-youtube-tidal-amazon-pandora-etc/
The Official Board (2017). Organizational Chart Spotify. Retrieved from https://www.theofficialboard.com/org-chart/spotify
Wagner K (2017, June 5). Apple Music now has 27 million subscribers. Retrieved from https://www.recode.net/2017/6/5/15740956/apple-music-subscribers-new-27-million
Spotify
https://labs.spotify.com/
https://www.spotify.com/us/
https://developer.spotify.com/
https://spotifyforbrands.com/us/formats/
https://press.spotify.com/us/
Other
https://en.wikipedia.org/wiki/ITunes_Store
https://www.kkbox.com/
https://www.apple.com/music/
http://www.pandora.com/
http://www.deezer.com/
http://tidal.com/
https://y.qq.com/
https://www.youtube.com/red
https://play.google.com/music/listen
http://us.napster.com/
https://www.amazon.com/Amazon-Prime-One-Year-Membership/dp/B00DBYBNEE
https://www.devamag.com/music-value-chain
https://techcrunch.com/topic/company/spotify/
dc.identifier.urihttp://tdr.lib.ntu.edu.tw/jspui/handle/123456789/67588-
dc.description.abstractAs the music industry evolves with the advancement of technology, consumers have shifted their music consumption from physical albums to digital formats of music. Music streaming has become the mainstream of the music industry and it has changed the value chain of the traditional music industry. Despite contributing a significant amount of revenue to the music industry, whether music streaming industry is able to make a profit is still questionable.
This research studies the future profitability and development of the music streaming industry. The case study chose the leading company, Spotify, of the industry as the focus. Spotify is aim to go public in 2018 but its major concern is its negative net income performance. Although various reports indicate that Spotify is being valued at $13 billion, it has to prove to the investors its ability to make money after going public.
The secondary data collected are being analyzed and categorized in order to ascertain the comparison is meaningful. Porter’s five forces and value chain analysis are used to evaluate the main factors for music streaming platforms to be successful. Platform-mediated network and business model canvas are used to indicate Spotify’s core competencies and provide strategic suggestion for future implementation.
The findings suggest that Spotify has valuable resources such as wide user base, technology, and human resources that enable them to be the market leader. Yet, the high payout rate to right’s owners and high royalty rate are preventing Spotify to make money. Spotify needs to make a better licensing deal with the record label and continually work on technology development that cater to the consumers’ needs. Meanwhile, geographically expansion, strategic alliances with other industries, and expand the business to related areas are possible solutions for Spotify to capture more market value.
en
dc.description.provenanceMade available in DSpace on 2021-06-17T01:39:02Z (GMT). No. of bitstreams: 1
ntu-106-R04749018-1.pdf: 2642867 bytes, checksum: c086feca988e02ccd0fea1b92d866b55 (MD5)
Previous issue date: 2017
en
dc.description.tableofcontentsAbstract ii
List of Figures vi
List of Tables vii
1 Chapter 1: Introduction 1
1.1. Research Motive Background 1
1.2. Research Purpose 2
1.3. Methodology 2
2 Chapter 2: Literature Review 4
2.1. Porter’s Five Forces 4
2.2. Platform- Mediated Network 8
2.3. Resource-based View 13
2.4. Value Chain Analysis 14
2.5. Business Model Canvas 16
3. Chapter 3: External Environment Analysis 19
3.1. Overview of Music Industry 19
3.1.1. Evolution of the Music Industry 19
3.1.2. Global Recorded Music Industry Performance 21
3.2. Industry Analysis of Traditional Music Industry 24
3.2.1. Value Chain 24
3.2.2. Industry Structure 25
3.2.3. Major Content Providers 27
3.2.4. Porter’s Five Forces of Traditional Music Industry 28
3.3. Overview of Digital Music Industry 30
3.3.1. Rise of Digital Music 30
3.3.2. Market Size and Growing Trend 32
3.3.3. Digital Music Industry Segment Revenue by Country 34
3.4. Industry Analysis of Music Streaming Industry 37
3.4.1. Ecosystem of Music Streaming Industry 37
3.4.2. Competition in Music Streaming Industry 40
3.4.3. Types of Music Streaming Business Model 43
3.5. Porter’s Five Forces of the Industry Environment 47
4. Chapter 4: Case Analysis and Discussion 52
4.1. Spotify Overview 52
4.1.1. Organizational Chart 53
4.1.2. Financial Performances 54
4.1.3. Spotify Operation Model 55
4.2. Resource-Based View Analysis 56
4.2.1. Tangible 56
4.2.2. Intangible 61
4.3. Business Model Canvas 64
4.3.1. Key Partners 64
4.3.2. Key Activities 65
4.3.3. Distribution Channels 65
4.3.4. Customer Segments 66
4.3.5. Value Propositions 67
4.3.6. Customer Relationship 67
4.3.7. Revenue Stream 68
4.3.8. Cost Structure 68
4.4. Platform Analysis 69
4.4.1. Products and Services 69
4.4.2. Pricing the Platform 70
4.4.3. Platform Structure 71
4.4.4. Network Effect 72
4.5. Summary 73
5. Chapter 5: Conclusion 76
5.1. Research Conclusion 76
5.2. Research Implications 78
5.3. Suggestions for Spotify 81
Reference 86
dc.language.isoen
dc.subject音樂串流zh_TW
dc.subject商業模式圖zh_TW
dc.subject價值鏈zh_TW
dc.subject數位音樂zh_TW
dc.subject平台策略zh_TW
dc.subjectDigital Musicen
dc.subjectPlatform-mediated Networken
dc.subjectPlatform Strategyen
dc.subjectBusiness Model Canvasen
dc.subjectValue Chainen
dc.subjectStreaming Musicen
dc.title音樂串流廠商經營發展策略之研究-以Spotify Technology S.A.為例zh_TW
dc.titleA Strategic Analysis of Music Streaming Company:A Case Study of Spotify Technology S.A.en
dc.typeThesis
dc.date.schoolyear105-2
dc.description.degree碩士
dc.contributor.oralexamcommittee孔令傑,林博文
dc.subject.keyword音樂串流,平台策略,數位音樂,商業模式圖,價值鏈,zh_TW
dc.subject.keywordStreaming Music,Platform-mediated Network,Platform Strategy,Business Model Canvas,Value Chain,Digital Music,en
dc.relation.page91
dc.identifier.doi10.6342/NTU201702007
dc.rights.note有償授權
dc.date.accepted2017-07-31
dc.contributor.author-college管理學院zh_TW
dc.contributor.author-dept企業管理碩士專班zh_TW
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