岳飛形象與岳飛書法在明代的發展及轉變

Abstract

本論文以（傳）岳飛（1103-1142）書法為研究中心，研究明代（1368-1644）的岳飛形象。首先，本文討論南宋到明代，岳飛家族對於岳飛書法作作品的收集、整理、傳藏。接著，研究岳飛家族、明代岳廟、岳飛故事、民間信仰與道教扶鸞書寫，這四大主題影響下的（傳）岳飛書法作品。南宋記載岳飛書法的文獻，多源自於岳珂（1183-1243）的整裡。此時岳飛書法作品，大多是書信，風格以蘇體為主。從南宋到明代，岳飛家族陸續收藏的岳飛書跡與文物，藉此提升家族的地位。使用風格分析作品後，發現許多明代傳藏的岳飛書法風格特色，多以今草為主。 透過相關記載，本文重建南宋到明流傳的岳飛書法作品大致的樣貌。本文發現，明代西湖與湯陰等四大岳廟的建立後。麥秀（15世紀末，生卒不詳）在西湖岳廟，透過文物與（傳）岳飛的書法碑刻的展示，傳遞新的岳飛形象；在此同時，王世貞（1526-1590）將文徵明（1470-1559）<題手敕>碑刻立於西湖岳廟，對岳飛形象提出自己的回應。此外，明代岳飛小說與戲曲故事中，與岳飛書寫有關的情節，影響後來（傳）岳飛書法作品的內容，成為許多書法作品靈感的來源。岳飛的扶鸞書寫，源自六朝以來的紫姑神信仰，融合道教的書寫傳統，到明代持續的流傳。眾多偽造的岳飛書跡，融合了中央的政治、區域民間信仰與文人的理想，呈現出複雜的岳飛形象。

This thesis,by focusing Yue Fei’s (1103-1142，岳飛) calligraphy for the Study of the Ming Dynasty (1368-1644) of Yue Fei image. First, the article discusses the Southern Song Dynasty to the Ming Dynasty, Yue Fei's family for calligraphy works for the collection, sorting, transfer possession. Secondly, the article discusses the family of Yue Fei, Yue Fei’s temple, Yue Fei’s stories, folk beliefs and Taoism Fu Luan writing, (biography) Yue Fei calligraphy works under the impact of these four themes. In the Southern Song Dynasty ,Yue Fei’s calligraphy documented cases from Yue Ke (1183-1243,岳珂) collection. At this time,Yue Fei's calligraphy, mostly letters, body style to the Su-oriented. In order to enhance the status of the family, Yue Fei’s family succession collection book traces heritage. After using style analysis works, found that many of Yue Fei’s calligraphy in the Ming Dynasty style features, and many more cursive based. Through the relevant records,this paper roughly appearance reconstruction works of Yue Fei’s calligraphy works. I find that,After the establishment of the Four temple- Yue Fei ‘s Temple in Hangzhou West Lake（杭州西湖）, Henan Tangyin（河南湯陰）eds,. Maixiu (15th century, birth and death unknown) in Yue Fei ‘s Temple of Hangzhou West Lake through artifacts and (pass) calligraphic inscriptions show Yue Fei’s new image.In the meantime, Wang Shizhen (1526-1590) will be Wen Zhengming (1470-1559) [title hand Edict] calligraphic inscriptions in Hangzhou West Lake stand for the image of Yue Fei put forward their responses. In addition, the novels and drama of Yue Fei, become a source of inspiration and affect the content of the work later. Planchette writing, from the Northern and Southern Dynasties Zigu belief since the fusion of traditional Taoist writing, to the continuing spread of the Ming Dynasty. Yue Fei’s (1103-1142，岳飛) calligraphy forged, combining political ideal , regional folk beliefs and literati, showing complex image.