朱祖謀詩詞輯校考論

Abstract

朱祖謀為晚清四大家之一，在創作上引領宗尚，並整理、校勘詞籍，提攜後進，在晚清民初詞壇具有承先啟後的地位。 本論文章節安排分為上、下編，本論文章節安排分為上、下編，上編為「朱祖謀之生平與詩詞考論」，第一章首先考述朱祖謀生平，第二節對其生平有疑義者如以名應舉、早年行跡、任官履歷與政治立場等四方面，一一加以辨析，以新的文獻資料補前行研究所未及者。第二章全面整理朱祖謀之詩詞，進一步彙校諸集，並為之輯佚與繫年。第三章考察朱祖謀參與之社集活動與唱和，第一節以北京時期的社集活動與唱和為主，分述咫村詞社、校夢龕詞社與庚子圍城時的《庚子秋詞》、《春蟄吟》唱和。第二節考述上海時期的社集活動與唱和，又細分為晨風廬唱和、逸社、詩鐘社等詩社活動，舂音詞社、須社、漚社等詞社活動，海上題襟館金石書畫會、東方學會等維護傳統文化的活動，這些活動也涉及清遺民的社集。第三節以「彊邨校詞圖」與清遺民群體、詞壇後輩對此圖的題詠探討朱祖謀的自我定位。第四章從編校詞籍一窺朱祖謀的心緒，體察其在鼎革之後對詞學志業的用心。本章分為二節，第一節考察朱祖謀校勘、批校的詞籍，除《彊邨叢書》外，從各書目文獻整理朱氏批校過的詞籍，第二節討論朱祖謀編選的《宋詞三百首》、《詞莂》、《湖州詞徵》與《國朝湖州詞錄》，並考證臺北國家圖書館所藏署名朱祖謀編選的《選勝集》並非朱氏之作。第五章談朱祖謀詩詞之特色與影響，第一節主要析論世變相關之詩詞作品，第二節論朱氏對民國詞壇的影響。第六章總結全文，並提出箋釋朱氏作品與開展其論詞觀點二點作為後續研究的開端。

Zhu Zumou(朱祖謀) was seen as one of the four significant masters in Late Qing Dynasty. His contribution mainly focused on the studies of Ci Theories from Song to Qing Dynasty. In addition, he also encouraged young writers to compose poetry. This study includes two volumes. In the first chapter of volume 1, the biography of Zhu Zumo had been re-investigated with new literatures. The second chapter of volume 1 includes the emendation on all of Zhu Zumo’s poetry and Ci-Lyric works, compilation of lost works and the chronological quotation articles based on the inter-conflation of different editions of collections. The third chapter has investigated how Zhu zumuo’s created behaviors in the literature societies of Beijing and Shanhai. Especially in the third section of chapter 3, the self-identification of Zhu Zumo has been investigated throughout the poem inscription for Qiangcun Jiaoci Tu(彊邨校詞圖) by the society Qing loyalist and the new generation of Ci-lyrics creating. The fourth chapter uncovered the inner thoughts and emotions of Zhu zumo through editing and emendation of his Ci-lyrics works, and observed Zhu’s involvement in Ci-lyrics crating career after the collapse of Qing Dynasty. Besides, Xuansheng Ji(選勝集) which includes the signature of Zhu in National Central Library has textual- researched to proof that is not edited by Zhu. The fifth chapter includes the characteristic and the influence of Zhu’s poetry. The Sixth chapter has concluded the entire research, and has raised that annotating the poetry by Zhu and expending Zhu’s theory of Ci-lyric to be the promising subjects of the future researches.