請用此 Handle URI 來引用此文件:
http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/47141
完整後設資料紀錄
DC 欄位 | 值 | 語言 |
---|---|---|
dc.contributor.advisor | 江文瑜(Wen-yu Chiang) | |
dc.contributor.author | Kuo-Shu Wang | en |
dc.contributor.author | 王國樹 | zh_TW |
dc.date.accessioned | 2021-06-15T05:48:46Z | - |
dc.date.available | 2012-08-20 | |
dc.date.copyright | 2010-08-20 | |
dc.date.issued | 2010 | |
dc.date.submitted | 2010-08-18 | |
dc.identifier.citation | ADORNO, THEODOR W. 1941. On popular music. On record: rock, pop, and the written word, ed. by Simon Frith and Andrew Goodwin, 301-14. New York Pentheon (1990).
AKINDES, FAY YOKOMIZO. 2001. Sudden Rush: Na Mele Paleoleo (Hawaiian rap) as liberatory discourse. Discourse, 23.82-98. AKSANA, YEIM and KANTAR, DILEK. 2008. No wellness feels better than this sickness: Love metaphors from a cross-cultural perspective. Metaphor and Symbol, 23.262-91. ASSOCIATION, CHINESE MUSICIANS. (中華音樂人交流協會)1998. 創造一個夢,97流行音樂年度鑑賞 (Creating a dream: Annual appreciation of pop music in 1997). Taipei: Yuan-Tsun. (台北:元尊文化) [Text in Chinese]. BARCELONA, ANTONIO. 1995. Metaphorical models of romantic love in Romeo and Juliet. Journal of Pragmatics, 24.667-88. —. 2001. On the systematic contrastive analysis of conceptual metaphors. Applied Cognitive Linguistics, ed. by Martin Putz, Susanne Niemeier and Rene Dirven, 117-46. Berlin and New York: Mouton de Gruyter. BLAU, PETER M. 1964. Exchange and power in social life. New York: John Wiley and Sons. BORNSTEIN, MARC H. and LAMB, MICHAEL E. 1992. Development in infancy: An introduction. New York: McGraw-Hill. Burnett, Robert. 1996. The Global Jukebox: The International Music Industry. London: Routledge. CAMERON, LYNNE and DEIGNAN, ALICE 2003. Combining large and small corpora to investigate tuning devices around metaphor in spoken discourse. Metaphor and Symbol, 18.149-60. CAREY, JAMES T. 1969. Changing courtship patterns in the popular song. American Journal of Sociology, 74.720-31. CHANG, CHAO-WEI (張釗維). 1994. 誰在那邊唱自己的歌:1970年代現代民歌發展史 (Who sings their own songs: The development of contemporary folk songs in 1970). Taipei: China Times Publishing Co. (台北:時報) [Text in Chinese]. CHANG, JUNG-HSING and HUANG, HUI-HUA (張榮興,黃惠華). 2005. 心裡空間理論與『梁祝十八相送』之隱喻研究 (Mental Spaces Theory and metaphors in butterfly lovers). Language and Linguistics, (語言暨語言學) 6.681-705. [Text in Chinese]. —. 2006. 從心裡空間理論看『最短篇』小說中之隱喻 (Metaphors in the shortest stories within the framework of Mental Spaces Theory). Journal of Chinese Language Teaching, (華語文教學研究)3.117-33. [Text in Chinese]. CHANG, WEN-CHEN (張雯禎). 2008. 台灣流行歌詞中的隱喻:以愛情為主題 (Metaphors in Taiwan Love Lyrics from 1990 to 2008), Graduate Institute of Linguistics, National Chung Cheng University. [Text in Chinese]. CHEN, CHING-CHIAO (ed.) (陳清橋 編者). 1997.情感的實踐:香港流行歌詞研究 (The practice of emotions: The study on Hongkong pop song lyrics). Hongkong: Oxford University Press. [Text in Chinese]. CHEN, YU-HSIU (ed.) (陳郁秀). 1997. 台灣音樂閱覽 (The overview of music in Taiwan). Taipei: TIPI. (台北:玉山社) [Text in Chinese]. — (ed.) 1998. 百年台灣音樂圖像巡禮 (Photographs of music in Taiwan in a hundred years). Taipei: China Times Publishing Co. (台北:時報) [Text in Chinese]. CHIANG, KUO-HAO (江國豪) . 2004. 非主流音樂之台灣意識研究 (Taiwan's identity in alternative music), Graduate Institute of Communications, Shih Hsin University. [Text in Chinese]. CHIANG, WEN-YU and CHIU, KUEI-FEN (江文瑜,邱貴芬) . 1997. 查某儂嘛要抓狂-當代台灣流行女歌的後殖民女性主義詮釋與批判 (Women are all going insane: Post-colonial feminist interpretations and critiques of contemporary Taiwanese female songs/singers). Chung-Wai Literary Monthly, (中外文學) 26.23-48. [Text in Chinese]. CHIANG, WEN-YU and DUANN, REN-FENG. 2007. Conceptual metaphors for SARS: 'war' between whom? Discourse & Society, 18.579-602. CHIEN, CHIH-HSIN (簡志信) . 1968. 國內熱門音樂發展專題:1956-1968 (The development of domestic pop songs: 1956-1968). Today Magazine (今天雜誌) [Text in Chinese]. CHIU, HSIEH-YU (ed.) (邱燮友). 2001. 國學常識 (The knowledge of Chinese culture). Taipei: Tung-Ta. (台北:東大) [Text in Chinese]. CHU, YAO-HUA (朱耀華). 1999. 香港流行歌詞研究 (Research or pop lyrics in Hong Kong). Hong Kong: Joint Publishing. CHU, YAO-WEI. (朱耀偉). 2007. 詞中物:香港流行歌詞探賞 (Contents of lyrics: Research of pop music in Hong Kong). Hong Kong: Joint Publishing. CHU, YU-TE (屈育德). 1994. 漢樂府民歌的敘事藝術 (The narrative art of folk-song-styled-verse in Han dynasty). 中國文學史百題 (Hundreds of Topics in Chinese literatures I), 137-45. Taipei: Wanjuan. (台北:萬卷樓) [Text in Chinese]. COLE, RICHARD R. 1971. Top song in the sixties: A content analysis of popular lyrics. American Behavioral Scientist, 13.499-506. COULSON, SEANA and FAUCONNIER, GILLES. 1999. Fake guns and stone lions: Conceptual blending and privative adjectives. Cognition and function in language, ed. by Barbara Fox, Dan Jurafsky and Laura A. Michaelis. Chicago: University of Chicago Press. COULSON, SEANA and OAKLEY, TODD. 2001. Blending basics. Cognitive Linguistics, 11.175-96. —. 2003. Metonymy and conceptual blending. Metonymy and pragmatic inferencing, ed. by Klaus-Uwe Panther and Linda L. Thornburg. Amsterdam/Philadelphia: John Benjamins Publishing Company. EDWARDS, EMILY D. 1994. Does love really stink? The 'mean world' of love and sex in popular music of the 1980s. Adolescent and their music: If it's too loud, you're too old, ed. by Jonathan S. Epstein, 225-49. New York: Garland. ESENOVA, ORAZGOZEL. Forthcoming. Plant metaphors for the expression of emotions in the English language. FANG, HSIANG (方翔). 1991.『重回美好的50年代:國內國語歌壇的清流』中『溫馨歌聲情:國語流行歌曲的品種改良者—林福裕與幸福合唱團 (Warm voices: The Improver of Mandarin pop songs- Fu-Yu and Lucky Trio II. Go back to the beautiful 50s: The clean stream in the domestic Mandarin music business), 76-98. Taipei: Hai-Yang. [Text in Chinese]. FAUCONNIER, GILLES. 1994. Mental spaces. New York: Cambridge University Press [Originally published in 1985 by MIT Press]. —. 1997. Mapping in thought and language. New York: Cambridge University Press. —. 2001. Conceptual blending and analogy. The analogical mind: Perspectives from cognitive science, ed. by Dedre Gentner, Keith Holyoak and Boicho Konicov, 255-86. Cambridge, Mass.: MIT Press. FAUCONNIER, GILLES and TURNER, MARK. 1994. Conceptual projection and middle spaces. San Diego: Department of Cognitive Science, University of California (available on-line at blending.stanford.edu and mentalspace.com) —. 1996. Blending as a central process of grammar. Conceptual structure, discourse, and language, ed. by Adele Goldberg. Stanford: CSLI Publications. —. 1998. Conceptual integration networks. Cognitive Science, 22.133-87. —. 2002. The way we think: Conceptual blending and the mind's hidden complexities. New York: Basic Books. —. 2003. Polysemy and conceptual blending. Polysemy: Flexible patterns of meaning in mind and language, ed. by Brigitte Nerlich, Vimala Herman, Zazie Todd and David Clarke, 79-94. Berlin & New York: Mouton de Gruyter. FIRTH, SIMON, STRAW, WILL and STREET, JOHN (eds.) 2001. The Cambridge companion to pop and rock. Cambridge: Cambridge University Press. FLOWERDEW, JOHN, LI, DAVID C.S. and TRAN, SARAH. 2002. Discriminatory news discourse: Some Hong Kong data. Discourse & Society, 13.319-45. FORCEVILLE, CHARLES. 1994. Pictorial metaphor in advertisements. Metaphor and Symbolic Activity, 9.1-29. —. 1996. Pictorial metaphor in advertising. London: Routledge. FROMM, ERICH. 1956. The art of love. New York: Ruth Nanda Anshen. GENTNER, DEDRE. 1982. Are scientific analogies metaphors? Metaphor: Problems and perspectives, ed. by David S. Miall, 106-32. Brighton: Harvester. GENTNER, DEDRE and JEZIORSKI, MICHAEL. 1993. The shift from metaphor to analogy in western science. Metaphor and thought (2d ed.), ed. by Andrew Ortony, 447-80. Cambridge: Cambridge University Press. GIBBS, RAYMOND W. 1994. The poetics of mind: Figurative thought, language, and understanding. Cambridge: Cambridge University Press. GLUCKSBERG, SAM, BROWN, MARY and MCGLONE, MATTHEW S. 1993. Conceptual metaphors are not automatically accessed during idiom comprehension. Memory & Cognition, 21.711-19. GLUCKSBERG, SAM and KEYSAR, BOAZ. 1990. Understanding metaphorical comparisons: Beyond similarity. Psychological Review, 97.3-18. GLUCKSBERG, SAM, MCGLONE, MATTHEW S. and MANFREDI, DEANNA. 1997. Property attribution in metaphor comprehension. Journal of Memory and Language, 36.50-67. GOODMAN, NELSON. 1976. Languages of art: An approach to a theory of symbols. Indianapolis: Hacket. GRADY, JOSEPH E., OAKLEY, TODD and COULSON, SEANA. 1999. Blending and metaphor. Metaphor in cognitive linguistics, ed. by Gerard Steen and Raymond W. Gibbs, 101-24. Philadelphia: John Benjamins. GRUBER, HOWARD E. 1995. Insight and affect in the history of science. The nature of insight, ed. by Robert J. Sternberg and Janet E. Davidson, 397-432. Cambridge, Mass.: MIT Press. HAGOPIAN, GAYANEH V. 2002. Life philosophy patterns in conventional metaphors. Actes du Sixieme Colloque International de Linguistique Armenienne, INALCO, Slovo [Journal of Indo-European Studies Monograph], 27.239-55. HEIDER, FRITZ. 1958. The psychology of interpersonal relations. New York: Wiley. HIRSCH, PAUL M. 1971. Sociological approaches to the pop music phenomenon. American Behavioral Scientist, 14.371-88. HO, TUNG-HUNG (何東洪) . 2003. The social formation of Mandarin popular music industry in Taiwan, Department of Sociology, Lancaster University. UK: A Dissertation Submitted for the Degree of Doctor of Philosophy. HO, TUNG-HUNG and CHANG, CHAO-WEI (何東洪,張釗維). 2000. 戰後台灣國語唱片工業與音樂文化的發展軌跡,『文化產業:文化生產的結構分析』,張苙雲編 (The trail of development of the Chinese music recording industry and music in Taiwan after war. Culture industries: The structral analysis of cultural production, ed. by Chang Li-Yun). Taipei: YLib. (台北:遠流)[Text in Chinese]. HOBBS, JERRY. R. 1979. Metaphor, metaphor schemata, and selective inferencing. Technical Report 204. Menlo Park, CA: SRI International HORTON, DONALD. 1957. The dialogue of courtship in popular songs. The American Journal of Sociology, 52.569-78. HSIAO, PING and SU, CHEN-SHENG (蕭蘋,蘇振昇). 2002. 揭開風花雪月的迷霧:解讀台灣流行音樂中的愛情世界(1989-1998) (Discover the fog of romances: An interpretiation of Taiwan popular music world of love (1989-1998)). Mass Communication Research, (新聞學研究) 70.167-95. [Text in Chinese]. HUANG, CHIH-HUA (黃志華). 1990. 粵語流行曲四十年 (40 years of Cantonese pop songs Hongkong): Joint Publishing. [Text in Chinese]. HUANG, YU-YUAN (黃裕元). 2005. 台灣阿歌歌 (Taiwan songs: The loved songs by the singing kindom). Taipei: Hsiang-yang. (台北:向陽文化) [Text in Chinese]. JIAN, MIAO-JU (簡妙如). 2002. 流行文化,美學,現代性:以八,九0年代台灣流行音樂的歷史重構為例 (Popular culture, aesthetics and modernity: Historical reconstruction of the 80s and 90s Taiwan popular music), Department of Journalism, National Chengchi University. [Text in Chinese]. KAO, HSUAN-YANG (高宣揚). 2002. 流行文化社會學 (Sociology of popular culture). Taipei: Yang-Chih Book. (台北:揚智文化) [Text in Chinese]. KELLEY, HAROLD H. 1983. Love and commitment. Close relationships, ed. by Harold H. Kelley et al., 265-314. New York: W.H. Freeman and Company. KENNEDY, VICTOR and KENNEDY, JOHN. 1993. A special issue: Metaphor and visual rhetoric. Metaphor and Symbolic Activity, 8.149-51. KESHAVMURTI, SRI. 1991. Space and time. New York: New Delhi. KITIARSA, PATTANA. 2009. The lyrics of laborious life: Popular music and the reassertion of migrant manhood in Northeastern Thailand. Inter-Asia Cultural Studies, 10.381-98. KNOX, DAVID .H. and SPORAKOWSKI, MICHAEL. 1968. Attitudes of college students toward love. Journal of Marriage and the Family, 30.638-63. KöVECSES, ZOLTAN. 1986. Metaphors of anger, pride, and love: a lexical approach to the structure of concepts. Pragmatics and Beyond VII:8. Amsterdam: John Benjamins. —. 1988. The language of love: The semantics of passion in conversational English. Lewisburg, Pa.: Buckwell University Press. —. 1990. Emotion concepts. New York: Springer Verlag. —. 1991. A linguist's quest for love. Journal of Social and Personal Relationships, 8.77-97. —. 1999. Metaphor: Does it constitute or reflect cultural model? Metaphor in Cognitive Linguistics, ed. by Raymond W. Gibbs and Gerard Steen, 167-88. Amsterdam: John Benjamins. —. 2000. Metaphor and emotion: Language, culture, and body in human feeling. Cambridge: Cambridge University Press. —. 2002. Metaphor: A practical introduction. Oxford: Oxford University Press. —. 2005. Metaphor in culture: Universality and variation. Cambridge: Cambridge University Press. KUO, WEI (郭威). 2003.台灣流行音樂唱片產業的未來在何方? (The Crisis of the Pop Music Record Industry since 1998 and the Solution), The Graduate Institute of Journalism, National Taiwan University. [Text in Chinese]. LAKOFF, GEORGE. 1987. Women, fire, and dangerous things. Chicago: University of Chicago Press. —. 1990. The invariance hypothesis: Is abstract reason based on image-schemas? Cognitive Linguistics, 1.39-74. —. 1993a. The contemporary theory of metaphor. Metaphor and thought, ed. by Andrew Ortony, 202-51. New York: Cambridge University Press. —. 1993b. The metaphor system and its role in grammar. Chicago Linguistic Society 29, 2.217-41. —. 1994. What is a conceptual system? The nature and ontogenesis of meaning, ed. by Willis F. Overton and David S. Palermo, 41-90. Hillsdale, N.J.: Lawrence Erlbaum. —. 2008. The neural theory of metaphor. The Cambridge handbook of metaphor and thought, ed. by Raymond Gibbs. New York: Cambridge University Press. LAKOFF, GEORGE and JOHNSON, MARK. 1980. Metaphors we live by. Chicago: University of Chicago Press. —. 1999. Philosophy in the flesh. New York: Basic Books. —. 2003. Afterword. Metaphors we live by, ed. by George Lakoff and Mark Johnson, 243-76. Chicago: University of Chicago Press. LAKOFF, GEORGE and TURNER, MARK. 1989. More than cool reason: A field guide to poetic metaphor. Chicago: University of Chicago Press. LANGACKER, RONALD W. 1993. Reference-point constructions. Cognitive Linguistics, 4.1-38. LIAO, PING-HUI (廖炳惠). 1991.九0年代流行歌曲中的城鄉意識—以陳明章和朱約信為例 (The urban and rural awareness in pop songs in the 90s: Examples of Ming-chang Chen and Yueh-hsin Chu.) Unitas, 7.115-18. [Text in Chinese]. LIU, JO-YU (劉若愚). 1981. 中國文學理論 (Chinese Literature Theories). Taipei: Linking Books. LIU, YA-LIN (劉雅玲). 2010. 台灣原住民國語流行歌詞之旅程隱喻研究 (Journey metaphor in Taiwan Mandarin pop songs by indigenous singers) Graduate Institute of Linguistics, National Taiwan University. LONGHURST, BRIAN. 1995. Pop music and society. Cambridge: Polity Press. MAGEO, JEANNETTE MARIE. 2002. Intertextual interpretation, fantasy and samoan dreams. Culture Psychology, 8.417-48. MASLOW, ABRAHAM H. 1955. Deficiency motivation and growth motivation. Lincoln: University of Nebraska Press. MILLER, GEORGE A. 1993. Images and models, similes and metaphors. Metaphor and thought (2d ed.), ed. by Andrew Ortony, 357-400. Cambridge: Cambridge University Press. MURPHY, GREGORY L. 1996. On metaphoric representation. Cognition, 60.73-204. NERSESSIAN, NANCY J. 1992. How do scientists think? Capturing the dynamics of conceptual change in science. Cognitive models of science: Minnesota studies in the philosophy of science, ed. by Ronald N. Giere, 3-44. Minneapolis: University of Minnesota Press. PAYNE, THOMAS E. 1997. Describing morphosyntax: a guide for field linguists. Cambridge, U.K. &New York, NY: Cambridge University Press. PEATMAN, JOHN G. 1944. Radio and popular music. Radio research 1942-43, ed. by Paul F. Lazarsfeld and Frank N. Stanton, 335-93. New York: Duell, Sloan & Pearce. PETTIJOHN, TERRY F. and SACCO JR, DONALD F. 2009. The language of lyrics: An analysis of popular billboard songs across conditions of social and economic threat. Journal of Language and Social Psychology, 28.297-311. RITCHIE, DAVID. 2004. Metaphors in conversational context: Toward a connectivity theory of metaphor interpretation. Metaphor and Symbol, 19.265-87. RUBIN, ZIC. 1970. Measurement of romantic love. Journal of Personality and Social Psychology, 16.265-73. —. 1988. Preface. The psychology of love, ed. by Robert J. Sternberg and Michael L. Barnes, vii-xii. New York: Yale University Press. SCHRöDER, ULRIKE AGATHE. 2009. Preferential metaphorical conceptualizations in everyday discourse about love in the Brazilian and German speech communities. Metaphor and Symbol, 24.105-20. SECORD, PAUL F. and BACKMAN, CARL W. 1974. Social psychology. New York: Mcgraw-Hill. STEEN, GERARD J. 1989. Metaphor and literary comprehension: Towards a discourse theory of metaphor in literature. Poetics, 18.113-41. SU, CHEN-SHENG (蘇振昇). 1999. 台灣流行音樂中的愛情價值觀:1989-1998 (Love values in Taiwan's popular music: 1989-1998,) Institute of Communications Management, National Sun Yat-Sen University. [Text in Chinese]. SU, LILY I-WEN (蘇以文). 2000. Mapping in thought and language as evidenced in Chinese. Chinese Studies, 18.395-424. —. 2002. What can metaphors tell us about culture? Language and Linguistics, 3.589-613. SU, LILY YI-WEN (蘇以文).2005. 隱喻與認知 (Metaphor and cognition). Taipei: National Taiwan University Press. [Text in Chinese]. SU, YU-HUI. (蘇郁惠). 2005. 青少年流行音樂偏好、態度與音樂環境之相關研究 (A study of the correlation among popular music preference, attitude and environment in adolescence). Research in Arts Education, 9.1-32. [Text in Chinese]. SWEETSER, EVE. 1990. From etymology to pragmatics, metaphorical and cultural aspects of semantic structure. Cambridge: Cambridge University Press. TAI, HAO-YI (戴浩一). 2002. 概念結構與非自主性語法:漢語語法概念初探 (Conceptual structures and non-autonomous syntax: some conceptualization principles in Chinese grammar). Contemporary Linguistics, 4.1-12. TAN, SHIH (談石). 1991.台灣流行音樂的歷史方案—一個初步的觀察 (The history of Taiwan's pop music: A preliminary overview). Unitas, 82.72-80. [Text in Chinese]. TISSARI, HELI. 1999. Love shakes the spheres: Five prototypical meanings in Shakespeare's plays. Paper presented at 7th Nordic Conference on English Studies. —. 2000. Five hundred years of love: A prototype-semantic analysis. Lexicology, semantics and lexicography: Selected papers from the fourth C.L. Brook Symposium Manchester, August 1998, ed. by Christian J. Kay and Julie Coleman, 127-56. Amsterdam & Philadelphia: John Benjamins. —. 2001. Metpahors we live by: On the cognitive metaphors of love for, the 15th century to the present. Studia Posnaniensia, 33.217-42. TSENG, HUI-CHIA (曾慧佳). 1998. 從流行歌曲看台灣社會 (Viewing the Taiwan society from pop songs). Taipei: Laureate. [Text in Chinese]. TSENG, YUNG-YI (曾永義). 2003. 俗文學概論 (The introduction to folk literature). Taipei: San Min Book Co. [Text in Chinese]. TU, WEN-CHING (杜文靖). 2000.台灣歌謠歌詞呈顯的台灣意識 (The Identity of Taiwan in Taiwanese pop songs), Graduate School for Social Transformation Studies, Shih Hsin University. [Text in Chinese]. WALSTER, ELAINE, WALSTER, G. WILLIAM and BERSCHEID, ELLEN. 1978. Equity: Theory and research. Boston: Allyn & Bacon. WANG, PO-CHEN (王柏蓁). 2007. 從流行音樂看台灣的愛情價值觀:1998-2007 (Viewing the value of love in Taiwan from the pop music: 1998-2007). E-SOC Journal, 67. [Text in Chinese]. WANG, YUN-HSI (王運熙). 1994. 樂府與樂府詩 (Folk-song-styled authorities and folk-song-styled-verse). Hundreds of Topics in Chinese literatures I, 127-35. Taipei: Wanjuan. [Text in Chinese]. WENG, CHIA-MING (翁嘉銘). 1992.從羅大佑到崔健:當代流行音樂的軌跡 (From Ta-yu Lo to Chien Tsui: The trail of contemporary pop music). Taipei: China Times Publishing Co. [Text in Chinese]. —. 1996. 迷迷之音:蛻變中的台灣流行歌曲 (The vacant sound: The revolving Taiwan pop songs). Taipei: China Times Publishing Co. [Text in Chinese]. YEH, LUNG-YEN (葉龍彥). 2001. 台灣唱片思想起:1895-1999 (Recording industry in Taiwan: 1895-1999). Taipei: Taiwan Reading Room. [Text in Chinese]. YEH, SHU-MING (葉淑明). 1998.全球與本土:台灣流行音樂工業的演變 (The changing formations of the popular music industry in Taiwan, Graduate School of Mass Communication), Fu Jen Catholic University. [Text in Chinese]. YU, NING. 1998. The contemporary theory of metaphor: A perspective from Chinese. Amsterdam: John Benjamins. ZHENG, SHU-YI (鄭淑儀). 1992. 台灣流行音樂與大眾文化 (The popular culture and the pop music in Taiwan: from 1982 to 1991), Graduate School of Mass Communication, Fu Jen Catholic University. [Text in Chinese]. | |
dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/47141 | - |
dc.description.abstract | 本論文旨在探討愛情隱喻在中文流行歌曲中的呈現,試圖找出在中文流行歌曲闡釋愛情此一抽象概念的隱喻,同時建構概念隱喻網路模型(Metaphor Network Model)以解釋存在於這些愛情隱喻背後的概念認知過程。
概念隱喻不但被視為反映人類思考與認知的重要機制(Su 2000)同時透過語言現象中隱喻的使用也反映我們思維概念的運作過程。流行音樂不但具有抒發個人情懷以及反應社會變遷與現實的特性,同時亦身為當代流行文化中最廣被接受的一種文化載體。愛情,為中西流行音樂中最為廣泛探究的主題。然而過去針對中文流行歌曲的隱喻現象的研究仍付之闕如,因此,本篇論文藉由探討愛情如何在中文流行音樂中透過隱喻呈現,不僅可以對於我們在理解愛情此概念的認知過程有更深入的認識,更能將隱喻與當代社會文化現象做緊密且直接的連結。 研究結果顯示,取自於金曲龍虎榜,G-music風雲榜及HitFm年度百首單曲榜過去廿年總共352首歌曲中,藉由運用概念隱喻理論(Conceptual Metaphor Theory)與融合理論(Blending Theory)所找出的536個隱喻用法中,愛情是旅程(LOVE IS A JOURNEY)是最為頻繁使用的愛情隱喻(29.9%)。旅程概念中許多細微的面向舉凡旅客人數的變化,旅程終點的有無,旅程的長短,旅行的方式以及旅途中經過的風景皆被運用來描述各式不同的愛情。其次為實體隱喻(Ontological Metaphor)(24.6%),本論文也提出七種實體特性具體說明分類的標準。除此之外,本論文也發現大部分中文流行歌曲中的的愛情隱喻都可以被分類為『事件結構隱喻』(Event Structure Metaphor)以及『實體隱喻』(Ontological Metaphor)但是仍有部分隱喻是必須透過結合這兩者隱喻的特性才能詮釋。有鑑於此,本論文提出『合成隱喻』(Portmanteau Metaphor)的新分類藉以增補以往隱喻理論上的分類無法完全符合中文流行歌曲中愛情隱喻的情況。 本論文依據中文流行歌曲裡愛情隱喻之間相互呼應與叩合的關係建構了概念隱喻網絡。此概念隱喻網絡融匯了融合理論中多重心理空間(mental space)中概念彼此映射(mapping)的理論基礎與概念隱喻理論和融合理論中對於隱喻選取的標準來完整評釋中文流行歌曲中同時融合多重隱喻用以瞭解愛情的現象。再者,藉由歸併每種隱喻分類中的概念隱喻網絡,我們可以統整出一個全景概念隱喻網絡(Panoramic Metaphor Network Model)進而幫助我們瞭解中文流行歌詞對於愛情此一抽象概念的綜合認知過程做全面性的瞭解。 | zh_TW |
dc.description.abstract | The present thesis aims to investigate how love metaphors are employed in Mandarin pop music, attempting to find out metaphors utilized to elucidate the abstract concept, love. Meanwhile, the Metaphor Network Model is constructed to explain the conceptual cognitive processes underlying these love metaphors.
Conceptual metaphor is regarded as an important device that reflects the cognitive source of human thinking (Su 2000). In addition, metaphors employed through linguistic expressions also mirror our conceptual processes. Pop music not only has characteristics of voicing personal feelings and reflecting social changes and realities but is also considered a pervasively accepted culture vehicle in current pop culture. Moreover, love is the most dominant topic in Western and Mandarin pop music. However, there is little research examining metaphor in Mandarin pop music. Thus, this thesis does not merely provide an in-depth understanding of cognitive processes of comprehending love but also connects metaphors with contemporary socio-cultural phenomena tightly. The result reveals that LOVE IS A JOURNEY is the most frequently-used love metaphor (29.9%) among 536 metaphorical tokens identified via Conceptual Metaphor Theory and Blending Theory in 352 songs selected from Golden Melody Chart, G-Music Chart and Hitfm Chart for the past 2 decades. Moreover, numerous delicate aspects of a journey, such as the variation of the number of travelers, the destination of a journey, the length of a journey, the way of a journey, and the scenery observed during the journey, are all employed to delineate different kinds of love. The second frequently-used metaphor is Ontological Metaphor, which accounts for 24.6%. Seven ontological traits are utilized to specify the classification criteria. Furthermore, this thesis finds that while most love metaphors in Mandarin lyrics can be classified into Event Structure Metaphor and Ontological Metaphor, some love metaphors cannot be interpreted unless the characteristics of these two categories are combined. In view of this, Portmanteau Metaphor is thus proposed as a novel metaphor category to complement the inadequacy of classification in previous studies that cannot provide a thorough explanation for love metaphors in Mandarin pop music. This thesis constructs the Metaphor Network Model based on the corresponding relations among love metaphors in Mandarin pop music. This model merges cross-mapping among multiple mental spaces in Blending Theory and metaphor identification criteria from Conceptual Metaphor Theory and Blending Theory to explain the phenomenon where at least two metaphors are blended simultaneously to conceptualize love. Furthermore, a Panoramic Metaphor Network Model, which can illuminate the conceptualization of love, can be constructed when the Metaphor Network Models from different metaphor categories are integrated. | en |
dc.description.provenance | Made available in DSpace on 2021-06-15T05:48:46Z (GMT). No. of bitstreams: 1 ntu-99-R96142006-1.pdf: 1179897 bytes, checksum: bb1fd010cc1a947dd92a61432a60ec9b (MD5) Previous issue date: 2010 | en |
dc.description.tableofcontents | CHINESE ABSTRACT................................................................................................I
ABSTRACT.................................................................................................................II TABLE OF CONTENTS...........................................................................................IV FIGURES..................................................................................................................VII TABLES...................................................................................................................VIII Chapter 1 Prologue.......................................................................................................1 1.0 Overview..........................................................................................................1 1.1 Motivation and Background Information.......................................................4 1.2 Aims of Study...................................................................................................7 1.3 Theoretical Considerations...............................................................................9 1.4 Significance....................................................................................................19 1.5 Organization of the study...............................................................................20 Chapter 2 Literature Review and Theoretical Background..................................22 2.0 Introduction....................................................................................................22 2.1 Previous Studies on Pop Music and Lyrics…………………………………22 2.1.1 Why Pop Music?.................................................................................22 2.1.2 Why are Lyrics Ideal?..........................................................................25 2.1.3 Love is a Dominant Topic in Mandarin Lyrics………………………27 2.2 Overview of Conceptual Metaphor Theory and Blending Theory………….32 2.2.1 Conceptual Metaphor Theory………………………………………..32 2.2.1.1 The Event Structure Metaphor……………………………….34 2.2.1.2 Ontological Metaphor………………………………………..36 2.2.2 Blending Theory……………………………………………………..37 2.2.2.1 Mental Spaces………………………………………………..38 2.2.2.2 Basic Diagram………………………………………………..39 2.2.3 Why Two Theories are Applied – The Rationale…………………..41 2.3 Early research on Love Metaphors………………………………………….42 2.4 Data and Methods…………………………………………………………...43 2.4.1 Data Collection………………………………………………………43 2.4.2 Metaphor Identification Procedure…………………………………..45 2.4.2.1 The First Step – Conceptual Metaphor Theory………………46 2.4.2.2 The Second Step – Blending Theory…………………………50 2.5 The Analytical Result……………………………………………………….53 Chapter 3 Love Metaphors We Sing By…………………………………………..59 3.0 Introduction…………………………………………………………………59 3.1 Ontological Metaphors …………………………………………………….59 3.1.1 The Quality Property………………………………………………...60 3.1.2 The Weight Property…………………………………………………61 3.1.3 The External Characteristic Property………………………………..63 3.1.4 The Entity Property………………………………………………….64 3.1.5 The Portability Property……………………………………………..65 3.1.6 The Living Organism Property………………………………………67 3.1.7 The Containment Property…………………………………………..69 3.1.8 Conclusion…………………………………………………………...70 3.2 Event Structure Metaphor…………………………………………………..71 3.2.1 LOVE IS A FIREWORK……………………………………………72 3.2.2 LOVE IS FOOD……………………………………………………..74 3.2.3 LOVE IS PLANT……………………………………………………81 3.2.4 LOVE IS WAR………………………………………………………85 3.2.5 LOVE IS A STORY………………………………………………....89 3.2.6 LOVE IS WEATHER………………………………………………..98 3.2.7 LOVE IS A JOURNEY…………………………………………….103 3.2.8 LOVE IS FORCE..............................................................................117 3.2.9 Conclusion………………………………………………………….122 3.3 Portmanteau Metaphors……………………………………………………123 3.3.1 Ontology-oriented Metaphors……………………………………...124 3.3.1.1 LOVE IS SMOKE…………………………………………..125 3.3.1.2 LOVE IS LIQUID…………………………………………..127 3.3.2 Event Structure-oriented Metaphors……………………………….133 3.3.2.1 LOVE IS A KITE…………………………………………...134 3.3.2.2 LOVE IS A LIGHT ………………………………………...137 3.3.2.3 LOVE IS PHOTOGRAPHY………………………………..139 3.3.3 Blended Metaphors………………………………………………...141 3.3.3.1 LOVE IS FIRE.......................................................................142 3.3.3.2 LOVE IS A SIGNAL………………………………………..143 3.3.3.3 LOVE IS A SONG………………………………………….145 3.3.3.4 LOVE IS A LOCK………………………………………….148 3.4 Conclusion……………………………………………………………149 Chapter 4 The Love Metaphor Network…………………………………………151 4.0 Introduction………………………………………………………………..151 4.1 The Network of Event Structure Metaphors………………………………152 4.1.1 Journey……………………………………………………………..153 4.1.2 Story………………………………………………………………..158 4.1.3 War…………………………………………………………………161 4.1.4 Food………………………………………………………………..164 4.1.5 Firework……………………………………………………………166 4.1.6 Plant………………………………………………………………..167 4.1.7 The Complete Network…………………………………………….172 4.2 The Network of Portmanteau Metaphors………………………………….173 4.2.1 The Network of Event Structure-oriented Metaphors……………..174 4.2.2 The Network of Ontology-oriented Metaphors……………………177 4.2.3 The Network of Blended Metaphors……………………………….184 4.2.4 The Network of Ontological Metaphors…………………………...192 4.3 The Panoramic Network of Love Metaphors in Mandarin Lyrics………..193 Chapter 5 Finale…………………………………………………………………..205 5.1 Recapitulation……………………………………………………………..205 5.2 Directions for future research……………………………………………..209 Reference...................................................................................................................211 Appendix I Details of the selected song from Chinchu Lunghu Pang.................219 Appendix II Details of the selected song from G-Music Chart and Hito Chart..................................................................................................................224 | |
dc.language.iso | en | |
dc.title | 概念隱喻網絡研究:以國語流行歌曲之愛情主題為例 | zh_TW |
dc.title | Love Metaphors in Taiwan Mandarin Lyrics since the 90s:
A Metaphor Network Model Approach | en |
dc.type | Thesis | |
dc.date.schoolyear | 98-2 | |
dc.description.degree | 碩士 | |
dc.contributor.oralexamcommittee | 呂佳蓉(Chia-rung Lu),龔書萍(Shu-Ping Gong) | |
dc.subject.keyword | 概念隱喻模型,概念隱喻,融合理論,合成隱喻,流行音樂,愛情, | zh_TW |
dc.subject.keyword | Metaphor Network Model,conceptual metaphor,blending theory,portmanteau metaphor,pop music,love, | en |
dc.relation.page | 233 | |
dc.rights.note | 有償授權 | |
dc.date.accepted | 2010-08-19 | |
dc.contributor.author-college | 文學院 | zh_TW |
dc.contributor.author-dept | 語言學研究所 | zh_TW |
顯示於系所單位: | 語言學研究所 |
文件中的檔案:
檔案 | 大小 | 格式 | |
---|---|---|---|
ntu-99-1.pdf 目前未授權公開取用 | 1.15 MB | Adobe PDF |
系統中的文件,除了特別指名其著作權條款之外,均受到著作權保護,並且保留所有的權利。