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http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/45195
標題: | 「談」情「說」愛的現代化進程:
日治時期臺灣「自由戀愛」話語形成、轉折及其文化意義── 以報刊通俗小說為觀察場域 The Modernization Progress of “Love”: The Emergence and Evolvement of Discourse on “Free Love” in Taiwan during Japanese Ruling Period (1895-1945) |
作者: | Meng-Fang Hsu 徐孟芳 |
指導教授: | 黃美娥 |
關鍵字: | 日治時期,通俗,言情,性別,自由戀愛, Japanese ruling period,Popular novels,Yanqing,Gender,Free love, |
出版年 : | 2010 |
學位: | 碩士 |
摘要: | 日治時期「自由戀愛」做為一啟蒙思潮被引進台灣,本身具有革新兩性關係、改良傳統婚制的積極意義,此一新概念的生成,不僅有賴知識份子著論鼓吹,透過具大眾閱讀基礎之報刊通俗小說的演繹與表達,使此概念更有廣植人心的可能,然而,在「自由戀愛」話語生成前,台人自有一「談」情「說」愛之範式,欲豁顯「自由戀愛」在彼時所具有的時代意義,應釐清之前圍繞著「情緣」、「婚戀」、「戀愛」而生的各式語彙,及其語意的牽延(defer)系統等「言情」話語狀態,方能有一可資前後鑒照的座標。
於是本文針對台灣日治時期報刊通俗小說的「言情」話語,作歷時性爬梳,發現有一自「情緣」、「自由結婚」至「自由戀愛」的話語遞變過程。起首之「情緣」觀雖仍不免「命定」觀念的保守,卻已展現對於儒家禮教框架的質疑,而後產生「自由結婚」概念,改良修正傳統「父母之命、媒妁之言」婚姻,展現了民主、自由以及個人主義精神的逐漸勃發,而此「民主化」走向,促使知識份子對於「自由」的內涵,該作為一種受父兄監督之行為?或是心靈、身體更進一步的解放?產生了種種論辯交鋒。隨著新舊價值磋商,以及都市文化的興起,在三○年代,「自由戀愛」話語獲得成立,小說反應了對於「戀愛」內涵的思辨、新文明婚姻範式的構築,皆肯定了「情感」作為一普世價值的新道德。進入戰爭期後,則可觀察到此話語在呼應國策時呈現的轉折,以及之間的縫隙。 在釐析言情話語遞進的脈絡後,針對「自由戀愛」一詞的實踐,在性別、政治社會文化等各層面意義,有所探討。首先是政治上,具有「外於殖民」的特性,而性別意義方面,作家在男女主角造像上,呈現「女性遞強,男性遞弱」的趨勢,正可對本欲寓托的父權概念產生反諷作用,最終在社會文化意義上,體現了對「情感」價值的注重,同時帶動一系列變動:個人意識的抬頭、家庭、婚姻概念的重鑄,逆轉了儒家倫理位階。以上種種,皆可闡明「自由戀愛」話語(discourse)在日治時期台灣生成,並非僅是「談情說愛」的「詞語」(term),更蘊含兩性關係逐漸民主化的趨勢,並且對公領域造成相當程度的影響。 This thesis aims to investigate the emergence and evolvement of “Free Love” Discourse through the diachronic change of “Yanqing” in the popular novels, which were published in the newspaper and magazines during the Japanese ruling period (1895-1945). Before the idea of “Free Love” was brought to Taiwan by some new intellectuals as a trend of enlightenment, the language of “Yanqing” went from “Chin-yuan”, free marriage, to free love. Although the concept of “Chin-yuan” was still closely related to destiny, yet the Confucius idea of “li” appeared to be unstablized. With the free marriage idea that followed, the traditional kind of marriages used to be appointed by parents or matchmakers were modified, representing liberation, individualism, and personal freedom in Taiwan at that time. Due to the collision of traditional and modern values, as well as the rise of urban culture, the discourse of “free love” was set in the 1930s, and the popular novels showed the modernization progress of love and that love appeared as a kind of new morals. In addition, this thesis tries to further examine how the concept of “Free Love” was practiced in the field of gender, politics, and culture. The role of female in the novels seemed increasingly superior to male, not only as an irony to the masculine, but it also reverses the Confucius hierarchy of family over the individuals. Hence, the emergence of “Free Love” discourse during the Japanese ruling period is not merely a term of love; most of all, it implies the shuffle of gender both in private and public social domains. |
URI: | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/45195 |
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顯示於系所單位: | 臺灣文學研究所 |
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