搖滾樂中的國族想像 ──以羅大佑與閃靈的音樂創作為例──

Abstract

搖滾樂除了是一種獨特的音樂形式之外，更是個人與集體表達政治理念的方式之一，也是社會運動場域中進行政治傳播與政治動員的重要媒介。音樂創作的形式與內容往往深受社會脈絡的影響，然而更重要的是，音樂也可以透過集體的行動，來激發實質的轉變。是故，本文試圖以羅大佑和閃靈的音樂作品作為個案研究的主體，觀察他們是如何透過音樂與實際的政治參與傳達出自己的國族想像，以及他們的音樂又與外在的社會脈絡之間有著怎樣的關係，藉此對臺灣當前的政治發展與社會發展有所省思。

Rock & roll is not only a unique musical form, it’s also one of the means for an individual or a group of people to express their political ideas and an important medium for political communication and political mobilization in the arena of social movements. The form and content of musical creation are often deeply influenced by social contexts, but more importantly, music can also accelerate substantial change through collective action. Therefore, I intend to take the musical works of Da-You Luo and ChthoniC as the subjects of my case studies, look into the way they express their nationalist imaginaries through music and practical political participation, and find out what kind of relationship that their music and the external social contexts hold, then reflect on the current political and social development in Taiwan.