試論元青花「至正樣式」－以雙獸耳大罐為例

Abstract

本文研究一類帶有特殊器耳造型的雙獸耳大罐，主要分成三個部分。第一部分從分析器上紋飾的角度出發，分析元青花至正樣式中卷草紋、雲肩紋、纏枝牡丹紋的幾種不同樣貌，並試圖從中找出時代變遷的痕跡。第二部分則根據紋飾變遷的線索，回應現今學界對於明代功臣墓出土至正樣式青花的燒造年代問題，以及提示越南青花的可能來源。最後第三部分則是回到獸耳罐本身，試圖探討其罐身與器耳的造型來源。

This thesis try to reconsider the development of the style of Fourteenth Century blue-and-white porcelain. By analyzing and re-organizing the motifs on the jars with lion-head handles, there is very likely that the style of fourteenth Century blue-and-white may continue being manufactured during Ming dynasty.