萩原朔太郎『吠月』論

Abstract

萩原朔太郎（明治19年（1886）∼昭和17年（1942））為大正時期的代表詩人。大正2年（1913）於北原白秋所主辦之文藝雜誌『朱欒』發表五篇詩作品，自此正式登上詩壇。更於大正6年（1917）出版首部詩集『吠月』，以詩人的身分獲得肯定。善於運用其纖細敏銳的感覺捕捉近代人的孤獨與不安，透過幻想風的心象將之呈現，是其詩風的一大特徵。 在詩集『吠月』中，朔太郎在運用各種病態的心象呈現以其特有之敏銳感覺所體會到的人類的孤獨與不安的同時，是否也抱持著藉由詩來超克人類負面之精神狀態的意圖？抑或是單純以詩來表達自己的感覺，尋求他人的理解？本論文試圖針對上述問題意識進行回答。 本論文序章說明研究動機、先行研究及研究方法。 第一章前半部分論及『吠月』發行前的朔太郎之生活、其短歌創作活動以及與詩集相關之人際關係。後半部分則針對其詩論與詩集『吠月』的架構進行探討。 第二章以和詩集『吠月』本質息息相關之「月」「犬」「疾患」「腐蝕」「都市」「故郷」「性意識」等心象為對象，針對這些心象進行分析，探討其功能與表現論上之意義。 第三章則針對『吠月』中透過視覺、聽覺及觸覺等感覺表現，以朔太郎特有之詩法所建構之富有幻覺美與特殊節奏的詩世界進行探討。 本論文之結論為：朔太郎的短歌創作活動與『吠月』中所呈現的詩風與表現息息相關。其短歌創作活動與詩的創作之間並非中斷，應可視為其詩創作的基礎。 朔太郎自由運用如象徵般幻想風的心象，以及不受限於文語調之感覺性節奏，將之組合而建構出其特有的詩世界。 朔太郎將具有個別肉體的人類所無法分享的感覺，透過詩來傳遞。他的詩，彷彿跨越了人類的孤獨。

Hagiwara Sakutaro (1886 - 1942) is a presentative of the Taisho era poet. In 1913,After five poems were published on the literary magazine “Zanboa” organized by Kitahara Hakushu. Sakutaro become a poet. In 1917, after published his first poetry 'Tsuki ni hoeru”, Sakutaro be recognized as a poet. Good at using his slender and keen sense of capturing the loneliness and anxiety of modern people through fantastic images, is a major feature of his poetry. In the the poetry 'Tsuki ni hoeru', Sakutaro used a variety of pathological images to present human loneliness and anxiety. Does he try to overcome those negative mental state of humans ? Or He just tried to express his feelings through poerty ? Seeking understanding of others? This thesis attempts to answer those questions. Prologue of this thesis explains the motive, the first research and research methods. Chapter I deals with Sakutaro’s life before “Tsuki ni hoeru' was published. This Chapter also deals with Sakutaro’s creavite activities of Tanka. Chapter II deals with images that were related to the essense of “Tsuki ni hoeru”. Those images including 'month', 'dog' 'disorder,' 'corrosion', 'city', 'homeland' 'sexual awareness'. Bt analysing those image to uncover its function and the performance of the theory of meaning. Chapter III deals with visual, auditory and tactile feeling constructed by Sakutaro unique poetry technique. Conclution comes first: Sakutaro’s tanka creative activities is the basis of creating “Tsuki ni hoeru”. Sakutaro used fantastic images as well as unlimited text tone of feeling rhythm, the combination of images and rhythm to construct unique poetry world. Feelings can not be shared through individual human bodies. But it can be shared through poetry. We may overcome loneliness through Sakutaro’s poetry