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完整後設資料紀錄
DC 欄位 | 值 | 語言 |
---|---|---|
dc.contributor.advisor | 蔡振家(Chen-Gia Tsai) | |
dc.contributor.author | Li-Ching Wang | en |
dc.contributor.author | 王俐晴 | zh_TW |
dc.date.accessioned | 2021-05-20T21:35:07Z | - |
dc.date.available | 2010-08-19 | |
dc.date.available | 2021-05-20T21:35:07Z | - |
dc.date.copyright | 2010-08-19 | |
dc.date.issued | 2010 | |
dc.date.submitted | 2010-08-16 | |
dc.identifier.citation | 胡名霞,2001初版。《動作控制與動作學習》。臺北:金名圖書。
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dc.identifier.uri | http://tdr.lib.ntu.edu.tw/jspui/handle/123456789/10508 | - |
dc.description.abstract | 音樂與身體律動有著密切的關係,即使是沒有受過音樂訓練的人,也常不由自主地隨著音樂踩腳或點頭。是什麼樣的因素與機制,使演奏者或聆聽者跟著音樂律動?不同的律動型態,又如何影響對音樂的認知?本研究結合田野調查與生理訊號測量來探討上述議題。筆者先觀察各種音樂場域中,樂手與聽眾的身體律動模式,分析他們的動作和音樂拍節的關係。為了更進一步探討動作與音樂節拍的相位關係,筆者再進行兩項實驗:第一,研究不同樂種中利用手部動作來數拍的傳統,測量北管、南管與西洋古典音樂中的指揮,在跟著該樂種的音樂數拍時的手部加速度訊號,分析這些動作與音樂拍節的關係;第二,當聽者在隨著節奏鮮明的電子音樂律動身體(頭、食指與大腳趾)時,測量頭頂中央的腦電波(EEG, electroencephalography)、律動部位的加速度訊號,與手指的膚電訊號。實驗結果顯示,一般人習慣在正拍上用頭部跟著律動,而對樂手來說,身體律動造成的觸覺及本體覺刺激,都能幫助對拍節結構的接收,其中以觸覺最為重要,其次是順著地心引力的動作所引發的本體覺。頭部的律動能改變大腦額葉中央的腦波,且引發顯著的膚電反應,這或許也意味著聽眾最融入於音樂之中。 | zh_TW |
dc.description.abstract | There is a close relationship between music and body movements. Even those who are musically untrained tap their feet or nod their heads with music automatically. What are the reasons and the mechanisms that make music players and listeners move with music? How do different motor patterns affect music perception? This study combines fieldwork and physiological signal measurements to investigate these issues. Observations of the motor patterns in different music fields were followed by two experimental studies that examined the phase relationships between music beats and body movements. The first experiment analyzed music traditions of beat-counting. The acceleration of the hand movements of nanguan musicians, beiguan musicians and conductors in western classic music were measured, and the relationships between the motor patterns and the metrical structures were analyzed. In the second experiment, the EEG (electroencephalography) signals, body acceleration and skin conductance of listeners were recorded when they were moving with music. It was found that most people are used to nodding their heads on downbeat. For musicians, both tactile and proprioceptive feedbacks facilitate the perception for metrical structure. The tactile feedback is the most important one followed by the proprioceptive feedback induced by the movement which is in the same direction as gravity. Head movements influenced the brain wave recorded above the mid-frontal cortex and evoke significant increases in skin conductance, which may indicate listeners’ deep involvement in music. | en |
dc.description.provenance | Made available in DSpace on 2021-05-20T21:35:07Z (GMT). No. of bitstreams: 1 ntu-99-R96144005-1.pdf: 4040265 bytes, checksum: 31a87a99570a71dc4dd02018e4846a10 (MD5) Previous issue date: 2010 | en |
dc.description.tableofcontents | 目 錄
口試委員審定書 i 誌謝 ii 中文摘要 iii 英文摘要 iv 目錄 v 圖目錄 xiii 表目錄 x 第一章 緒論 1 第一節 研究背景與動機 1 第二節 研究目的 5 第三節 研究方法 7 一、田野觀察 8 二、動作分析與加速度測量 8 三、生理訊號測量 8 第二章 理論架構與文獻探討 11 第一節 動作協調 14 第二節 節奏認知 16 第三節 前庭感覺與聽覺的整合 21 第四節 節奏與身體律動的神經造影研究 23 第五節 小結 26 第三章 聽眾的身體律動:田野觀察 29 第一節 田野觀察紀錄 29 一、大型流行歌演唱會 30 二、大型露天開放式空間的演出 35 三、爵士音樂 39 四、其他各式民族音樂 43 第二節 音樂類型與律動形式 46 一、音樂演出的環境 47 二、音樂的速度 49 三、聆聽者的類型 51 第三節 小結 54 一、音樂特性造成動作相位(發生在正拍或反拍)的不同 55 二、音樂速度使產生動作的平面不同 55 三、演出者與聽眾的動作具有功能性 56 第四章 以身體律動來鞏固節拍:動作分析 57 第一節 實驗目的 57 第二節 實驗方法 57 一、實驗對象 57 二、刺激材料 57 三、實驗儀器 58 四、實驗步驟 58 五、數據處理 60 第三節 實驗結果 60 第四節 實驗討論 63 一、各樂種的傳統中,動作與拍子的關聯 63 二、比較同樂種中不同樂手的差異 64 三、比較不同樂種中數拍傳統的意義 65 第五節 小結 71 一、數拍動作反應拍子階層性 71 二、臺灣傳統音樂與西洋古典音樂不同的數拍意義 72 三、數拍傳統動作與田野觀察結果討論 72 第五章 聽眾的身體律動:生理訊號測量 75 第一節 實驗目的 75 第二節 研究方法 76 一、受測者 76 二、音樂刺激材料 76 三、器材使用 78 四、實驗步驟 79 五、數據處理 81 第三節 實驗結果 84 一、受測者尚未主動律動身體時的生理訊號 84 二、受測者跟著音樂律動時的生理訊號分析 85 第四節 討論與小結 97 一、腦電波與加速規訊號分析 97 二、膚電訊號的分析 100 三、研究限制 101 第六章 結論 103 參考文獻 107 | |
dc.language.iso | zh-TW | |
dc.title | 身體隨著音樂而律動:動作型態與生理訊號測量研究 | zh_TW |
dc.title | Rocking to the Music: A Study of Motor Patterns and Physiological Measures | en |
dc.type | Thesis | |
dc.date.schoolyear | 98-2 | |
dc.description.degree | 碩士 | |
dc.contributor.oralexamcommittee | 王淑芬,陳一平 | |
dc.subject.keyword | 節奏,拍節結構,動作形態,腦電波,前庭刺激, | zh_TW |
dc.subject.keyword | rhythm,metrical structure,motor pattern,EEG,vestibular stimuli, | en |
dc.relation.page | 115 | |
dc.rights.note | 同意授權(全球公開) | |
dc.date.accepted | 2010-08-17 | |
dc.contributor.author-college | 文學院 | zh_TW |
dc.contributor.author-dept | 音樂學研究所 | zh_TW |
顯示於系所單位: | 音樂學研究所 |
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