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NTU Theses and Dissertations Repository
Browsing by Author 楊建章(Chien-Chang Yang)
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Showing results 1 to 13 of 13
Publication Year
Title
Author(s)
Department
2018
「再政治化」日本戰後音樂史:以黛敏郎的後期創作活動為例
“Re-politicizing” Japanese Postwar Music History: The Case of Toshirō Mayuzumi’s late works
Cheng Lin; 林政
音樂學研究所
2008
從“Just for the Love”到“Giant Steps”-約翰柯川早期作品中獨特的和聲/調性結構
From “Just for the Love” to “Giant Steps”-The Unique Harmonic/Tonal Structures in John Coltrane's Early Compositions
Kun-Ter Chang; 張坤德
音樂學研究所
2022
從東西混血到包含日本的亞細亞:三木稔對「異音」與「跨文化創作」的反思實踐
From East-West Hybridity to Japan’s Asianess: Minoru Miki's Reflective Practice of Heterophony and Cross-cultural Composing
Guan-Jhen Huang; 黃冠蓁
音樂學研究所
2015
想像臺灣?臺灣當代音樂創作中的南管
Imagining Taiwan? Nanguan in Taiwanese Contemporary Music Compositions
I-Hua Yang; 楊宜樺
音樂學研究所
2015
擺盪於動靜間的非敘事影音:以黑川良一《流變:五個視野》為例
The Non-narrative Audiovisual Oscillating between Dynamic and Static States: Analyzing Ryoichi Kurokawa’s Rheo: 5 Horizons
Yi-Ju Hsieh; 謝宜儒
音樂學研究所
2011
日治時期臺灣文人聽覺經驗中的工具現代性
Instrumental Modernity in Taiwanese Literati’s Listening Experiences under Japanese Colonial Rule
Yen-Jui Chen; 陳彥睿
音樂學研究所
2015
由台北市立國樂團的發展看交響化與西樂中奏裡猶疑的國樂主體性
The Uncertain Identity of Chinese Music: Symphonization and Adaptation from Western Music in the Development of Taipei Chinese Orchestra
Min-Erh Wang; 王敏而
音樂學研究所
2020
聆聽一戰:樂團「新建築倒塌」的《輓歌》
Listening to WWI: Einstürzende Neubauten’s Lament
Tzu-Ying Chuang; 莊子瑩
音樂學研究所
2020
臺灣自然音樂中的科學認知主義、環境倫理與美學:以《狼》(1996)、《森林狂想曲》(1999)和《青蛙四季唱遊》(2001)為例
Scientific Cognitivism, Environmental Ethics and Aesthetics in Taiwan’s “Natural Music”:A Case Study of Bleeding Wolves (1996), The Forest Show (1999) and Frog’s Show (2001)
Yu-Hsuan Liao; 廖于萱
音樂學研究所
2016
荷西・馬希達研究論著與音樂作品中的策略本質主義與亞洲作為方法
The 'Strategic Essentialism' and 'Asia as Method' in Jose Maceda's Academic Writings and Musical Compositions
Hui-Ping Lee; 李惠平
音樂學研究所
2006
蓋希文器樂音樂語法的風格策略-以《藍色狂想曲》、《F調鋼琴協奏曲》與《一個美國人在巴黎》為例
Gershwin's Melodic Strategies in Instrumental Music:A Stylistic Study of 'Rhapsody in Blue,' “Concerto in F for Piano and Orchestra,' and 'An American in Paris'
Ya-Ting Yang; 楊雅婷
音樂學研究所
2014
論普法戰爭後法國東方主義歌劇裡「自我」和「他者」的性別化:以《拉克美》、《泰綺思》和《黃種公主》為例
Gendering 'self' and 'Other' in French orientalist operas after the Franco-Prussian War: Lakmé, Thaïs and La Princesse Jaune
Chia-Ling Chou; 周佳玲
音樂學研究所
2016
香港想像「中國」: 以金庸武俠電視劇中的歌曲為例
Hong Kong Imaging China in Jin Yong’s Wuxia TV Original TV Songs
Chia-Hsin Chang; 張佳欣
音樂學研究所